Variations in normal color vision. VI. Factors underlying individual differences in hue scaling and their implications for models of color appearance

Unique yellow shifts for small and brief stimuli in the central retina

The spectral locus of unique yellow was determined for flashes of different sizes (<11 arcmin) and durations (<500 ms) presented in and near the fovea. An adaptive optics scanning laser ophthalmoscope was used to minimize the effects of higher-order aberrations during simultaneous stimulus delivery and retinal imaging. In certain subjects, parafoveal cones were classified as L, M, or S, which permitted the comparison of unique yellow measurements with variations in local L/M ratios within and between observers. Unique yellow shifted to longer wavelengths as stimulus size or duration was reduced. This effect is most pronounced for changes in size and more apparent in the fovea than in the parafovea. The observed variations in unique yellow are not entirely predicted from variations in L/M ratio and therefore implicate neural processes beyond photoreception.

Cone-Opponent Ganglion Cells in the Primate Fovea Tuned to Noncardinal Color Directions

A long-standing question in vision science is how the three cone photoreceptor types-long (L), medium (M), and short (S) wavelength sensitive-combine to generate our perception of color. Hue perception can be described along two opponent axes: red-green and blue-yellow. Psychophysical measurements of color appearance indicate that the cone inputs to the red-green and blue-yellow opponent axes are M vs. L + S and L vs. M + S, respectively. However, the "cardinal directions of color space" revealed by psychophysical measurements of color detection thresholds following adaptation are L vs. M and S vs. L + M. These cardinal directions match the most common cone-opponent retinal ganglion cells (RGCs) in the primate retina. Accordingly, the cone opponency necessary for color appearance is thought to be established in the cortex. While neurons with the appropriate M vs. L + S and L vs. M + S opponency have been reported in the retina and lateral geniculate nucleus, their existence continues to be debated. Resolving this long-standing debate is necessary because a complete account of the cone opponency in the retinal output is critical for understanding how downstream neural circuits process color. Here, we performed adaptive optics calcium imaging to noninvasively measure foveal RGC light responses in the living Macaca fascicularis eye. We confirm the presence of L vs. M + S and M vs. L + S neurons with noncardinal cone opponency and demonstrate that cone-opponent signals in the retinal output are more diverse than classically thought.

Vision screening and vocational aptitude: A factor analysis approach

For a good vision screening battery to quickly and accurately reflect the status of the human visual system it should be relevant, reliable, and streamlined. Because the early visual system has limited functional architecture, many simple measurements of the visual system may in fact be measuring the shared computations and parallel processes of other visual functions, making much of the measurement process redundant. This can make a screening battery repetitious and therefore inefficient. The purpose of this research is to investigate these redundancies in a large occupational screening dataset using factor analysis. 192 subjects participated in the Operational Based Vision Assessment (OBVA) Laboratory Automated Vision Testing (AVT) procedure. The AVT includes digital tests for visual acuity, luminance and cone contrast sensitivity, motion coherence, stereopsis, and binocular motor function. Psychometric thresholds and fusional ranges were collected from each subject and a factor analysis was utilized to investigate independent latent variables in the dataset. A promax rotation revealed 5 factors that explained 74% of the total variance: (1) medium and high spatial frequency vision, (2) stereoacuity and horizontal fusional range, (3) cone contrast sensitivity, (4) motion perception, and (5) low spatial frequency vision. Practically, these results suggest that the screening battery can be reduced to 5 independent measurements that capture much of the variance in the dataset. Furthermore, the factors predicted operational and vocational aptitude better than any single variable. More interestingly, these relationships also reiterate known computational processes within the human visual system, such as the parallel processing of low and high spatial frequency content.

