Rapid temporal recalibration occurs crossmodally without stimulus specificity but is absent unimodally

No effect of spatial congruence on rapid temporal recalibration to audiovisual asynchrony

The brain integrates multisensory information to construct coherent perceptual representations based on spatial and temporal congruence. Intriguingly, multisensory timing perception can be flexibly calibrated. Repeated exposure to audiovisual asynchrony induces shifts in subjective simultaneity (temporal recalibration). Spatial congruence is known to serve as a grouping cue for recalibration when the audiovisual temporal relationship is ambiguous during exposure. A single exposure to audiovisual asynchrony can also trigger temporal recalibration (rapid recalibration). However, it has been suggested that the underlying mechanisms of these temporal recalibrations differ. Here, we examined whether spatial congruence can be a grouping cue for rapid recalibration when audiovisual pairs are not defined by temporal relationships. Participants made a simultaneity judgment for a pair of audiovisual stimuli after adapting three consecutive stimuli once in a "light-sound-light" or "sound-light-sound" order with an equal temporal interval. The spatial positions of the adapting stimuli were manipulated as an audiovisual pair from the same position (e.g., left) and the remaining stimulus from another position (e.g., right). In three experiments, the spatial congruence of the audiovisual adapting stimuli did not show a modulatory effect, while we replicated the rapid recalibration effects. Rather, rapid recalibration occurred according to the temporal order of the first light and sound. Our findings suggest that, in contrast to temporal recalibration with repeated exposure, the perceptual systems underlying rapid recalibration simply combine individual visual and auditory inputs based on the order in which they arrive.

Opposing serial dependencies revealed for sequences of auditory emotional stimuli

Our percept of the world is not solely determined by what we perceive and process at a given moment in time, but also depends on what we processed recently. In the present study, we investigate whether the perceived emotion of a spoken sentence is contingent upon the emotion of an auditory stimulus on the preceding trial (i.e., serial dependence). Thereto, participants were exposed to spoken sentences that varied in emotional affect by changing the prosody that ranged from 'happy' to 'fearful'. Participants were instructed to rate the emotion. We found a positive serial dependence for emotion processing whereby the perceived emotion was biased towards the emotion on the preceding trial. When we introduced 'no-go' trials (i.e., no rating was required), we found a negative serial dependence when participants knew in advance to withhold their response on a given trial (Experiment 2) and a positive serial dependence when participants received the information to withhold their response after the stimulus presentation (Experiment 3). We therefore established a robust serial dependence for emotion processing in speech and introduce a methodology to disentangle perceptual from post-perceptual processes. This approach can be applied to the vast majority of studies investigating sequential dependencies to separate positive from negative serial dependence.

Change of rapid temporal recalibration magnitude for audiovisual asynchrony with modulation of temporal binding window width: A preliminary investigation

The subjective synchrony perception for audiovisual stimuli is affected by previous temporal information. The point of subjective simultaneity is shifted toward the same asynchronous direction of audiovisual stimuli in a previous trial. This phenomenon is called "rapid temporal recalibration." The factors that modulate the magnitude of rapid temporal recalibration have not been fully investigated. Previously, a positive correlation has been found between the magnitude of rapid temporal recalibration and the width of the temporal binding window (TBW). This preliminary study examined the causal relationship between TBW size and rapid recalibration magnitude using a single experimental group comparison design. In this experiment, the magnitude of rapid recalibration was compared before and after perceptual training, which narrowed the TBW width. The results indicated that the magnitude of rapid recalibration was reduced by perceptual training. Therefore, it was speculated that TBW size determined the magnitude of rapid recalibration. This causal relationship helps elucidate the mechanisms of the adaptation for temporal lags between visual and auditory sensations.

