Event-related potential (ERP) markers of melodic processing: The N2 component is modulated by structural complexity, not by melodic 'meaningfulness'

Temporal Features of Psychological and Physical Self-Representation: An ERP Study

Psychological and physical-self are two important aspects of self-concept. Although a growing number of behavioral and neuroimaging studies have investigated the cognitive mechanism and neural substrate underlying psychological and physical-self-representation, most of the existing research on psychological and physical-self-representation had been done in isolation. The present study aims to examine the electrophysiological responses to both psychological (one’s own name) and physical (one’s own voice) self-related stimuli in a uniform paradigm. Event-related potentials (ERPs) were recorded for subjects’ own and others’ names uttered by subjects’ own or others’ voice (own voice-own name, own voice-other’s name, other’s voice-own name, other’s voice-other’s name) while subjects performed an auditory passive oddball task. The results showed that one’s own name elicited smaller P2 and larger P3 amplitudes than those of other’s names, irrespective of the voice identity. However, no differences were observed between self and other’s voice during the P2 and P3 stages. Moreover, an obvious interaction effect was observed between voice content and voice identity at the N400 stage that the subject’s own voice elicited a larger parietal N400 amplitude than other’s voice in other name condition but not in own name condition. Taken together, these findings suggested that psychological (one’s own name) and physical (one’s own voice) self-representation induced distinct electrophysiological response patterns in auditory-cognitive processing.

Musical phrase boundaries, wrap-up and the closure positive shift

We investigated global integration (wrap-up) processes at the boundaries of musical phrases by comparing the effects of well and non-well formed phrases on event-related potentials time-locked to two boundary points: the onset and the offset of the boundary pause. The Closure Positive Shift, which is elicited at the boundary offset, was not modulated by the quality of phrase structure (well vs. non-well formed). In contrast, the boundary onset potentials showed different patterns for well and non-well formed phrases. Our results contribute to specify the functional meaning of the Closure Positive Shift in music, shed light on the large-scale structural integration of musical input, and raise new hypotheses concerning shared resources between music and language.

Event-related potential P2 correlates of implicit aesthetic experience

Using event-related potential measures, the present study investigated the affective responses to aesthetic experience. To differentiate the objective aesthetic value from subjective aesthetic evaluation, an amended oddball task was used in which pendant pictures were presented as frequent nontarget stimuli, whereas the landscape pictures were presented as a rare target. The pendant pictures were chosen from the largest online store in China and divided into beautiful and less beautiful conditions by the sales ranking. A positive component, P2, was recorded for each condition on the participants' frontal, central and parietal scalp areas. Less beautiful pendants elicited greater amplitudes of P2 than the beautiful ones. This indicates that emotion arousal seems to occur at the early stage of processing of aesthetics and can be detected by the P2 component, implying that the event-related potential methodology may be a more sensitive measure of the beauty-related attention bias. From the perspective of artwork design and marketing, our finding also shows that P2 can potentially be used as a reference measure in consumer aesthetic experience.

Cerebellar contribution to the prediction of self-initiated sounds

In everyday life we frequently make the fundamental distinction between sensory input resulting from our own actions and sensory input that is externally-produced. It has been speculated that making this distinction involves the use of an internal forward-model, which enables the brain to adjust its response to self-produced sensory input. In the auditory domain, this idea has been supported by event-related potential and evoked-magnetic field studies revealing that self-initiated sounds elicit a suppressed N100/M100 brain response compared to externally-produced sounds. Moreover, a recent study reveals that patients with cerebellar lesions do not show a significant N100-suppression effect. This result supports the theory that the cerebellum is essential for generating internal forward predictions. However, all except one study compared self-initiated and externally-produced auditory stimuli in separate conditions. Such a setup prevents an unambiguous interpretation of the N100-suppression effect when distinguishing self- and externally-produced sensory stimuli: the N100-suppression can also be explained by differences in the allocation of attention in different conditions. In the current electroencephalography (EEG)-study we investigated the N100-suppression effect in an altered design comparing (i) self-initiated sounds to externally-produced sounds that occurred intermixed with these self-initiated sounds (i.e., both sound types occurred in the same condition) or (ii) self-initiated sounds to externally-produced sounds that occurred in separate conditions. Results reveal that the cerebellum generates selective predictions in response to self-initiated sounds independent of condition type: cerebellar patients, in contrast to healthy controls, do not display an N100-suppression effect in response to self-initiated sounds when intermixed with externally-produced sounds. Furthermore, the effect is not influenced by the temporal proximity of externally-produced sounds to self-produced sounds. Controls and patients showed a P200-reduction in response to self-initiated sounds. This suggests the existence of an additional and probably more conscious mechanism for identifying self-generated sounds that does not functionally depend on the cerebellum.

Prediction errors in self- and externally-generated deviants

Sounds generated by one's own action elicit attenuated brain responses compared to brain responses to identical sounds that are externally-generated. The present study tested whether the suppression effect indexed by the N1- and P2-components of the event-related potential (ERP) is larger when self-generated sounds are correctly predicted than when they are not. Furthermore, sounds violating a prediction lead to a particular prediction error signal (i.e., N2b, P3a). Thus, we tested whether these error signals increase for self-generated sounds (i.e., enhanced N2b, P3a). We compared ERPs elicited by self- and externally-generated sounds that were of frequent standard and of infrequent deviant pitch. The results confirmed an N1- and P2-suppression effect elicited by self-generated standard sounds. The N1-suppression was smaller in response to self-initiated deviant sounds, indicating the specificity of predictions for self-generated sounds. In addition, an enhancement of N2b and P3a for self-generated deviants revealed the saliency of prediction error signals.