Fundamentally different representations of color and motion revealed by individual differences in perceptual scaling

The coordinate frames for color and motion are often defined by three dimensions (e.g., responses from the three types of human cone photoreceptors for color and the three dimensions of space for motion). Does this common dimensionality lead to similar perceptual representations? Here we show that the organizational principles for the representation of hue and motion direction are instead profoundly different. We compared observers' judgments of hue and motion direction using functionally equivalent stimulus metrics, behavioral tasks, and computational analyses, and used the pattern of individual differences to decode the underlying representational structure for these features. Hue judgments were assessed using a standard "hue-scaling" task (i.e., judging the proportion of red/green and blue/yellow in each hue). Motion judgments were measured using a "motion-scaling" task (i.e., judging the proportion of left/right and up/down motion in moving dots). Analyses of the interobserver variability in hue scaling revealed multiple independent factors limited to different local regions of color space. This is inconsistent with the influences across a broad range of hues predicted by conventional color-opponent models. In contrast, variations in motion scaling were characterized by more global factors plausibly related to variation in the relative weightings of the cardinal spatial axes. These results suggest that although the coordinate frames for specifying color and motion share a common dimensional structure, the perceptual coding principles for hue and motion direction are distinct. These differences might reflect a distinction between the computational strategies required for the visual analysis of spatial vs. nonspatial attributes of the world.

An automated pipeline for supervised classification of petal color from citizen science photographs

Premise

Petal color is an ecologically important trait, and uncovering color variation over a geographic range, particularly in species with large distributions and/or short bloom times, requires extensive fieldwork. We have developed an alternative method that segments images from citizen science repositories using Python and k-means clustering in the hue-saturation-value (HSV) color space.

Methods

Our method uses k-means clustering to aggregate like-color pixels in sample images to generate the HSV color space encapsulating the color range of petals. Using the HSV values, our method isolates photographs containing clusters in that range and bins them into a classification scheme based on user-defined categories.

Results

We demonstrate the application of this method using two species: one with a continuous range of variation of pink-purple petals in Geranium maculatum, and one with a binary classification of white versus blue in Linanthus parryae. We demonstrate results that are repeatable and accurate.

Discussion

This method provides a flexible, robust, and easily adjustable approach for the classification of color images from citizen science repositories. By using color to classify images, this pipeline sidesteps many of the issues encountered using more traditional computer vision applications. This approach provides a tool for making use of large citizen scientist data sets.

Do You See What I See? Diversity in Human Color Perception

In our tendency to discuss the objective properties of the external world, we may fail to notice that our subjective perceptions of those properties differ between individuals. Variability at all levels of the color vision system creates diversity in color perception, from discrimination to color matching, appearance, and subjective experience, such that each of us lives in a unique perceptual world. In this review, I discuss what is known about individual differences in color perception and its determinants, particularly considering genetically mediated variability in cone photopigments and the paradoxical effects of visual environments in both contributing to and counteracting individual differences. I make the case that, as well as being of interest in their own right and crucial for a complete account of color vision, individual differences can be used as a methodological tool in color science for the insights that they offer about the underlying mechanisms of perception. Expected final online publication date for the Annual Review of Vision Science, Volume 8 is September 2022. Please see http://www.annualreviews.org/page/journal/pubdates for revised estimates.

Lexical Color Categories

Color is a continuous variable, and humans can distinguish more than a million colors, yet world color lexicons contain no more than a dozen basic color terms. It has been understood for 160 years that the number of color terms in a lexicon varies greatly across languages, yet the lexical color categories defined by these terms are similar worldwide. Starting with the seminal study by Berlin and Kay, this review considers how and why this is so. Evidence from psychological, linguistic, and computational studies has advanced our understanding of how color categories came into being, how they contribute to our shared understanding of color, and how the resultant categories influence color perception and cognition. A key insight from the last 50 years of research is how human perception and the need for communication within a society worked together to create color lexicons that are somewhat diverse, yet show striking regularities worldwide.

Statistical Properties of Color Matching Functions

In trichromats, color vision entails the projection of an infinite-dimensional space (the one containing all possible electromagnetic power spectra) onto the three-dimensional space that modulates the activity of the three types of cones. This drastic reduction in dimensionality gives rise to metamerism, that is, the perceptual chromatic equivalence between two different light spectra. The classes of equivalence of metamerism are revealed by color-matching experiments in which observers adjust the intensity of three monochromatic light beams of three preset wavelengths (the primaries) to produce a mixture that is perceptually equal to a given monochromatic target stimulus. Here we use the linear relation between the color matching functions and the absorption probabilities of each type of cone to find particularly useful triplets of primaries. As a second goal, we also derive an analytical description of the trial-to-trial variability and the correlations of color matching functions stemming from Poissonian noise in photon capture. We analyze how the statistical properties of the responses to color-matching experiments vary with the retinal composition and the wavelengths of peak absorption probability, and compare them with experimental data on subject-to-subject variability obtained previously.