The processing of subthreshold visual temporal order is transitory and motivation-dependent

Processing a sequence of events is different from encoding the relative order of the elements composing the sequence. Whether order processing arises automatically from the sequential processing of events is yet unknown, however the literature suggests that order processing can occur at an automatic level when the order of stimuli is not detected consciously. In the present study, we aimed to investigate the question of automatic order processing in a difficult visual task where participants identified one among two possible target luminances. The luminance of the targets was contingent on the order of presentation of two visual cues separated by a subthreshold asynchrony. Participants' performance was compared to that in a control condition where the cues were presented synchronously. In a first experiment, participants' performance benefited from the use of subthreshold order information compared to the control condition, however this facilitation effect was transient and disappeared over the course of the experiment. In a second experiment, we investigated and confirmed the role of motivation, via a monetary incentive, on the previously observed effect. Taken together, our results suggest that the processing of temporal order of sub-threshold asynchronies is possible, although fragile and likely dependent on task requirements.

Musical training refines audiovisual integration but does not influence temporal recalibration

When the brain is exposed to a temporal asynchrony between the senses, it will shift its perception of simultaneity towards the previously experienced asynchrony (temporal recalibration). It is unknown whether recalibration depends on how accurately an individual integrates multisensory cues or on experiences they have had over their lifespan. Hence, we assessed whether musical training modulated audiovisual temporal recalibration. Musicians (n = 20) and non-musicians (n = 18) made simultaneity judgements to flash-tone stimuli before and after adaptation to asynchronous (± 200 ms) flash-tone stimuli. We analysed these judgements via an observer model that described the left and right boundaries of the temporal integration window (decisional criteria) and the amount of sensory noise that affected these judgements. Musicians’ boundaries were narrower (closer to true simultaneity) than non-musicians’, indicating stricter criteria for temporal integration, and they also exhibited enhanced sensory precision. However, while both musicians and non-musicians experienced cumulative and rapid recalibration, these recalibration effects did not differ between the groups. Unexpectedly, cumulative recalibration was caused by auditory-leading but not visual-leading adaptation. Overall, these findings suggest that the precision with which observers perceptually integrate audiovisual temporal cues does not predict their susceptibility to recalibration.

No differences between adults with and without autism in audiovisual synchrony perception

LAY ABSTRACT

It has been known for a long time that individuals diagnosed with autism spectrum disorder perceive the world differently. In this study, we investigated how people with or without autism perceive visual and auditory information. We know that an auditory and a visual stimulus do not have to be perfectly synchronous for us to perceive them as synchronous: first, when the two are within a certain time window (temporal binding window), the brain will tell us that they are synchronous. Second, the brain can also adapt quickly to audiovisual asynchronies (rapid recalibration). Although previous studies have shown that people with autism spectrum disorder have different temporal binding windows, and less rapid recalibration, we did not find these differences in our study. However, we did find that both processes develop over age, and since previous studies tested only young people (children, adolescents, and young adults), and we tested adults from 18 to 55 years, this might explain the different findings. In the end, there might be quite a complex story, where people with and without autism spectrum disorder perceive the world differently, even dependent on how old they are.

Serial Dependence of Emotion Within and Between Stimulus Sensory Modalities

How we perceive the world is not solely determined by what we sense at a given moment in time, but also by what we processed recently. Here we investigated whether such serial dependencies for emotional stimuli transfer from one modality to another. Participants were presented a random sequence of emotional sounds and images and instructed to rate the valence and arousal of each stimulus (Experiment 1). For both ratings, we conducted an intertrial analysis, based on whether the rating on the previous trial was low or high. We found a positive serial dependence for valence and arousal regardless of the stimulus modality on two consecutive trials. In Experiment 2, we examined whether passively perceiving a stimulus is sufficient to induce a serial dependence. In Experiment 2, participants were instructed to rate the stimuli only on active trials and not on passive trials. The participants were informed that the active and passive trials were presented in alternating order, so that they were able to prepare for the task. We conducted an intertrial analysis on active trials, based on whether the rating on the previous passive trial (determined in Experiment 1) was low or high. For both ratings, we again observed positive serial dependencies regardless of the stimulus modality. We conclude that the emotional experience triggered by one stimulus affects the emotional experience for a subsequent stimulus regardless of their sensory modalities, that this occurs in a bottom-up fashion, and that this can be explained by residual activation in the emotional network in the brain.

