Chemical composition of felt-tip pen inks

Thin layer chromatography coupled with surface enhanced Raman scattering for rapid separation and on-site detection of multi-components

The separation and detection of multi-component mixtures has always been a challenging task. Traditional detection methods often suffer from complex operation, high cost, and low sensitivity. Surface enhanced Raman scattering (SERS) technique is a high sensitivity, powerful and rapid detection tool, which can realize the specific detection of single substance components, but it must solve the problem that multi-component mixtures cannot be accurately determined. Thin layer chromatography (TLC) technology, as a high-throughput separation technology, uses chromatographic plate as the stationary phase, and could select different developing phases for separation experiments. The advantages of TLC technology in short distance and rapid separation are widely used in protein, dye and biomedical fields. However, TLC technology has limitations in detection ability and difficulty in obtaining ideal signal intensity. The combination of TLC technology and SERS technology made the operation procedure simple and the sample size small, which can achieve rapid on-site separation and quantitative detection of mixtures. Due to the rapid development of TLC-SERS technology, it has been widely used in the investigation of various complex systems. This paper reviews the application of TLC-SERS technology in food science, environmental pollution and biomedicine.

Azo-Dye-Functionalized Polycarbonate Membranes for Textile Dye and Nitrate Ion Removal

Challenges exist in the wastewater treatment of dyes produced by the world’s growing textiles industry. Common problems facing traditional wastewater treatments include low retention values and breaking the chemical bonds of some dye molecules, which in some cases can release byproducts that can be more harmful than the original dye. This research illustrates that track-etched polycarbonate filtration membranes with 100-nanometer diameter holes can be functionalized with azo dye direct red 80 at 1000 µM, creating a filter that can then be used to remove the entire negatively charged azo dye molecule for a 50 µM solution of the same dye, with a rejection value of 96.4 ± 1.4%, at a stable flow rate of 114 ± 5 µL/min post-functionalization. Post-functionalization, Na⁺ and NO3⁻ ions had on average 17.9%, 26.0%, and 31.1% rejection for 750, 500, and 250 µM sodium nitrate solutions, respectively, at an average flow rate of 177 ± 5 µL/min. Post-functionalization, similar 50 µM azo dyes had increases in rejection from 26.3% to 53.2%. Rejection measurements were made using ultraviolet visible-light spectroscopy for dyes, and concentration meters using ion selective electrodes for Na⁺ and NO3⁻ ions.

Bioconservation of Historic Stone Buildings—An Updated Review

Cultural heritage buildings of stone construction require careful restorative actions to maintain them as close to the original condition as possible. This includes consolidation and cleaning of the structure. Traditional consolidants may have poor performance due to structural drawbacks such as low adhesion, poor penetration and flexibility. The requirement for organic consolidants to be dissolved in volatile organic compounds may pose environmental and human health risks. Traditional conservation treatments can be replaced by more environmentally acceptable, biologically-based, measures, including bioconsolidation using whole bacterial cells or cell biomolecules; the latter include plant or microbial biopolymers and bacterial cell walls. Biocleaning can employ microorganisms or their extracted enzymes to remove inorganic and organic surface deposits such as sulfate crusts, animal glues, biofilms and felt tip marker graffiti. This review seeks to provide updated information on the innovative bioconservation treatments that have been or are being developed.

Untargeted SPME-GC-MS Characterization of VOCs Released from Spray Paint

Paints are a common form of physical evidence encountered at crime scenes. This research presents an optimized method for the untargeted analysis of volatile organic compounds (VOCs) in spray paint using solid-phase microextraction-gas chromatography-mass spectrometry (SPME-GC-MS). The presence and persistence of VOCs were monitored in 30 minute intervals, over a 4 hour period, in a triplicate time study. As predicted, spray paint solvents are lost to the environment readily, whereas few VOCs remained present in the headspace in low concentrations beyond 4 hours. The VOCs that were observed to have the highest persistence in the headspace were aromatic compounds and those with longer hydrocarbon chains. We present this study in a forensic science context and suggest that the interpretation of the results may be useful for forensic applications in establishing a time since deposition of a spray-painted surface.