How do visual skills relate to action video game performance?

It has been claimed that video gamers possess increased perceptual and cognitive skills compared to non-video gamers. Here, we examined to which extent gaming performance in CS:GO (Counter-Strike: Global Offensive) correlates with visual performance. We tested 94 players ranging from beginners to experts with a battery of visual paradigms, such as visual acuity and contrast detection. In addition, we assessed performance in specific gaming skills, such as shooting and tracking, and administered personality traits. All measures together explained about 70% of the variance of the players’ rank. In particular, regression models showed that a few visual abilities, such as visual acuity in the periphery and the susceptibility to the Honeycomb illusion, were strongly associated with the players’ rank. Although the causality of the effect remains unknown, our results show that high-rank players perform better in certain visual skills compared to low-rank players.

Individual differences in the perception of visual illusions are stable across eyes, time, and measurement methods

Vision scientists have tried to classify illusions for more than a century. For example, some studies suggested that there is a unique common factor for all visual illusions. Other studies proposed that there are several subclasses of illusions, such as illusions of linear extent or distortions. We previously observed strong within-illusion correlations but only weak between-illusion correlations, arguing in favor of an even higher multifactorial space with-more or less-each illusion making up its own factor. These mixed results are surprising. Here, we examined to what extent individual differences in the perception of visual illusions are stable across eyes, time, and measurement methods. First, we did not find any significant differences in the magnitudes of the seven illusions tested with monocular or binocular viewing conditions. In addition, illusion magnitudes were not significantly predicted by visual acuity. Second, we observed stable individual differences over time. Last, we compared two illusion measurements, namely an adjustment procedure and a method of constant stimuli, which both led to similar individual differences. Hence, it is unlikely that the individual differences in the perception of visual illusions arise from instability across eyes, time, and measurement methods.

Appearance of special colors in deuteranomalous trichromacy

Deuteranomalous color matching behavior is different from normal because the middle-wavelength sensitive cones contain an abnormal L' pigment instead of the M pigment of the normal observer. However, there is growing evidence that deuteranomalous color experience is not very different from that of normal trichromats. Here, normal and deuteranomalous observers chose monochromatic unique yellow lights. They also chose broadband lights, displayed on a computer monitor, that corresponded to eight special colors: the Hering unique hues (red, yellow, green, blue), and binary colors perceptually midway between them (orange, lime, cyan, purple). Deuteranomalous monochromatic unique yellow was shifted towards red, but all the broadband special color selections were physically similar for normal and deuteranomalous observers. Deuteranomalous special colors, including monochromatic unique yellow, were similar to those of normal observers when expressed in a color-opponent chromaticity diagram based on their own visual pigments, but only if (1) color-opponent responses were normalized to white, and (2) the deuteranomalous diagram was expanded along the r - g dimension to compensate for the reduced difference between deuteranomalous L- and L'-cone photopigments. Particularly, deuteranomalous observers did not choose binary colors with extra r - g impact to overcome their insensitivity along the r - g dimension. This result can only be compatible with the known abnormality of the deuteranomalous L' photopigment if deuteranomalous observers adjust their perceptual representation of colors to compensate for their color vision deficiency.

