Positive association between vocal and facial attractiveness in women but not in men: A cross-cultural study

To Enhance, or not to Enhance: The Situational Context Shapes Women's Intentions on Amount and Diligence of Makeup Application

Makeup is a tool that women use to shape their image and gain benefits in both inter- and intrasexual selection. As makeup enables the hiding or enhancing of facial features, it allows women to strategically shape impressions in a given context. It affects interpersonal perceptions, workplace impressions, and can attract romantic partners. However, research has primarily focused on examining everyday makeup use, although the amount and type of makeup can vary depending on the situation and the motivation to make an impression. In two studies, we investigated how the intended amount and application of makeup differ depending on various situational contexts. Specifically, in Study 1 (N = 533), we explored the everyday and party contexts, while in Study 2 (N = 400), we additionally introduced the contexts of mating and threat. The results show that: 1) women intend to put on more makeup in a more diligent way in party contexts compared to everyday contexts, 2) the intended diligence of makeup application is the highest in contexts were women expect an attractive man to be present, and the lowest when a threatening context is introduced, 3) these effects are partially or fully mediated by women's motivation to make an impression, and 4) neither sociosexual orientation nor appearance orientation significantly moderated the obtained effects. Our studies extend previous research on makeup application as an appearance-enhancing or worsening strategy by further investigating the signaling function of women's makeup and its strategic use in various situational contexts. We discuss the results from a functional evolutionary perspective.

A test of multimodal communication in humans using 881 judgements of men and women's physical, vocal, and olfactory attractiveness

Human mate value is assessed on numerous variables including, reproductive potential and disease resistance. Many of these variables have been correlated with judgments of physical, vocal, and odor attractiveness. While some researchers posit that attractiveness judgments made across different sensory modalities reflect the same underlying variable(s) (i.e., the information is redundant), others suggest that judgments made in different modalities reflect different variables. Previous studies of human attractiveness indicate that attractiveness judgments of others' faces, bodies, and voices are intercorrelated, which is suggested to support the redundancy hypothesis. Less is known about body odor attractiveness. Only one study has simultaneously investigated the relationships between judgments of body odor, face, and voice attractiveness finding weak positive associations, but small effect sizes. In this study, we empirically investigate the correlation between different modalities of attractiveness in men and women in the largest sample to date (N = 881 ratings). For men, we find no correlations between modalities of attractiveness. However, for women we find odor, face, and voice attractiveness are weakly correlated. Moreover, a general attractiveness factor (i.e., a common underlying variable) modestly contributed to the observed correlations between modality-specific attractiveness judgments, providing some evidence for the redundancy hypothesis.

Darwin’s sexual selection hypothesis revisited: Musicality increases sexual attraction in both sexes

A number of theories about the origins of musicality have incorporated biological and social perspectives. Darwin argued that musicality evolved by sexual selection, functioning as a courtship display in reproductive partner choice. Darwin did not regard musicality as a sexually dimorphic trait, paralleling evidence that both sexes produce and enjoy music. A novel research strand examines the effect of musicality on sexual attraction by acknowledging the importance of facial attractiveness. We previously demonstrated that music varying in emotional content increases the perceived attractiveness and dating desirability of opposite-sex faces only in females, compared to a silent control condition. Here, we built upon this approach by presenting the person depicted (target) as the performer of the music (prime), thus establishing a direct link. We hypothesized that musical priming would increase sexual attraction, with high-arousing music inducing the largest effect. Musical primes (25 s, piano solo music) varied in arousal and pleasantness, and targets were photos of other-sex faces of average attractiveness and with neutral expressions (2 s). Participants were 35 females and 23 males (heterosexual psychology students, single, and no hormonal contraception use) matched for musical background, mood, and liking for the music used in the experiment. After musical priming, females’ ratings of attractiveness and dating desirability increased significantly. In males, only dating desirability was significantly increased by musical priming. No specific effects of music-induced pleasantness and arousal were observed. Our results, together with other recent empirical evidence, corroborate the sexual selection hypothesis for the evolution of human musicality.