Temporal recalibration in vision requires location-based binding

Occupying the same location and occurring at the same time are the essential spatial and temporal factors for different features of a natural event or object to be integrated. Audio-visual temporal recalibration, as a temporal integration mechanism, refers to the brain's capacity to perceive simultaneity by adjusting for differential delays in the transmission of auditory and visual signals. Co-localization of auditory and visual information, however, is found not to be necessary for audio-visual temporal recalibration to occur. Here, we show that after exposure to a time lag between a visual flash and a visual collision, simultaneity responses were shifted toward an adapt lag in a bound condition where the flash and collision belonged to the same object but not in a separate condition where the flash and collision belonged to spatially separated objects. The results demonstrate that location-based binding is a requisite for temporal recalibration within the visual modality. Our finding suggests that the brain takes the modality difference in object localization into consideration when integrating temporally asynchronous signals.

Rapid Temporal Recalibration to Audiovisual Asynchrony Occurs Across the Difference in Neural Processing Speed Based on Spatial Frequency

Audiovisual integration relies on temporal synchrony between visual and auditory stimuli. The brain rapidly adapts to audiovisual asynchronous events by shifting the timing of subjective synchrony in the direction of the leading modality of the most recent event, a process called rapid temporal recalibration. This phenomenon is the flexible function of audiovisual synchrony perception. Previous studies found that neural processing speed based on spatial frequency (SF) affects the timing of subjective synchrony. This study examined the effects of SF on the rapid temporal recalibration process by discriminating whether the presentation of the visual and auditory stimuli was simultaneous. I compared the magnitudes of the recalibration effect between low and high SF visual stimuli using two techniques. First, I randomly presented each SF accompanied by a tone during one session, then in a second experiment, only a single SF was paired with the tone throughout the one session. The results indicated that rapid recalibration occurred regardless of difference in presented SF between preceding and test trials. The recalibration magnitude did not significantly differ between the SF conditions. These findings confirm that intersensory temporal process is important to produce rapid recalibration and suggest that rapid recalibration can be induced by the simultaneity judgment criterion changes attributed to the low-level temporal information of audiovisual events.

Where and when to look: Sequential effects at the millisecond level

Learning and imitating a complex motor action requires to visually follow complex movements, but conscious perception seems too slow for such tasks. Recent findings suggest that visual perception has a higher temporal resolution at an unconscious than at a conscious level. Here we investigate whether high-temporal resolution in visual perception relies on prediction mechanisms and attention shifts based on recently experienced sequences of visual information. To that aim we explore sequential effects during four different simultaneity/asynchrony discrimination tasks. Two stimuli are displayed on each trial with varying stimulus onset asynchronies (SOA). Subjects decide whether the stimuli are simultaneous or asynchronous and give manual responses. The main finding is an advantage for different-order over same-order trials, when subjects decided that stimuli had been simultaneous on Trial t - 1 , and when Trial t is with an SOA slightly larger than Trial t - 1, or equivalent. The advantage for different-order trials disappears when the stimuli change eccentricity but not direction between trials (Experiment 2), and persists with stimuli displayed in the centre and unlikely to elicit a sense of direction (Experiment 4). It is still observed when asynchronies on Trial t - 1 are small and undetected (Experiment 3). The findings can be explained by an attention shift that is precisely planned in time and space and that incidentally allows subjects to detect an isolated stimulus on the screen, thus helping them to detect an asynchrony.

Dissociating the sequential dependency of subjective temporal order from subjective simultaneity

The physical simultaneity between two events can differ from our point of subjective simultaneity (PSS). Studies using simultaneity judgments (SJ) and temporal order judgments (TOJ) tasks have shown that whether two events are reported as simultaneous is highly context-dependent. It has been recently suggested that the interval between the two events in the previous trial can modulate judgments both in SJ and TOJ tasks, an effect named rapid recalibration. In this work, we investigated rapid recalibration in SJ and TOJ tasks and tested whether centering the range of presented intervals on perceived simultaneity modulated this effect. We found a rapid recalibration effect in TOJ, but not in SJ. Moreover, we found that centering the intervals on objective or subjective simultaneity did not change the pattern of results. Interestingly, we also found no correlations between an individual’s PSS in TOJ and in SJ tasks, which corroborates other studies in suggesting that these two psychophysical measures may capture different processes.