Color perception and compensation in color deficiencies assessed with hue scaling

Anomalous trichromats have three classes of cone receptors but with smaller separation in the spectral sensitivities of their longer-wave (L or M) cones compared to normal trichromats. As a result, the differences in the responses of the longer-wave cones are smaller, resulting in a weaker input to opponent mechanisms that compare the LvsM responses. Despite this, previous studies have found that their color percepts are more similar to normal trichromats than the smaller LvsM differences predict, suggesting that post-receptoral processes might amplify their responses to compensate for the weaker opponent inputs. We evaluated the degree and form of compensation using a hue-scaling task, in which the appearance of different hues is described by the perceived proportions of red-green or blue-yellow primary colors. The scaling functions were modeled to estimate the relative salience of the red-green to blue-yellow components. The red-green amplitudes of the 10 anomalous observers were 1.5 times weaker than for a group of 26 normal controls. However, their relative sensitivity at threshold for detecting LvsM chromatic contrast was on average 6 times higher, consistent with a 4-fold gain in the suprathreshold hue-scaling responses. Within-observer variability in the settings was similar for the two groups, suggesting that the suprathreshold gain did not similarly amplify the noise, at least for the dimension of hue. While the compensation was pronounced it was nevertheless partial, and anomalous observers differed systematically from the controls in the shapes of the hue-scaling functions and the corresponding loci of their color categories. Factor analyses further revealed different patterns of individual differences between the groups. We discuss the implications of these results for understanding both the processes of compensation for a color deficiency and the limits of these processes.

Plasticity in perception: insights from color vision deficiencies

Inherited color vision deficiencies typically result from a loss or alteration of the visual photopigments absorbing light and thus impact the very first step of seeing. There is growing interest in how subsequent steps in the visual pathway might be calibrated to compensate for the altered receptor signals, with the possibility that color coding and color percepts might be less severely impacted than the receptor differences predict. These compensatory adjustments provide important insights into general questions about sensory plasticity and the sensory and cognitive processes underlying how we experience color.

Testing the Cross-Cultural Generality of Hering's Theory of Color Appearance

This study examines the cross-cultural generality of Hering's (1878/1964) color-opponent theory of color appearance. English-speaking and Somali-speaking observers performed variants of two paradigms classically used to study color-opponency. First, both groups identified similar red, green, blue, and yellow unique hues. Second, 25 English-speaking and 34 Somali-speaking observers decomposed the colors present in 135 Munsell color samples into their component Hering elemental sensations-red,green,blue, yellow, white, and black-or else responded "no term." Both groups responded no term for many samples, notably purples. Somali terms for yellow were often used to name colors all around the color circle, including colors that are bluish according to Hering's theory. Four Somali Grue speakers named both green and blue elicitation samples by their term for green. However, that term did not name the union of all samples called blue or green by English speakers. A similar pattern was found among three Somali Achromatic speakers, who called the blue elicitation sample black or white. Thus, color decomposition by these Somali-speaking observers suggests a lexically influenced re-dimensionalization of color appearance space, rather than a simple reduction of the one proposed by Hering. Even some Somali Green-Blue speakers, whose data were otherwise similar to English, showed similar trends in yellow and blue usage. World Color Survey data mirror these results. These within- and cross-cultural violations of Hering's theory do not challenge the long-standing view that universal sensory processes mediate color appearance. However, they do demonstrate an important contribution of language in the human understanding of color.

Ensemble coding of color and luminance contrast

Ensemble coding has been demonstrated for many attributes including color, but the metrics on which this coding is based remain uncertain. We examined ensemble percepts for stimulus sets that varied in chromatic contrast between complementary hues, or that varied in luminance contrast between increments and decrements, in both cases focusing on the ensemble percepts for the neutral gray stimulus defining the category boundary. Each ensemble was composed of 16 circles with four contrast levels. Observers saw the display for 0.5 s and then judged whether a target contrast was a member of the set. False alarms were high for intermediate contrasts (within the range of the ensemble) and fell for higher or lower values. However, for ensembles with complementary hues, gray was less likely to be reported as a member, even when it represented the mean chromaticity of the set. When the settings were repeated for luminance contrast, false alarms for gray were higher and fell off more gradually for out-of-range contrasts. This difference implies that opposite luminance polarities represent a more continuous perceptual dimension than opponent-color variations, and that "gray" is a stronger category boundary for chromatic than luminance contrasts. For color, our results suggest that ensemble percepts reflect pooling within rather than between large hue differences, perhaps because the visual system represents hue differences more like qualitatively different categories than like quantitative differences within an underlying color "space." The differences for luminance and color suggest more generally that ensemble coding for different visual attributes might depend on different processes that in turn depend on the format of the visual representation.

