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Rathcke T, Smit E, Zheng Y, Canzi M. Perception of temporal structure in speech is influenced by body movement and individual beat perception ability. Atten Percept Psychophys 2024:10.3758/s13414-024-02893-8. [PMID: 38769276 DOI: 10.3758/s13414-024-02893-8] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Accepted: 04/03/2024] [Indexed: 05/22/2024]
Abstract
The subjective experience of time flow in speech deviates from the sound acoustics in substantial ways. The present study focuses on the perceptual tendency to regularize time intervals found in speech but not in other types of sounds with a similar temporal structure. We investigate to what extent individual beat perception ability is responsible for perceptual regularization and if the effect can be eliminated through the involvement of body movement during listening. Participants performed a musical beat perception task and compared spoken sentences to their drumbeat-based versions either after passive listening or after listening and moving along with the beat of the sentences. The results show that the interval regularization prevails in listeners with a low beat perception ability performing a passive listening task and is eliminated in an active listening task involving body movement. Body movement also helped to promote a veridical percept of temporal structure in speech at the group level. We suggest that body movement engages an internal timekeeping mechanism, promoting the fidelity of auditory encoding even in sounds of high temporal complexity and irregularity such as natural speech.
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Affiliation(s)
- Tamara Rathcke
- Department of Linguistics, University of Konstanz, Konstanz, 78464, Baden-Württemberg, Germany.
| | - Eline Smit
- Department of Linguistics, University of Konstanz, Konstanz, 78464, Baden-Württemberg, Germany
- The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Street, Penrith, 2751, NSW, Australia
| | - Yue Zheng
- Department of Psychology, University of York, York, YO10 5DD, UK
- Department of Hearing Sciences, University of Nottingham, Nottingham, NG7 2RD, UK
| | - Massimiliano Canzi
- Department of Linguistics, University of Konstanz, Konstanz, 78464, Baden-Württemberg, Germany
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2
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Desbernats A, Martin E, Tallet J. Which factors modulate spontaneous motor tempo? A systematic review of the literature. Front Psychol 2023; 14:1161052. [PMID: 37920737 PMCID: PMC10619865 DOI: 10.3389/fpsyg.2023.1161052] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 02/07/2023] [Accepted: 08/02/2023] [Indexed: 11/04/2023] Open
Abstract
Intentionally or not, humans produce rhythmic behaviors (e.g., walking, speaking, and clapping). In 1974, Paul Fraisse defined rhythmic behavior as a periodic movement that obeys a temporal program specific to the subject and that depends less on the conditions of the action (p. 47). Among spontaneous rhythms, the spontaneous motor tempo (SMT) corresponds to the tempo at which someone produces movements in the absence of external stimuli, at the most regular, natural, and pleasant rhythm for him/her. However, intra- and inter-individual differences exist in the SMT values. Even if several factors have been suggested to influence the SMT (e.g., the age of participants), we do not yet know which factors actually modulate the value of the SMT. In this context, the objectives of the present systematic review are (1) to characterize the range of SMT values found in the literature in healthy human adults and (2) to identify all the factors modulating the SMT values in humans. Our results highlight that (1) the reference value of SMT is far from being a common value of 600 ms in healthy human adults, but a range of SMT values exists, and (2) many factors modulate the SMT values. We discuss our results in terms of intrinsic factors (in relation to personal characteristics) and extrinsic factors (in relation to environmental characteristics). Recommendations are proposed to assess the SMT in future research and in rehabilitative, educative, and sport interventions involving rhythmic behaviors.