Evolution of Artistic and Athletic Propensities: Testing of Intersexual Selection and Intrasexual Competition

Since Darwin proposed that human musicality evolved through sexual selection, empirical evidence has supported intersexual selection as one of the adaptive functions of artistic propensities. However, intrasexual competition has been overlooked. We tested their relative importance by investigating the relationship between the self-perceived talent/expertise in 16 artistic and 2 sports modalities and proxies of intersexual selection (i.e., mate value, mating and parenting efforts, sociosexuality, and number of sexual partners) and intrasexual competition (i.e., aggressiveness, intrasexual competitiveness) in heterosexuals. Participants were 82 Brazilian men, 166 Brazilian women, 146 Czech men, and 458 Czech women (Mage = 26.48, SD = 7.12). Factor analysis revealed five factors: Literary-arts (creative writing, humor, acting/theater/film, poetry, storytelling), Visual-arts (painting/drawing, sculpting, handcrafting, culinary arts, architecture design), Musical-arts (playing/instruments, singing, dance, whistling), Circus-arts (juggling, acrobatics), and Sports (individual, collective). Multivariate General Linear Model (GLM) showed more associations of the arts to intersexual selection in women and to intrasexual selection in men, and overall more relationships in women than in men. In women, literary and musical-arts were related to elevated inter- and intrasexual selections proxies, visual and circus-arts were related to elevated intersexual selection proxies, and sports were related to intrasexual selection proxies. In men, literary-arts and sports were related to elevated inter- and intrasexual selection proxies, musical-arts were related to intrasexual proxies, and circus-arts were related to intersexual proxies; visual-arts did not have predictors. Although present in both sexes, each sexual selection component has different relative importance in each sex. Artisticality functions to attract and maintain long/short-term partners, and to compete with mating rivals.

The Evolution of Playfulness, Play and Play-Like Phenomena in Relation to Sexual Selection

By conceptualizing Sexual Selection, Darwin showed a way to analyze intra-specific individual differences within an evolutionary perspective. Interestingly, Sexual Selection is often used to investigate the origins of sports, arts, humor, religion and other phenomena that, in several languages, are simply called "play." Despite their manifested differences, these phenomena rely on shared psychological processes, including playfulness. Further, in such behaviors there is usually considerable individual variability, including sex differences, and positive relationship with mating success. However, Sexual Selection is rarely applied in the study of play, with exception to what is concerned as infant training behavior for adult sex roles. We offer an integrated grounding of playful phenomena aligning evolutionary propositions based on sexual selection, which might stimulate further exploration of playfulness within evolutionary perspective.

Evolved Features of Artistic Motivation: Analyzing a Brazilian Database Spanning Three Decades

Darwin explored the evolutionary processes underlying artistic propensities in humans. He stressed the universality of the human mind by pointing to the shared pleasure which all populations take in dancing, engaging in music, acting, painting, tattooing, and self-decorating. Artistic motivation drives/reinforces individuals to engage in aesthetically oriented activities. As curiosity/play, artistic behavior is hypothesized as a functionally autonomous activity motivated intrinsically through an evolved, specific, and stable aesthetic motivational system. The author tested whether artistic motivation is rather intrinsically sourced, domain-specific, and temporally stable using a large decades-long real-life public Brazilian database of university applications. In Study I, the author analyzed reasons for career-choice responded to by 403,832 late-adolescent applicants (48.84% women), between 1987 and 1998. In Study II, the author analyzed another career-choice reason question responded to by 1,703,916 late-adolescent applicants (51.02% women), between 1987 and 2020. Music, Dance, Scenic Arts, Visual Arts, and Literary Studies, in combination, presented a higher percentage of individuals reporting intrinsic factors (e.g., personal taste/aptitude/fulfillment) and the lower proportion reporting extrinsic motives (e.g., the influence of media/teacher/family, salary, social contribution/prestige) than other career groups. If artistic motivation were a recent by-product of general curiosity or status-seeking, artistic and non-artistic careers would not differ. Overall, intrinsic motives were 2.60–6.35 times higher than extrinsic factors; among artistic applicants’ were 10.81–28.38 times higher, suggesting domain-specificity. Intrinsic motivation did not differ among artistic careers and remained stable throughout the periods. Converging results corroborated a specific, stable, and intrinsically sourced artistic motivation consistent with its possible evolutionary origins.