Shared neural underpinnings of multisensory integration and trial-by-trial perceptual recalibration in humans

Perception adapts to mismatching multisensory information, both when different cues appear simultaneously and when they appear sequentially. While both multisensory integration and adaptive trial-by-trial recalibration are central for behavior, it remains unknown whether they are mechanistically linked and arise from a common neural substrate. To relate the neural underpinnings of sensory integration and recalibration, we measured whole-brain magnetoencephalography while human participants performed an audio-visual ventriloquist task. Using single-trial multivariate analysis, we localized the perceptually-relevant encoding of multisensory information within and between trials. While we found neural signatures of multisensory integration within temporal and parietal regions, only medial superior parietal activity encoded past and current sensory information and mediated the perceptual recalibration within and between trials. These results highlight a common neural substrate of sensory integration and perceptual recalibration, and reveal a role of medial parietal regions in linking present and previous multisensory evidence to guide adaptive behavior.

A good ventriloquist will make their audience experience an illusion. The speech the spectators hear appears to come from the mouth of the puppet and not from the puppeteer. Moviegoers experience the same illusion: they perceive dialogue as coming from the mouths of the actors on screen, rather than from the loudspeakers mounted on the walls. Known as the ventriloquist effect, this ‘trick’ exists because the brain assumes that sights and sounds which occur at the same time have the same origin, and it therefore combines the two sets of sensory stimuli.

A version of the ventriloquist effect can be induced in the laboratory. Participants hear a sound while watching a simple visual stimulus (for instance, a circle) appear on a screen. When asked to pinpoint the origin of the noise, volunteers choose a location shifted towards the circle, even if this was not where the sound came from. In addition, this error persists when the visual stimulus is no longer present: if a standard trial is followed by a trial that features a sound but no circle, participants perceive the sound in the second test as ‘drawn’ towards the direction of the former shift. This is known as the ventriloquist aftereffect.

By scanning the brains of healthy volunteers performing this task, Park and Kayser show that a number of brain areas contribute to the ventriloquist effect. All of these regions help to combine what we see with what we hear, but only one maintains representations of the combined sensory inputs over time. Called the medial superior parietal cortex, this area is unique in contributing to both the ventriloquist effect and its aftereffect.

We must constantly use past and current sensory information to adapt our behavior to the environment. The results by Park and Kayser shed light on the brain structures that underpin our capacity to combine information from several senses, as well as our ability to encode memories. Such knowledge should be useful to explore how we can make flexible decisions.

Rapid recalibration to audiovisual asynchrony follows the physical-not the perceived-temporal order

In natural scenes, audiovisual events deriving from the same source are synchronized at their origin. However, from the perspective of the observer, there are likely to be significant multisensory delays due to physical and neural latencies. Fortunately, our brain appears to compensate for the resulting latency differences by rapidly adapting to asynchronous audiovisual events by shifting the point of subjective synchrony (PSS) in the direction of the leading modality of the most recent event. Here we examined whether it is the perceived modality order of this prior lag or its physical order that determines the direction of the subsequent rapid recalibration. On each experimental trial, a brief tone pip and flash were presented across a range of stimulus onset asynchronies (SOAs). The participants' task alternated over trials: On adaptor trials, audition either led or lagged vision with fixed SOAs, and participants judged the order of the audiovisual event; on test trials, the SOA as well as the modality order varied randomly, and participants judged whether or not the event was synchronized. For test trials, we showed that the PSS shifted in the direction of the physical rather than the perceived (reported) modality order of the preceding adaptor trial. These results suggest that rapid temporal recalibration is determined by the physical timing of the preceding events, not by one's prior perceptual decisions.

