Context effects in perception of vowels differentiated by F1 are not influenced by variability in talkers' mean F1 or F3

The effects of variability on context effects and psychometric function slopes in speaking rate normalizationa)

Acoustic context influences speech perception, but contextual variability restricts this influence. Assgari and Stilp [J. Acoust. Soc. Am. 138, 3023-3032 (2015)] demonstrated that when categorizing vowels, variability in who spoke the preceding context sentence on each trial but not the sentence contents diminished the resulting spectral contrast effects (perceptual shifts in categorization stemming from spectral differences between sounds). Yet, how such contextual variability affects temporal contrast effects (TCEs) (also known as speaking rate normalization; categorization shifts stemming from temporal differences) is unknown. Here, stimuli were the same context sentences and conditions (one talker saying one sentence, one talker saying 200 sentences, 200 talkers saying 200 sentences) used in Assgari and Stilp [J. Acoust. Soc. Am. 138, 3023-3032 (2015)], but set to fast or slow speaking rates to encourage perception of target words as "tier" or "deer," respectively. In Experiment 1, sentence variability and talker variability each diminished TCE magnitudes; talker variability also produced shallower psychometric function slopes. In Experiment 2, when speaking rates were matched across the 200-sentences conditions, neither TCE magnitudes nor slopes differed across conditions. In Experiment 3, matching slow and fast rates across all conditions failed to produce equal TCEs and slopes everywhere. Results suggest a complex interplay between acoustic, talker, and sentence variability in shaping TCEs in speech perception.

Talker adaptation or "talker" adaptation? Musical instrument variability impedes pitch perception

Listeners show perceptual benefits (faster and/or more accurate responses) when perceiving speech spoken by a single talker versus multiple talkers, known as talker adaptation. While near-exclusively studied in speech and with talkers, some aspects of talker adaptation might reflect domain-general processes. Music, like speech, is a sound class replete with acoustic variation, such as a multitude of pitch and instrument possibilities. Thus, it was hypothesized that perceptual benefits from structure in the acoustic signal (i.e., hearing the same sound source on every trial) are not specific to speech but rather a general auditory response. Forty nonmusician participants completed a simple musical task that mirrored talker adaptation paradigms. Low- or high-pitched notes were presented in single- and mixed-instrument blocks. Reflecting both music research on pitch and timbre interdependence and mirroring traditional "talker" adaptation paradigms, listeners were faster to make their pitch judgments when presented with a single instrument timbre relative to when the timbre was selected from one of four instruments from trial to trial. A second experiment ruled out the possibility that participants were responding faster to the specific instrument chosen as the single-instrument timbre. Consistent with general theoretical approaches to perception, perceptual benefits from signal structure are not limited to speech.