Steady-State Visual Evoked Potentials Elicited from Early Visual Cortex Reflect Both Perceptual Color Space and Cone-Opponent Mechanisms

Colors are represented in the cone-opponent signals, L-M versus S cones, at least up to the level of inputs to the primary visual cortex. We explored the hue selective responses in early cortical visual areas through recordings of steady-state visual evoked potentials (SSVEPs), elicited by a flickering checkerboard whose color smoothly swept around the hue circle defined in a cone-opponent color space. If cone opponency dominates hue representation in the source of SSVEP signals, SSVEP amplitudes as a function of hue should form a profile that is line-symmetric along the cardinal axes of the cone-opponent color space. Observed SSVEP responses were clearly chromatic ones with increased SSVEP amplitudes and reduced response latencies for higher contrast conditions. The overall elliptic amplitude profile was significantly tilted away from the cardinal axes to have the highest amplitudes in the "lime-magenta" direction, indicating that the hue representation in question is not dominated by cone-opponency. The observed SSVEP amplitude hue profile was better described as a summation of a perceptual response and cone-opponent responses with a larger weight to the former. These results indicate that hue representations in the early visual cortex, measured by the SSVEP technique, are possibly related to perceptual color contrast.

When illusions merge

We recently found only weak correlations between the susceptibility to various visual illusions. However, we observed strong correlations among different variants of an illusion, suggesting that the visual space of illusions includes several illusion-specific factors. Here, we specifically examined how factors for the vertical-horizontal, Müller-Lyer, and Ponzo illusions relate to each other. We measured the susceptibility to each illusion separately and to combinations of two illusions, which we refer to as a merged illusion; for example, we tested the Müller-Lyer illusion and the vertical-horizontal illusion, as well as a merged version of both illusions. We used an adjustment procedure in two experiments with 306 and 98 participants, respectively. Using path analyses, correlations, and exploratory factor analyses, we found that the susceptibility to a merged illusion is well predicted from the susceptibilities to the individual illusions. We suggest that there are illusion-specific factors that, by independent combinations, represent the whole visual structure underlying illusions.

Coherence of achromatic, primary and basic classes of colour categories

A range of explanations have been advanced for the systems of colour names found in different languages. Some explanations give special, fundamental status to a subset of colour categories. We argue that a subset of colour categories, if fundamental, will be coherent - meaning that a non-trivial criterion distinguishes them from the other colour categories. We test the coherence of subsets of achromatic (white, black and grey), primary (white, black, red, green, yellow, blue) and basic (primaries plus brown, orange, purple, pink and grey) colour categories in English. Criteria for defining colour categories were expressed in terms of behavioural, linguistic and geometric features derived from colour naming and linguistic usage data; and were discovered using machine learning methods. We find that achromatic and basic colour categories are coherent subsets but not primaries. These results support claims that the basic colour categories have special status, and undermine claims about the fundamental role of primaries in colour naming systems.

A neurodynamic model of the interaction between color perception and color memory

The memory color effect and Spanish castle illusion have been taken as evidence of the cognitive penetrability of vision. In the same manner, the successful decoding of color-related brain signals in functional neuroimaging studies suggests the retrieval of memory colors associated with a perceived gray object. Here, we offer an alternative account of these findings based on the design principles of adaptive resonance theory (ART). In ART, conscious perception is a consequence of a resonant state. Resonance emerges in a recurrent cortical circuit when a bottom-up spatial pattern agrees with the top-down expectation. When they do not agree, a special control mechanism is activated that resets the network and clears off erroneous expectation, thus allowing the bottom-up activity to always dominate in perception. We developed a color ART circuit and evaluated its behavior in computer simulations. The model helps to explain how traces of erroneous expectations about incoming color are eventually removed from the color perception, although their transient effect may be visible in behavioral responses or in brain imaging. Our results suggest that the color ART circuit, as a predictive computational system, is almost never penetrable, because it is equipped with computational mechanisms designed to constrain the impact of the top-down predictions on ongoing perceptual processing.