How and why patterns of sexual dimorphism in human faces vary across the world

Sexual selection, including mate choice and intrasexual competition, is responsible for the evolution of some of the most elaborated and sexually dimorphic traits in animals. Although there is sexual dimorphism in the shape of human faces, it is not clear whether this is similarly due to mate choice, or whether mate choice affects only part of the facial shape difference between men and women. Here we explore these questions by investigating patterns of both facial shape and facial preference across a diverse set of human populations. We find evidence that human populations vary substantially and unexpectedly in both the magnitude and direction of facial sexually dimorphic traits. In particular, European and South American populations display larger levels of facial sexual dimorphism than African populations. Neither cross-cultural differences in facial shape variation, sex differences in body height, nor differing preferences for facial femininity and masculinity across countries, explain the observed patterns of facial dimorphism. Altogether, the association between sexual shape dimorphism and attractiveness is moderate for women and weak (or absent) for men. Analysis that distinguishes between allometric and non-allometric components reveals that non-allometric facial dimorphism is preferred in women's faces but not in faces of men. This might be due to different regimes of ongoing sexual selection acting on men, such as stronger intersexual selection for body height and more intense intrasexual physical competition, compared with women.

Attractiveness and distinctiveness between speakers' voices in naturalistic speech and their faces are uncorrelated

Facial attractiveness has been linked to the averageness (or typicality) of a face and, more tentatively, to a speaker's vocal attractiveness, via the 'honest signal' hypothesis, holding that attractiveness signals good genes. In four experiments, we assessed ratings for attractiveness and two common measures of distinctiveness ('distinctiveness-in-the-crowd', DITC and 'deviation-based distinctiveness', DEV) for faces and voices (simple vowels, or more naturalistic sentences) from 64 young adult speakers (32 female). Consistent and substantial negative correlations between attractiveness and DEV generally supported the averageness account of attractiveness, for both voices and faces. By contrast, and indicating that both measures of distinctiveness reflect different constructs, correlations between attractiveness and DITC were numerically positive for faces (though small and non-significant), and significant for voices in sentence stimuli. Between faces and voices, distinctiveness ratings were uncorrelated. Remarkably, and at variance with the honest signal hypothesis, vocal and facial attractiveness were also uncorrelated in all analyses involving naturalistic, i.e. sentence-based, speech. This result pattern was confirmed using a new set of stimuli and raters (experiment 5). Overall, while our findings strongly support an averageness account of attractiveness for both domains, they provide no evidence for an honest signal account of facial and vocal attractiveness in complex naturalistic speech.

Vocal Parameters of Speech and Singing Covary and Are Related to Vocal Attractiveness, Body Measures, and Sociosexuality: A Cross-Cultural Study

Perceived vocal attractiveness and measured sex-dimorphic vocal parameters are both associated with underlying individual qualities. Research tends to focus on speech but singing is another highly evolved communication system that has distinct and universal features with analogs in other species, and it is relevant in mating. Both speaking and singing voice provides relevant information about its producer. We tested whether speech and singing function as "backup signals" that indicate similar underlying qualities. Using a sample of 81 men and 86 women from Brazil and the Czech Republic, we investigated vocal attractiveness rated from speech and singing and its association with fundamental frequency (F0), apparent vocal tract length (VTL), body characteristics, and sociosexuality. F0, VTL, and rated attractiveness of singing and speaking voice strongly correlated within the same individual. Lower-pitched speech in men, higher-pitched speech and singing in women, individuals who like to sing more, and singing of individuals with a higher pitch modulation were perceived as more attractive. In men, physical size positively predicted speech and singing attractiveness. Male speech but not singing attractiveness was associated with higher sociosexuality. Lower-pitched male speech was related to higher sociosexuality, while lower-pitched male singing was linked to lower sociosexuality. Similarly, shorter speech VTL and longer singing VTL predicted higher sociosexuality in women. Different vocal displays function as "backup signals" cueing to attractiveness and body size, but their relation to sexual strategies in men and women differs. Both singing and speech may indicate evolutionarily relevant individual qualities shaped by sexual selection.

Sex Differences in Facial and Vocal Attractiveness Among College Students in China

This study aims to investigate sex differences in ratings for facial attractiveness (FA) and vocal attractiveness (VA). Participants (60 undergraduates in Study 1 and 111 undergraduates in Study 2) rated the attractiveness of computerized face images and voice recordings of men and women. In Study 1, face images and voice recordings were presented separately. Results indicated that men generally rated voice recordings of women more attractive than those of men, whereas women did not show different attractiveness ratings for voices of men vs. women. In Study 2, face images and voice recordings were paired as multimodal stimuli and presented simultaneously. Results indicated that men rated multimodal stimuli of women as more attractive than those of men, whereas women did not differentiate multimodal stimuli of men vs. women. We found that, compared to VA, FA had a stronger influence on participants' overall evaluations. Finally, we tested the difference between "original multimodal stimuli" (OMS) and "non-original multimodal stimuli" (non-OMS) and found the "OMS-facilitating effect." Taken together, findings indicated some sex differences in FA and VA in the current study, which could be used to interpret behaviors of sexual selection, human mate preferences, and designs and popularization of sex robots.