Rapid Audiovisual Temporal Recalibration Generalises Across Spatial Location

Recent exposure to asynchronous multisensory signals has been shown to shift perceived timing between the sensory modalities, a phenomenon known as 'temporal recalibration'. Recently, Van der Burg et al. (2013, J Neurosci, 33, pp. 14633-14637) reported results showing that recalibration to asynchronous audiovisual events can happen extremely rapidly. In an extended series of variously asynchronous trials, simultaneity judgements were analysed based on the modality order in the preceding trial and showed that shifts in the point of subjective synchrony occurred almost instantaneously, shifting from one trial to the next. Here we replicate the finding that shifts in perceived timing occur following exposure to a single, asynchronous audiovisual stimulus and by manipulating the spatial location of the audiovisual events we demonstrate that recalibration occurs even when the adapting stimulus is presented in a different location. Timing shifts were also observed when the adapting audiovisual pair were defined only by temporal proximity, with the auditory component presented over headphones rather than being collocated with the visual stimulus. Combined with previous findings showing that timing shifts are independent of stimulus features such as colour and pitch, our finding that recalibration is not spatially specific provides strong evidence for a rapid recalibration process that is solely dependent on recent temporal information, regardless of feature or location. These rapid and automatic shifts in perceived synchrony may allow our sensory systems to flexibly adjust to the variation in timing of neural signals occurring as a result of delayed environmental transmission and differing neural latencies for processing vision and audition.

The Number of Stimulus-Onset Asynchronies Affects the Perception of the Sound-Induced Flash Illusion in Young and Older Adults

The sound-induced flash illusion is a multisensory illusion occurring when one flash is presented with two beeps and perceived as two flashes. Younger individuals are largely susceptible to the illusion when the stimulus onset asynchrony between the first and the second beep falls within the temporal window of integration, but the susceptibility falls dramatically outside of this short temporal range. Older individuals, in particular older adults prone to falling and/or mild cognitive impairment, show an extended susceptibility to the illusion. This suggests that they have inefficient multisensory integration, particularly in the temporal domain. In the present study, we investigated the reliability of the illusion across younger and older people, guided by the hypothesis that the experimental context, i.e., exposure to a wider or smaller number of stimulus onset asynchronies, would modify the intra-personal susceptibility to the illusion at shorter asynchronies vs. longer asynchronies, likely due to the gathering of model evidence based on Bayesian inference. We tested 22 young adults and 29 older adults and verified these hypotheses. Both groups showed higher susceptibility to the illusion when exposed to a smaller range of asynchronies, but only for longer ones, not within the 100 ms window. We discuss the theoretical implications in terms of online perceptual learning and practical implications in terms of standardisation of the experimental context when attempting to find normative values.

A Matched Comparison Across Three Different Sensory Pairs of Cross-Modal Temporal Recalibration From Sustained and Transient Adaptation

Sustained exposure to an asynchronous multisensory signal causes perceived simultaneity to shift in the direction of the leading component of the adapting stimulus. This is known as temporal recalibration, and recent evidence suggests that it can occur very rapidly, even after a single asynchronous audiovisual (AV) stimulus. However, this form of rapid recalibration appears to be unique to AV stimuli, in contrast to recalibration following sustained asynchronies which occurs with audiotactile (AT) and visuotactile (VT) stimuli. This study examines temporal recalibration to AV, VT and AT asynchrony with spatially collocated stimuli using a design that produces both sustained and inter-trial recalibration by combining the traditional sustained adaptation approach with an inter-trial analysis of sequential dependencies in an extended test period. Thus, we compare temporal recalibration to both sustained and transient asynchrony in three crossmodal combinations using the same design, stimuli and observers. The results reveal that prolonged exposure to asynchrony produced equivalent temporal recalibration for all combinations: AV, AT and VT. The pattern for rapid, inter-trial recalibration was very different. Rapid recalibration occurred strongly for AV stimuli, weakly for AT and did not occur at all for VT. For all sensory pairings, recalibration from sustained asynchrony decayed to baseline during the test phase while inter-trial recalibration was present and stable throughout testing, suggesting different mechanisms may underlie adaptation at long and short timescales.