Individual differences in the Müller-Lyer and Ponzo illusions are stable across different contexts

Vision scientists have attempted to classify visual illusions according to certain aspects, such as brightness or spatial features. For example, Piaget proposed that visual illusion magnitudes either decrease or increase with age. Subsequently, it was suggested that illusions are segregated according to their context: real-world contexts enhance and abstract contexts inhibit illusion magnitudes with age. We tested the effects of context on the Müller-Lyer and Ponzo illusions with a standard condition (no additional context), a line-drawing perspective condition, and a real-world perspective condition. A mixed-effects model analysis, based on data from 76 observers with ages ranging from 6 to 66 years, did not reveal any significant interaction between context and age. Although we found strong intra-illusion correlations for both illusions, we found only weak inter-illusion correlations, suggesting that the structure underlying these two spatial illusions includes several specific factors.

Comparison of two methods of hue scaling

Hue-scaling functions are designed to characterize color appearance by assessing the relative strength of the red versus green and blue versus yellow opponent sensations comprising different hues. However, these judgments can be non-intuitive and may pose difficulties for measurement and analysis. We explored an alternative scaling method based on positioning a dial to represent the relative similarity or distance of each hue from the labeled positions for the opponent categories. The hue-scaling and hue-similarity rating methods were compared for 28 observers. Settings on both tasks were comparable though the similarity ratings showed less inter-observer variability and weaker categorical bias, suggesting that these categorical biases may reflect properties of the task rather than the percepts. Alternatively, properties that are concordant for the two paradigms provide evidence for characteristics that do reflect color appearance. Individual differences on both tasks suggest that color appearance depends on multiple, narrowly tuned color processes, which are inconsistent with conventional color-opponent theory.

The Verriest Lecture: Adventures in blue and yellow

Conventional models of color vision assume that blue and yellow (along with red and green) are the fundamental building blocks of color appearance, yet how these hues are represented in the brain and whether and why they might be special are questions that remain shrouded in mystery. Many studies have explored the visual encoding of color categories, from the statistics of the environment to neural processing to perceptual experience. Blue and yellow are tied to salient features of the natural color world, and these features have likely shaped several important aspects of color vision. However, it remains less certain that these dimensions are encoded as primary or "unique" in the visual representation of color. There are also striking differences between blue and yellow percepts that may reflect high-level inferences about the world, specifically about the colors of light and surfaces. Moreover, while the stimuli labeled as blue or yellow or other basic categories show a remarkable degree of constancy within the observer, they all vary independently of one another across observers. This pattern of variation again suggests that blue and yellow and red and green are not a primary or unitary dimension of color appearance, and instead suggests a representation in which different hues reflect qualitatively different categories rather than quantitative differences within an underlying low-dimensional "color space."

Individual differences and their implications for color perception

Individual differences are a conspicuous feature of color vision and arise from many sources, in both the observer and the world. These differences have important practical implications for comparing and correcting perception and performance, and important theoretical implications for understanding the design principles underlying color coding. Color percepts within and between individuals often vary less than the variations in spectral sensitivity might predict. This stability is achieved by a variety of processes that compensate perception for the sensitivity limits of the eye and brain. Yet judgments of color between individuals can also vary widely, and in ways that are not readily explained by differences in sensitivity or the environment. These differences are uncorrelated across different color categories, and could reflect how these categories are learned or represented.

The spectral identity of foveal cones is preserved in hue perception

Organisms are faced with the challenge of making inferences about the physical world from incomplete incoming sensory information. One strategy to combat ambiguity in this process is to combine new information with prior experiences. We investigated the strategy of combining these information sources in color vision. Single cones in human subjects were stimulated and the associated percepts were recorded. Subjects rated each flash for brightness, hue, and saturation. Brightness ratings were proportional to stimulus intensity. Saturation was independent of intensity, but varied between cones. Hue, in contrast, was assigned in a stereotyped manner that was predicted by cone type. These experiments revealed that, near the fovea, long and middle wavelength sensitive cones produce sensations that can be reliably distinguished on the basis of hue, but not saturation or brightness. Taken together, these observations implicate the high-resolution, color-opponent parvocellular pathway in this low-level visual task.