Positive association between facial and vocal femininity/masculinity in women but not in men

Multicomponent stimuli improve information reception. In women, perceived facial and vocal femininity-masculinity (FM) are concordant; however, mixed results are found for men. Some feminine and masculine traits are related to sex hormone action and can indicate reproductive qualities. However, most of the current research about human mate choice focuses on isolated indicators, especially visual assessment of faces. We therefore examined the cross-modal concordance hypothesis by testing correlations between perceptions of FM based on facial, vocal, and behavioral stimuli. Standardized facial pictures, vocal recordings and dance videos of 38 men and 41 women, aged 18-35 years, were rated by 21 male and 43 female students, aged 18-35 years, on 100-point scale (0 = very feminine; 100 = very masculine). All participants were Brazilian students from University of Sao Paulo. In women, facial and vocal FM correlated positively, suggesting concordant information about mate quality. Such results were not found in men, indicating multiple messages, which agree with women's multifaceted preference for male FM. In both sexes, FM of dance did not correlate with voices or faces, indicating different information and distinct process of development. We thus partially supported the cross-modal concordance hypothesis.

360 Degrees of Facial Perception: Congruence in Perception of Frontal Portrait, Profile, and Rotation Photographs

Studies in social perception traditionally use as stimuli frontal portrait photographs. It turns out, however, that 2D frontal depiction may not fully capture the entire morphological diversity of facial features. Recently, 3D images started to become increasingly popular, but whether their perception differs from the perception of 2D has not been systematically studied as yet. Here we investigated congruence in the perception of portrait, left profile, and 360° rotation photographs. The photographs were obtained from 45 male athletes under standardized conditions. In two separate studies, each set of images was rated for formidability (portraits by 62, profiles by 60, and 360° rotations by 94 raters) and attractiveness (portraits by 195, profiles by 176, and 360° rotations by 150 raters) on a 7-point scale. The ratings of the stimuli types were highly intercorrelated (for formidability all rs > 0.8, for attractiveness all rs > 0.7). Moreover, we found no differences in the mean ratings between the three types of stimuli, neither in formidability, nor in attractiveness. Overall, our results clearly suggest that different facial views convey highly overlapping information about structural facial elements of an individual. They lead to congruent assessments of formidability and attractiveness, and a single angle view seems sufficient for face perception research.

Hadza Men With Lower Voice Pitch Have a Better Hunting Reputation

Previous research with hunter-gatherers has found that women perceive men with voices manipulated to be lower in pitch to be better hunters, and men perceive women with lower pitch to be better gatherers. Here, we test if actual voice pitch is associated with hunting and gathering reputations in men and women, respectively. We find that voice pitch does relate to foraging reputation in men, but not in women, with better hunters having a lower voice pitch. In addition, we find that the previously documented relationship between voice pitch and reproductive success no longer holds when controlling for hunting reputation, but hunting reputation remains a significant predictor of reproductive success when controlling for voice pitch. This raises the possibility that voice pitch is being selected for in hunter-gatherers because of the relationship between voice pitch and hunting reputation.

Attractiveness Is Multimodal: Beauty Is Also in the Nose and Ear of the Beholder

Attractiveness plays a central role in human non-verbal communication and has been broadly examined in diverse subfields of contemporary psychology. Researchers have garnered compelling evidence in support of the evolutionary functions of physical attractiveness and its role in our daily lives, while at the same time, having largely ignored the significant contribution of non-visual modalities and the relationships among them. Acoustic and olfactory cues can, separately or in combination, strongly influence the perceived attractiveness of an individual and therefore attitudes and actions toward that person. Here, we discuss the relative importance of visual, auditory and olfactory traits in judgments of attractiveness, and review neural and behavioral studies that support the highly complex and multimodal nature of person perception. Further, we discuss three alternative evolutionary hypotheses aimed at explaining the function of multiple indices of attractiveness. In this review, we provide several lines of evidence supporting the importance of the voice, body odor, and facial and body appearance in the perception of attractiveness and mate preferences, and therefore the critical need to incorporate cross-modal perception and multisensory integration into future research on human physical attractiveness.