Voluntary and Involuntary Movements Widen the Window of Subjective Simultaneity

Forming a coherent percept of an event requires different sensory inputs originating from the event to be bound. Perceiving synchrony aids in binding of these inputs. In two experiments, we investigated how voluntary movements influence the perception of simultaneity, by measuring simultaneity judgments (SJs) for an audiovisual (AV) stimulus pair triggered by a voluntary button press. In Experiment 1, we manipulated contiguity between the action and its consequences by introducing delays between the button press and the AV stimulus pair. We found a widened window of subjective simultaneity (WSS) when the action-feedback relationship was time contiguous. Introducing a delay narrowed the WSS, suggesting that the wider WSS around the time of an action might facilitate perception of simultaneity. In Experiment 2, we introduced an involuntary condition using an externally controlled button to assess the influence of action-related predictive processes on SJs. We found a widened WSS around the action time, regardless of movement type, supporting the influence of causal relations in the perception of synchrony. Interestingly, the slopes of the psychometric functions in the voluntary condition were significantly steeper than the slopes in the involuntary condition, suggesting a role of action-related predictive mechanisms in making SJs more precise.

Duration Aftereffect Depends on the Duration of Adaptation

It has been widely demonstrated that a prolonged adaptation to a relatively long or short stimulus leads to a robust repulsive duration aftereffect. However, little is known about the rapid adaptation to stimulus duration. In this study, we investigated whether the duration aftereffect could also be induced by short-term adaptation to stimuli of both sub- and supra-second durations. To control for the internal reference for duration judgment, participants were adapted to a stimulus of medium duration, and then tested with both longer and shorter stimuli. We found that the duration aftereffect was only observed after long-term adaptation to stimuli of both sub- and supra-second durations, which suggests that the exposure time to the adaptor is a fundamental factor in determining the duration aftereffect. Our findings offer further evidence of the duration aftereffect, which in this study was dissociated from the anchor effect and high-level aftereffects.

Linear Summation of Repulsive and Attractive Serial Dependencies: Orientation and Motion Dependencies Sum in Motion Perception

Recent work from several groups has shown that perception of various visual attributes in human observers at a given moment is biased toward what was recently seen. This positive serial dependency is a kind of temporal averaging that exploits short-term correlations in visual scenes to reduce noise and stabilize perception. To date, this stabilizing "continuity field" has been demonstrated on stable visual attributes such as orientation and face identity, yet it would be counterproductive to apply it to dynamic attributes in which change sensitivity is needed. Here, we tested this using motion direction discrimination and predict a negative perceptual dependency: a contrastive relationship that enhances sensitivity to change. Surprisingly, our data showed a cubic-like pattern of dependencies with positive and negative components. By interleaving various stimulus combinations, we separated the components and isolated a positive perceptual dependency for motion and a negative dependency for orientation. A weighted linear sum of the separate dependencies described the original cubic pattern well. The positive dependency for motion shows an integrative perceptual effect and was unexpected, although it is consistent with work on motion priming. These findings suggest that a perception-stabilizing continuity field occurs pervasively, occurring even when it obscures sensitivity to dynamic stimuli.SIGNIFICANCE STATEMENT Recent studies show that visual perception at a given moment is not entirely veridical, but rather biased toward recently seen stimuli: a positive serial dependency. This temporal smoothing process helps perceptual continuity by preserving stable aspects of the visual scene over time, yet, for dynamic stimuli, temporal smoothing would blur dynamics and reduce sensitivity to change. We tested whether this process is selective for stable attributes by examining dependencies in motion perception. We found a clear positive dependency for motion, suggesting that positive perceptual dependencies are pervasive. We also found a concurrent negative (contrastive) dependency for orientation. Both dependencies combined linearly to determine perception, showing that the brain can calculate contrastive and integrative dependencies simultaneously from recent stimulus history when making perceptual decisions.

