Multi-analytical characterization of Cucuteni pottery

A Tale of Two Tiles: Characterization of Floor Tiles from the Nineteenth-Century Akko Tower Shipwreck (Israel)

Fragments of decorated floor tiles were retrieved from the Akko Tower shipwreck, Israel. Most tiles were made of bright brown fired clay with a white glaze decorated with colored stenciled motifs (Type A); and others consisted of a red-brown fired clay body, coated with a brown pigment covered with transparent brown glaze (Type B). This study aimed to characterize the two tile types; to reveal information concerning the manufacturing process; and to determine the origin of their raw material. A multidisciplinary approach was used, including light microscopy, SEM-EDS, electron probe microanalysis with wavelength-dispersive X-ray spectroscopy (EPMA-WDS), XRD, Raman spectroscopy, and time-of-flight secondary ion mass spectrometry (TOF-SIMS) analyses. The characterization of both tile types demonstrated the use of different raw materials. The Type A tiles were covered with tin-opacified majolica glaze and colored with various mixtures of pigments. The blue color was due to pigment rich in cobalt; the yellow color was due to Naples yellow and lead-tin yellow I minerals; and the green, orange, and brown colors were all prepared by mixing the Naples yellow pigment with different minerals. These majolica glaze tiles were probably manufactured in Sicily. The brown coating of the Type B tiles was due to pigment rich in lead and iron minerals. These tiles were produced with different manufacturing processes, and apparently made in France.

Microstructural, Mineralogical and Petrographical Characteristics of the Medieval Ceramics from the Studenica Monastery (UNESCO World Heritage Site): Implications on the Pottery Technology and Provenance of The Raw Material

On the basis of optical microscopy, scanning electron microscopy with energy-dispersive spectrometry and X-ray powder diffraction analyses, we present detailed mineralogical and petrographical characteristics of 63 samples of cooking and tablewares, which originate from two Medieval horizons (S1 and S2) in the Studenica Monastery, as well as of three samples of clays regarded as possible pottery raw material. The composition of the ceramic matrix is compatible with the composition of local clay and clasts that reflect the geology of the Studenica's surroundings. This indicates that almost all studied vessels are unequivocally made locally. However, four wares may represent imports because they show similarities with Byzantine sgraffito wares, and ceramics from the Peloponnese (13th century). In terms of technological and morphological characteristics, the studied pottery collection represents a standardized production. Firing temperatures, estimated according to the level of matrix crystallinity, mineral reactions, and the mode of the appearance of fracture surfaces, indicate that most of cooking wares were fired at 600-700°C. All glazed wares, including tablewares and cooking pots from both S1 and S2, were fired at minimum 800-900°C. Along with technological and morphological standardization the characteristics of the studied collection show knowledge of traditional skills as well as trends within the Byzantine artistic craft circle.