Conspecific challenges provoke female canyon wrens to sing but not to duet

Form and Function Predict Acoustic Transmission Properties of the Songs of Male and Female Canyon Wrens

To function effectively, animal signals must transmit through the environment to receivers, and signal transmission properties depend on signal form. Here we investigated how the transmission of multiple parts of a well-studied signal, bird song, varies between males and females of one species. We hypothesized that male and female songs would have different transmission properties, reflecting known differences in song form and function. We further hypothesized that two parts of male song used differentially in broadcast singing and aggressive contests would transmit differently. Analyses included male and female songs from 20 pairs of canyon wrens (Catherpes mexicanus) played and re-recorded in species-typical habitat. We found that male song cascades used in broadcast singing propagated farther than female songs, with higher signal-to-noise ratios at distance. In contrast, we demonstrated relatively restricted propagation of the two vocalization types typically used in short-distance aggressive signaling, female songs and male “cheet” notes. Of the three tested signals, male “cheet” notes had the shortest modeled propagation distances. Male and female signals blurred similarly, with variable patterns of excess attenuation. Both male song parts showed more consistent transmission across the duration of the signal than did female songs. Song transmission, thus, varied by sex and reflected signal form and use context. Results support the idea that males and females of the same species can show distinctly different signal evolution trajectories. Sexual and social selection pressures can shape sex-specific signal transmission, even when males and females are communicating in shared physical environments.

Partners coordinate territorial defense against simulated intruders in a duetting ovenbird

Duets in breeding pairs may reflect a situation of conflict, whereby an individual answers its partner's song as a form of unilateral acoustic mate guarding or, alternatively, it may reflect cooperation, when individuals share in territory defense or safeguard the partnership. The degree of coordination between the sexes when responding to solo versus paired intruders may elucidate the function of songs in duets. We examined this issue in a study with rufous horneros (Furnarius rufus), a duetting, socially monogamous Neotropical species with low levels of extrapair paternity. We exposed social pairs during the nonbreeding season to playbacks of duets, male solos, female solos, and control heterospecific songs. Partners approached all conspecific stimuli together and responded by singing quickly, at higher rates and by coordinating ~80% of their songs into duets. For both sexes, most response variables (seven of nine) did not vary across conspecific treatments. These results suggest that partners duet and coordinate behaviors to cooperatively defend common territories. However, females spent more time in territorial vigilance, and partners were highly coordinated (correlated responses) in response to duets and female solos in comparison with male solos. This indicates that female intrusions (paired or solo) might be more threatening than male intrusions in the nonbreeding season, especially for territorial females, and that females are less cooperative with their partners in territory defense against male intruders.