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Affiliation(s)
- Anaïs Desbernats
- ToNIC, Toulouse NeuroImaging Center, Université de Toulouse, Inserm, UPS, Toulouse, France
| | | | - Jessica Tallet
- ToNIC, Toulouse NeuroImaging Center, Université de Toulouse, Inserm, UPS, Toulouse, France
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3
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Tillmann B, Graves JE, Talamini F, Lévêque Y, Fornoni L, Hoarau C, Pralus A, Ginzburg J, Albouy P, Caclin A. Auditory cortex and beyond: Deficits in congenital amusia. Hear Res 2023; 437:108855. [PMID: 37572645 DOI: 10.1016/j.heares.2023.108855] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Submit a Manuscript] [Subscribe] [Scholar Register] [Received: 02/04/2023] [Revised: 06/14/2023] [Accepted: 07/21/2023] [Indexed: 08/14/2023]
Abstract
Congenital amusia is a neuro-developmental disorder of music perception and production, with the observed deficits contrasting with the sophisticated music processing reported for the general population. Musical deficits within amusia have been hypothesized to arise from altered pitch processing, with impairments in pitch discrimination and, notably, short-term memory. We here review research investigating its behavioral and neural correlates, in particular the impairments at encoding, retention, and recollection of pitch information, as well as how these impairments extend to the processing of pitch cues in speech and emotion. The impairments have been related to altered brain responses in a distributed fronto-temporal network, which can be observed also at rest. Neuroimaging studies revealed changes in connectivity patterns within this network and beyond, shedding light on the brain dynamics underlying auditory cognition. Interestingly, some studies revealed spared implicit pitch processing in congenital amusia, showing the power of implicit cognition in the music domain. Building on these findings, together with audiovisual integration and other beneficial mechanisms, we outline perspectives for training and rehabilitation and the future directions of this research domain.
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Affiliation(s)
- Barbara Tillmann
- CNRS, INSERM, Centre de Recherche en Neurosciences de Lyon CRNL, Université Claude Bernard Lyon 1, UMR5292, U1028, F-69500, Bron, France; Laboratory for Research on Learning and Development, Université de Bourgogne, LEAD - CNRS UMR5022, Dijon, France; LEAD-CNRS UMR5022; Université Bourgogne Franche-Comté; Pôle AAFE; 11 Esplanade Erasme; 21000 Dijon, France.
| | - Jackson E Graves
- Laboratoire des systèmes perceptifs, Département d'études cognitives, École normale supérieure, PSL University, Paris 75005, France
| | | | - Yohana Lévêque
- CNRS, INSERM, Centre de Recherche en Neurosciences de Lyon CRNL, Université Claude Bernard Lyon 1, UMR5292, U1028, F-69500, Bron, France
| | - Lesly Fornoni
- CNRS, INSERM, Centre de Recherche en Neurosciences de Lyon CRNL, Université Claude Bernard Lyon 1, UMR5292, U1028, F-69500, Bron, France
| | - Caliani Hoarau
- CNRS, INSERM, Centre de Recherche en Neurosciences de Lyon CRNL, Université Claude Bernard Lyon 1, UMR5292, U1028, F-69500, Bron, France
| | - Agathe Pralus
- CNRS, INSERM, Centre de Recherche en Neurosciences de Lyon CRNL, Université Claude Bernard Lyon 1, UMR5292, U1028, F-69500, Bron, France
| | - Jérémie Ginzburg
- CNRS, INSERM, Centre de Recherche en Neurosciences de Lyon CRNL, Université Claude Bernard Lyon 1, UMR5292, U1028, F-69500, Bron, France
| | - Philippe Albouy
- CERVO Brain Research Center, School of Psychology, Laval University, Québec, G1J 2G3; International Laboratory for Brain, Music and Sound Research (BRAMS), CRBLM, Montreal QC, H2V 2J2, Canada
| | - Anne Caclin
- CNRS, INSERM, Centre de Recherche en Neurosciences de Lyon CRNL, Université Claude Bernard Lyon 1, UMR5292, U1028, F-69500, Bron, France.
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4
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Fiveash A, Ferreri L, Bouwer FL, Kösem A, Moghimi S, Ravignani A, Keller PE, Tillmann B. Can rhythm-mediated reward boost learning, memory, and social connection? Perspectives for future research. Neurosci Biobehav Rev 2023; 149:105153. [PMID: 37019245 DOI: 10.1016/j.neubiorev.2023.105153] [Citation(s) in RCA: 5] [Impact Index Per Article: 5.0] [Reference Citation Analysis] [Abstract] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 11/24/2022] [Revised: 03/14/2023] [Accepted: 03/31/2023] [Indexed: 04/05/2023]
Abstract
Studies of rhythm processing and of reward have progressed separately, with little connection between the two. However, consistent links between rhythm and reward are beginning to surface, with research suggesting that synchronization to rhythm is rewarding, and that this rewarding element may in turn also boost this synchronization. The current mini review shows that the combined study of rhythm and reward can be beneficial to better understand their independent and combined roles across two central aspects of cognition: 1) learning and memory, and 2) social connection and interpersonal synchronization; which have so far been studied largely independently. From this basis, it is discussed how connections between rhythm and reward can be applied to learning and memory and social connection across different populations, taking into account individual differences, clinical populations, human development, and animal research. Future research will need to consider the rewarding nature of rhythm, and that rhythm can in turn boost reward, potentially enhancing other cognitive and social processes.
