Drying oil detected in mid-third Millennium B.C. Mesopotamian clay artifacts: Raman spectroscopy and DFT simulation study

Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty

This article shows the investigation results of the polychrome clay sculptures in Hua Yan Temple of the Liao Dynasty in Datong, China. The mineral pigments, adhesive and painting techniques used in these cultural relics were systematically analyzed in this project. Optical microscope (OM), Scanning electron microscope coupled with an energy-dispersive X-ray spectroscopy (SEM-EDS), micro-Raman, Fourier transform infrared spectrometer (FT-IR) and Pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS) analyses were selected as scientific micro-destructive analytical methods. The results show that the pigments in the polychrome clay sculptures include cinnabar, lead red, malachite, atacamite, azurite, orpiment and gold. Meanwhile, the presence of nitrogen-containing substances and glue-marker characteristic pyrolysis products clearly indicates that the adhesive used in most of the polychrome clay sculptures was glue-protein. Additionally, the combination of heat-bodied tung oil and glue-protein was also found in the golden areas.

Application of Raman Spectroscopy to Ancient Materials: Models and Results from Archaeometric Analyses

Numerous experimental techniques of analysis find applications in many branches of the archaeometry. Among them, Raman spectroscopy carved out a niche in the field of diagnostic and conservation of cultural heritage. The exceptional ability to predict and discover the structural properties of materials set for Raman spectroscopy, an exclusive role among the analytic techniques, is further boosted when it is coupled with mathematical or statistical models able to deepen the studied phenomena. In this work, we present a review of recent studies where pairing Raman spectroscopy and mathematical models allowed achieving important results in the case of potteries, porcelains, ancient and modern paper, ancient jewelry, and pigment degradation. The potentialities of this approach are evidenced and analyzed in detail.

Raman identification of cuneiform tablet pigments: emphasis and colour technology in ancient Mesopotamian mid-third millennium

Cuneiform tablets tell the life and culture of Sumerian people in a sort of black and white tale because of the binary engraving technique. A leading question arises: did Mesopotamian people apply some kind of colour to decorate their tablets or to put emphasis on selected words? Some administrative and literary Sumerian cuneiform tablets of mid-third Millennium B.C. from the site of Kish (central Mesopotamia, modern Iraq) were dug up in twentieth-century and stored at the Ashmolean Museum of the Oxford University. Non-destructive micro-Raman spectroscopy is a powerful technique to detect the presence of residual pigments eventually applied to the engraving signs. Yellow, orange, red and white pigments have been detected and a possible identification has been proposed in this work. In particular yellow pigments are identified as Crocoite (PbCrO₄), Lead stannate (Pb₂SnO₄); red pigments − hematite (Fe₂O₃) and cuprite (Cu₂O); White pigments − Lead carbonate (PbCO₃), calcium phosphate (Ca₃(PO₄)₂), titanium dioxide (TiO₂), gypsum (CaSO₄.2H₂O); orange pigment a composition of red and yellow compounds. These results suggest that Sumerian people invented a new editorial style, to overcome the binary logic of engraving process and catch the reader’s eye by decorating cuneiform tablets. Finally, the coloured rendering of the tablet in their original view is proposed.