Individual Variability in Simultaneous Contrast for Color and Brightness: Small Sample Factor Analyses Reveal Separate Induction Processes for Short and Long Flashes

In classic simultaneous color contrast and simultaneous brightness contrast, the color or brightness of a stimulus appears to shift toward the complementary (opposite) color or brightness of its surrounding region. Kaneko and colleagues proposed that simultaneous contrast involves separate "fast" and "slow" mechanisms, with stronger induction effects for fast than slow. Support for the model came from a diverse series of experiments showing that induction by surrounds varying in luminance or color was stronger for brief than long presentation times (10-40 vs. 80-640 ms). Here, to further examine possible underlying processes, we reanalyzed 12 separate small data sets from these studies using correlational and factor analytic techniques. For each analysis, a principal component analysis of induction strength revealed two factors, with one Varimax-rotated factor accounting for brief and one for long durations. In simultaneous brightness experiments, separate factor pairs were obtained for luminance increments and decrements. Despite being based on small sample sizes, the two-factor consistency among 12 analyses would not be expected by chance. The results are consistent with separate fast and slow processes mediating simultaneous contrast for brief and long flashes.

Variations in normal color vision. VII. Relationships between color naming and hue scaling

A longstanding and unresolved question is how observers construct a discrete set of color categories to partition and label the continuous variations in light spectra, and how these categories might reflect the neural representation of color. We explored the properties of color naming and its relationship to color appearance by analyzing individual differences in color-naming and hue-scaling patterns, using factor analysis of individual differences to identify separate and shared processes underlying hue naming (labeling) and hue scaling (color appearance). Observers labeled the hues of 36 stimuli spanning different angles in cone-opponent space, using a set of eight terms corresponding to primary (red, green, blue, yellow) or binary (orange, purple, blue-green, yellow-green) hues. The boundaries defining different terms varied mostly independently, reflecting the influence of at least seven to eight factors. This finding is inconsistent with conventional color-opponent models in which all colors derive from the relative responses of underlying red-green and blue-yellow dimensions. Instead, color categories may reflect qualitatively distinct attributes that are free to vary with the specific spectral stimuli they label. Inter-observer differences in color naming were large and systematic, and we examined whether these differences were associated with differences in color appearance by comparing the hue naming to color percepts assessed by hue scaling measured in the same observers (from Emery et al., 2017). Variability in both tasks again depended on multiple (7 or 8) factors, with some Varimax-rotated factors specific to hue naming or hue scaling, but others common to corresponding stimuli for both judgments. The latter suggests that at least some of the differences in how individuals name or categorize color are related to differences in how the stimuli are perceived.

Variations in normal color vision. VI. Factors underlying individual differences in hue scaling and their implications for models of color appearance

Observers with normal color vision vary widely in their judgments of color appearance, such as the specific spectral stimuli they perceive as pure or unique hues. We examined the basis of these individual differences by using factor analysis to examine the variations in hue-scaling functions from both new and previously published data. Observers reported the perceived proportion of red, green, blue or yellow in chromatic stimuli sampling angles at fixed intervals within the LM and S cone-opponent plane. These proportions were converted to hue angles in a perceptual-opponent space defined by red vs. green and blue vs. yellow axes. Factors were then extracted from the correlation matrix using PCA and Varimax rotation. These analyses revealed that inter-observer differences depend on seven or more narrowly-tuned factors. Moreover, although the task required observers to decompose the stimuli into four primary colors, there was no evidence for factors corresponding to these four primaries, or for opponent relationships between primaries. Perceptions of "redness" in orange, red, and purple, for instance, involved separate factors rather than one shared process for red. This pattern was compared to factor analyses of Monte Carlo simulations of the individual differences in scaling predicted by variations in standard opponent mechanisms, such as their spectral tuning or relative sensitivity. The observed factor pattern is inconsistent with these models and thus with conventional accounts of color appearance based on the Hering primaries. Instead, our analysis points to a perceptual representation of color in terms of multiple mechanisms or decision rules that each influence the perception of only a relatively narrow range of hues, potentially consistent with a population code for color suggested by cortical physiology.