Constraints on song type matching in a songbird

Long-distance dependencies in birdsong syntax

Songbird syntax is generally thought to be simple, in particular lacking long-distance dependencies in which one element affects choice of another occurring considerably later in the sequence. Here, we test for long-distance dependencies in the sequences of songs produced by song sparrows (Melospiza melodia). Song sparrows sing with eventual variety, repeating each song type in a consecutive series termed a 'bout'. We show that in switching between song types, song sparrows follow a 'cycling rule', cycling through their repertoires in close to the minimum possible number of bouts. Song sparrows do not cycle in a set order but rather vary the order of song types from cycle to cycle. Cycling in a variable order strongly implies long-distance dependencies, in which choice of the next type depends on the song types sung over the past cycle, in the range of 9-10 bouts. Song sparrows also follow a 'bout length rule', whereby the number of repetitions of a song type in a bout is positively associated with the length of the interval until that type recurs. This rule requires even longer distance dependencies that cross one another; such dependencies are characteristic of more complex levels of syntax than previously attributed to non-human animals.

Song type and song type matching are important for joint territorial defense in a duetting songbird

Birds have a diverse acoustic communication system, with species-specific repertoires facilitating more complex behaviors in terms of both within- and between-pair communications. Certain song types are produced for specific functions, such as aggressive encounters. In addition, song matching behaviors, whereby neighboring individuals match song types, can be used in aggressive interactions as a sophisticated acoustic behavior. In this study, we examined the functions of song types, in a duet context, of male yellow-breasted boubous (Laniarius atroflavus), an Afromontane bush-shrike with a vocal sexual dimorphism. We aimed at assessing whether, structurally, certain song types elicited a heightened reaction than others and also whether song matching affected response behavior. A dual speaker playback procedure was performed for 18 pairs of boubous, each pair being exposed to duets with three different male song types. We found differences in response toward the different duet types but these differences resulted from the amount at which males matched different song types. Pairs responded stronger when a focal male matched the playback type, and matching was significantly more often found in cases where the rarest type of male song was used. We found no sex differences in terms of response strength to playback type. Our results indicate a two-level way of coding aggression toward intruding pairs. The yellow-breasted boubous utilize their repertoires, linking matching with structure in order to show aggression in terms of territory defense and sexual conflict. This study also confirms joint territorial defense as a main function of duets in this species.

Song sparrows do not discriminate between their own song and stranger song

Bird song is socially learned. During song learning, the bird's hearing its own vocalization is important for normal development of song. Whether bird's own song is represented and recognized as a special category in adult birds, however, is unclear. If birds respond differently to their own songs when these are played back to them, this would be evidence for auditory self-recognition. To test this possibility, we presented song sparrow males (Melospiza melodia) playbacks of their own songs or stranger songs and measured aggressive responses as well as type matching. We found no evidence of behavioral discrimination of bird's own song relative to the (non-matching) stranger song. These findings cast doubt on an earlier proposal that song sparrows display auditory self-recognition and support the common assumption in playback experiments that bird's own song is perceived as stranger song.