The Impact of Feedback on the Different Time Courses of Multisensory Temporal Recalibration

The capacity to rapidly adjust perceptual representations confers a fundamental advantage when confronted with a constantly changing world. Unexplored is how feedback regarding sensory judgments (top-down factors) interacts with sensory statistics (bottom-up factors) to drive long- and short-term recalibration of multisensory perceptual representations. Here, we examined the time course of both cumulative and rapid temporal perceptual recalibration for individuals completing an audiovisual simultaneity judgment task in which they were provided with varying degrees of feedback. We find that in the presence of feedback (as opposed to simple sensory exposure) temporal recalibration is more robust. Additionally, differential time courses are seen for cumulative and rapid recalibration dependent upon the nature of the feedback provided. Whereas cumulative recalibration effects relied more heavily on feedback that informs (i.e., negative feedback) rather than confirms (i.e., positive feedback) the judgment, rapid recalibration shows the opposite tendency. Furthermore, differential effects on rapid and cumulative recalibration were seen when the reliability of feedback was altered. Collectively, our findings illustrate that feedback signals promote and sustain audiovisual recalibration over the course of cumulative learning and enhance rapid trial-to-trial learning. Furthermore, given the differential effects seen for cumulative and rapid recalibration, these processes may function via distinct mechanisms.

Atypical rapid audio-visual temporal recalibration in autism spectrum disorders

Changes in sensory and multisensory function are increasingly recognized as a common phenotypic characteristic of Autism Spectrum Disorders (ASD). Furthermore, much recent evidence suggests that sensory disturbances likely play an important role in contributing to social communication weaknesses-one of the core diagnostic features of ASD. An established sensory disturbance observed in ASD is reduced audiovisual temporal acuity. In the current study, we substantially extend these explorations of multisensory temporal function within the framework that an inability to rapidly recalibrate to changes in audiovisual temporal relations may play an important and under-recognized role in ASD. In the paradigm, we present ASD and typically developing (TD) children and adolescents with asynchronous audiovisual stimuli of varying levels of complexity and ask them to perform a simultaneity judgment (SJ). In the critical analysis, we test audiovisual temporal processing on trial t as a condition of trial t - 1. The results demonstrate that individuals with ASD fail to rapidly recalibrate to audiovisual asynchronies in an equivalent manner to their TD counterparts for simple and non-linguistic stimuli (i.e., flashes and beeps, hand-held tools), but exhibit comparable rapid recalibration for speech stimuli. These results are discussed in terms of prior work showing a speech-specific deficit in audiovisual temporal function in ASD, and in light of current theories of autism focusing on sensory noise and stability of perceptual representations. Autism Res 2017, 10: 121-129. © 2016 International Society for Autism Research, Wiley Periodicals, Inc.

Phonetic recalibration of speech by text

Listeners adjust their phonetic categories to cope with variations in the speech signal (phonetic recalibration). Previous studies have shown that lipread speech (and word knowledge) can adjust the perception of ambiguous speech and can induce phonetic adjustments (Bertelson, Vroomen, & de Gelder in Psychological Science, 14(6), 592–597, 2003; Norris, McQueen, & Cutler in Cognitive Psychology, 47(2), 204–238, 2003). We examined whether orthographic information (text) also can induce phonetic recalibration. Experiment 1 showed that after exposure to ambiguous speech sounds halfway between /b/ and /d/ that were combined with text (b or d) participants were more likely to categorize auditory-only test sounds in accordance with the exposed letters. Experiment 2 replicated this effect with a very short exposure phase. These results show that listeners adjust their phonetic boundaries in accordance with disambiguating orthographic information and that these adjustments show a rapid build-up.

