Temporal dynamics of different cases of bi-stable figure-ground perception

A tentative I/O curve with consciousness: Effects of multiple simultaneous ambiguous figures presentation on perceptual reversals and time estimation

This study was aimed at investigating mechanisms of consciousness using bistable perception. In 4 experimental conditions, 1, 2, 4 or 8 Rubin's face-vase ambiguous figures were presented for 3 min.In Experiment 1, 40 subjects looked at the center of the screen and pressed a specific key correspondent to the figure where they perceived a reversal. In Experiment 2, 32 subjects controlled with eye-tracker performed a similar task in which they pressed the spacebar whenever they perceived a reversal in any of the figures.At the end of each condition subjects estimated its duration. Results showed that changing the number of figures does not alter the number of reversals, producing a flat I/O curve between the two parameters. Estimated time lapse showed a negative correlation with the number of reversals. These findings are discussed considering the relationships between bistable perception, attention, and consciousness, as well as the time perception literature.

Bistable perception: neural bases and usefulness in psychological research

Bistable images have the possibility of being perceived in two different ways. Due to their physical characteristics, these visual stimuli allow two different perceptions, associated with top-down and bottom-up modulating processes. Based on an extensive literature review, the present article aims to gather the conceptual models and the foundations of perceptual bistability. This theoretical article compiles not only notions that are intertwined with the understanding of this perceptual phenomenon, but also the diverse classification and uses of bistable images in psychological research, along with a detailed explanation of the neural correlates that are involved in perceptual reversibility. We conclude that the use of bistable images as a paradigmatic resource in psychological research might be extensive. In addition, due to their characteristics, visual bistable stimuli have the potential to be implemented as a resource in experimental tasks that seek to understand diverse concerns linked essentially to attention, sensory, perceptual and memory processes.

Neural Decoding of Bistable Sounds Reveals an Effect of Intention on Perceptual Organization

Auditory signals arrive at the ear as a mixture that the brain must decompose into distinct sources based to a large extent on acoustic properties of the sounds. An important question concerns whether listeners have voluntary control over how many sources they perceive. This has been studied using pure high (H) and low (L) tones presented in the repeating pattern HLH-HLH-, which can form a bistable percept heard either as an integrated whole (HLH-) or as segregated into high (H-H-) and low (-L-) sequences. Although instructing listeners to try to integrate or segregate sounds affects reports of what they hear, this could reflect a response bias rather than a perceptual effect. We had human listeners (15 males, 12 females) continuously report their perception of such sequences and recorded neural activity using MEG. During neutral listening, a classifier trained on patterns of neural activity distinguished between periods of integrated and segregated perception. In other conditions, participants tried to influence their perception by allocating attention either to the whole sequence or to a subset of the sounds. They reported hearing the desired percept for a greater proportion of time than when listening neutrally. Critically, neural activity supported these reports; stimulus-locked brain responses in auditory cortex were more likely to resemble the signature of segregation when participants tried to hear segregation than when attempting to perceive integration. These results indicate that listeners can influence how many sound sources they perceive, as reflected in neural responses that track both the input and its perceptual organization.

SIGNIFICANCE STATEMENT Can we consciously influence our perception of the external world? We address this question using sound sequences that can be heard either as coming from a single source or as two distinct auditory streams. Listeners reported spontaneous changes in their perception between these two interpretations while we recorded neural activity to identify signatures of such integration and segregation. They also indicated that they could, to some extent, choose between these alternatives. This claim was supported by corresponding changes in responses in auditory cortex. By linking neural and behavioral correlates of perception, we demonstrate that the number of objects that we perceive can depend not only on the physical attributes of our environment, but also on how we intend to experience it.

Filling-in rivalry: Perceptual alternations in the absence of retinal image conflict

During perceptual rivalry, an observer's perceptual experience alternates over time despite constant sensory stimulation. Perceptual alternations are thought to be driven by conflicting or ambiguous retinal image features at a particular spatial location and modulated by global context from surrounding locations. However, rivalry can also occur between two illusory stimuli-such as two filled-in stimuli within the retinal blind spot. In this "filling-in rivalry," what observers perceive in the blind spot changes in the absence of local stimulation. It remains unclear if filling-in rivalry shares common mechanisms with other types of rivalry. We measured the dynamics of rivalry between filled-in percepts in the blind spot, finding a high degree of exclusivity (perceptual dominance of one filled-in percept, rather than a perception of transparency), alternation rates that were highly consistent for individual observers, and dynamics that closely resembled other forms of perceptual rivalry. The results suggest that mechanisms common to a wide range of rivalry situations need not rely on conflicting retinal image signals.