Simultaneous determination of 14 bioactive citrus flavonoids using thin-layer chromatography combined with surface enhanced Raman spectroscopy

Citrus flavonoids consist of diverse analogs and possess various health-promoting effects dramatically depending on their chemical structures. Since different flavonoids usually co-exist in real samples, it's necessary to develop rapid and efficient methods for simultaneous determination of multiple flavonoids. Thin layer chromatography combined with surface enhanced Raman spectroscopy (TLC-SERS) was established to simultaneously separate and detect 14 citrus flavonoids for the first time. These target compounds could be characterized and discriminated when paired with SERS at 6-500 times greater the sensitivity than TLC alone. TLC-SERS exhibited high recovery rates (91.5-121.7%) with relative standard deviation lower than 20.8%. Moreover, the established TLC-SERS method was successfully used to simultaneously detect multiple flavonoids in real samples, which exhibited comparable accuracy to high performance liquid chromatography with shorter analytical time (10 vs 45 min). All the results demonstrated that this could be a promising method for simultaneous, rapid, sensitive and accurate detection of flavonoids.

Disappearing ink! Unraveling the fading of a contemporary design object

In 2009 the Indianapolis Museum of Art acquired Fernando Brizio’s contemporary ceramic, Painting a Fresco with Giotto#3, as part of its effort to grow a collection of modern and contemporary European design objects. The artwork comprises an unglazed white faience vase that has been pierced with 30 brightly colored felt-tip markers whose dried ink stains create a whimsical polka-dot surface. The vase immediately joined a traveling exhibition, and when it returned to the museum after nearly a year of display, many of the ink spots had faded dramatically, some having nearly vanished. Technical analysis was undertaken to (1) determine the cause of the fading and the composition of its Giotto brand Turbocolor markers, (2) to determine the future fading potential of the object, and (3) to suggest new safeguards to protect this and similar objects from future damage. Non-destructive analysis of the vase using Raman spectroscopy proved challenging due to the overall application of an acrylic varnish by the artist and the intense fluorescence of many of the marker inks. Using liquid chromatography with mass spectrometry on surrogate pens acquired in 2014, the 30 markers utilized in the object were ultimately determined to contain 9 primary synthetic dyes and numerous synthetic byproducts. The inks are comprised of food colorants, which accounts for their rapid fading. In situ microfade testing showed that the vase is still extremely light sensitive and will fade further under even the most stringent lighting protocols. An artist interview provided valuable information about Brizio‘s thoughts concerning the life of these objects, his working methods, and the interpretation of theGiottoseries of ceramics. The artwork has since been deaccessioned from the museum’s collection but has taken on a new role in gallery didactics focused on the materials of modern design and the ephemeral and changing nature of some artworks. This project highlights the urgency of characterizing the fading rate of potentially light sensitive modern art or directly identifying the colorants used in contemporary artworks prior to their first exhibition.

Plasmonic colloidal pastes for surface-enhanced Raman spectroscopy (SERS) of historical felt-tip pens

Surface-enhanced Raman spectroscopy (SERS) has been identified as a suitable technique for the analysis of colorants in works of art. Herein, the application of SERS to the identification of dye compositions in historical felt-tip pens is reported, which is of paramount importance for the development of appropriate conservation protocols for historical drawings. In this study, three pens (pink, green, and blue colors) belonging to the film director Federico Fellini were analyzed. SERS measurements were performed directly on the pen lines drawn on a commercial paper by the deposition of Ag colloidal pastes, which allowed fast in situ dye identification without the need for extraction or hydrolysis treatments. Eosin Y was identified as the only dye present in the pink pen ink, whereas erioglaucine was found to be the main dye component in green and blue pen inks. SERS also resulted in highly efficient identification of the individual dyes erioglaucine, crystal violet, and rhodamine present as a mixture in the blue pen ink. The high SERS sensitivity was ascribed to the plasmonic effects and efficient quenching of the fluorescence interference of dyes. A comparison with contemporary pen inks highlighted minor differences in the chemical composition. These results prove that SERS can be used as a fast and sensitive analytical tool for ink analysis that provides invaluable support for the general assessment of the date, provenance, and originality of the historical drawings as well as for the development of preventive conservation protocols.

SERS analysis performed with silver nanopastes allowed in situ identification of dye compositions of the historical felt-tip pens used by Federico Fellini.