Audiovisual Simultaneity Judgment and Rapid Recalibration throughout the Lifespan

Multisensory interactions are well established to convey an array of perceptual and behavioral benefits. One of the key features of multisensory interactions is the temporal structure of the stimuli combined. In an effort to better characterize how temporal factors influence multisensory interactions across the lifespan, we examined audiovisual simultaneity judgment and the degree of rapid recalibration to paired audiovisual stimuli (Flash-Beep and Speech) in a sample of 220 participants ranging from 7 to 86 years of age. Results demonstrate a surprisingly protracted developmental time-course for both audiovisual simultaneity judgment and rapid recalibration, with neither reaching maturity until well into adolescence. Interestingly, correlational analyses revealed that audiovisual simultaneity judgments (i.e., the size of the audiovisual temporal window of simultaneity) and rapid recalibration significantly co-varied as a function of age. Together, our results represent the most complete description of age-related changes in audiovisual simultaneity judgments to date, as well as being the first to describe changes in the degree of rapid recalibration as a function of age. We propose that the developmental time-course of rapid recalibration scaffolds the maturation of more durable audiovisual temporal representations.

Generalization of multisensory perceptual learning

Life in a multisensory world requires the rapid and accurate integration of stimuli across the different senses. In this process, the temporal relationship between stimuli is critical in determining which stimuli share a common origin. Numerous studies have described a multisensory temporal binding window—the time window within which audiovisual stimuli are likely to be perceptually bound. In addition to characterizing this window’s size, recent work has shown it to be malleable, with the capacity for substantial narrowing following perceptual training. However, the generalization of these effects to other measures of perception is not known. This question was examined by characterizing the ability of training on a simultaneity judgment task to influence perception of the temporally-dependent sound-induced flash illusion (SIFI). Results do not demonstrate a change in performance on the SIFI itself following training. However, data do show an improved ability to discriminate rapidly-presented two-flash control conditions following training. Effects were specific to training and scaled with the degree of temporal window narrowing exhibited. Results do not support generalization of multisensory perceptual learning to other multisensory tasks. However, results do show that training results in improvements in visual temporal acuity, suggesting a generalization effect of multisensory training on unisensory abilities.

Rapid, generalized adaptation to asynchronous audiovisual speech

The brain is adaptive. The speed of propagation through air, and of low-level sensory processing, differs markedly between auditory and visual stimuli; yet the brain can adapt to compensate for the resulting cross-modal delays. Studies investigating temporal recalibration to audiovisual speech have used prolonged adaptation procedures, suggesting that adaptation is sluggish. Here, we show that adaptation to asynchronous audiovisual speech occurs rapidly. Participants viewed a brief clip of an actor pronouncing a single syllable. The voice was either advanced or delayed relative to the corresponding lip movements, and participants were asked to make a synchrony judgement. Although we did not use an explicit adaptation procedure, we demonstrate rapid recalibration based on a single audiovisual event. We find that the point of subjective simultaneity on each trial is highly contingent upon the modality order of the preceding trial. We find compelling evidence that rapid recalibration generalizes across different stimuli, and different actors. Finally, we demonstrate that rapid recalibration occurs even when auditory and visual events clearly belong to different actors. These results suggest that rapid temporal recalibration to audiovisual speech is primarily mediated by basic temporal factors, rather than higher-order factors such as perceived simultaneity and source identity.

Audiovisual temporal recalibration occurs independently at two different time scales

Combining signals across the senses improves precision and speed of perception, although this multisensory benefit declines for asynchronous signals. Multisensory events may produce synchronized stimuli at source but asynchronies inevitably arise due to distance, intensity, attention and neural latencies. Temporal recalibration is an adaptive phenomenon that serves to perceptually realign physically asynchronous signals. Recently, it was discovered that temporal recalibration occurs far more rapidly than previously thought and does not require minutes of adaptation. Using a classical audiovisual simultaneity task and a series of brief flashes and tones varying in onset asynchrony, perceived simultaneity on a given trial was found to shift in the direction of the preceding trial’s asynchrony. Here we examine whether this inter-trial recalibration reflects the same process as prolonged adaptation by combining both paradigms: participants adapted to a fixed temporal lag for several minutes followed by a rapid series of test trials requiring a synchrony judgment. Interestingly, we find evidence of recalibration from prolonged adaptation and inter-trial recalibration within a single experiment. We show a dissociation in which sustained adaptation produces a large but decaying recalibration effect whilst inter-trial recalibration produces large transient effects whose sign matches that of the previous trial.