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Affiliation(s)
- A Fiveash
- Lyon Neuroscience Research Center, CRNL, CNRS, UMR 5292, INSERM U1028, F-69000 Lyon, France; University of Lyon 1, Lyon, France; The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Sydney, Australia.
| | - L Ferreri
- Department of Brain and Behavioural Sciences, University of Pavia, Pavia, Italy; Laboratoire d'Étude des Mécanismes Cognitifs, Université Lumière Lyon 2, Lyon, France
| | - F L Bouwer
- Department of Psychology, Brain and Cognition, University of Amsterdam, Amsterdam, the Netherlands
| | - A Kösem
- Lyon Neuroscience Research Center, CRNL, CNRS, UMR 5292, INSERM U1028, F-69000 Lyon, France
| | - S Moghimi
- Groupe de Recherches sur l'Analyse Multimodale de la Fonction Cérébrale, INSERM U1105, Amiens, France
| | - A Ravignani
- Comparative Bioacoustics Group, Max Planck Institute for Psycholinguistics, 6525 XD Nijmegen, the Netherlands; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg, Denmark
| | - P E Keller
- The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Sydney, Australia; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg, Denmark
| | - B Tillmann
- Lyon Neuroscience Research Center, CRNL, CNRS, UMR 5292, INSERM U1028, F-69000 Lyon, France; University of Lyon 1, Lyon, France; Laboratory for Research on Learning and Development, LEAD - CNRS UMR5022, Université de Bourgogne, Dijon, France
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5
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Niarchou M, Gustavson DE, Sathirapongsasuti JF, Anglada-Tort M, Eising E, Bell E, McArthur E, Straub P, McAuley JD, Capra JA, Ullén F, Creanza N, Mosing MA, Hinds DA, Davis LK, Jacoby N, Gordon RL. Genome-wide association study of musical beat synchronization demonstrates high polygenicity. Nat Hum Behav 2022; 6:1292-1309. [PMID: 35710621 PMCID: PMC9489530 DOI: 10.1038/s41562-022-01359-x] [Citation(s) in RCA: 24] [Impact Index Per Article: 12.0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 01/09/2021] [Accepted: 04/21/2022] [Indexed: 02/02/2023]
Abstract
Moving in synchrony to the beat is a fundamental component of musicality. Here we conducted a genome-wide association study to identify common genetic variants associated with beat synchronization in 606,825 individuals. Beat synchronization exhibited a highly polygenic architecture, with 69 loci reaching genome-wide significance (P < 5 × 10-8) and single-nucleotide-polymorphism-based heritability (on the liability scale) of 13%-16%. Heritability was enriched for genes expressed in brain tissues and for fetal and adult brain-specific gene regulatory elements, underscoring the role of central-nervous-system-expressed genes linked to the genetic basis of the trait. We performed validations of the self-report phenotype (through separate experiments) and of the genome-wide association study (polygenic scores for beat synchronization were associated with patients algorithmically classified as musicians in medical records of a separate biobank). Genetic correlations with breathing function, motor function, processing speed and chronotype suggest shared genetic architecture with beat synchronization and provide avenues for new phenotypic and genetic explorations.
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Affiliation(s)
- Maria Niarchou
- Vanderbilt Genetics Institute, Vanderbilt University Medical Center, Nashville, TN, USA. .,Division of Genetic Medicine, Department of Medicine, Vanderbilt University Medical Center, Nashville, TN, USA.
| | - Daniel E. Gustavson
- grid.412807.80000 0004 1936 9916Vanderbilt Genetics Institute, Vanderbilt University Medical Center, Nashville, TN USA ,grid.412807.80000 0004 1936 9916Division of Genetic Medicine, Department of Medicine, Vanderbilt University Medical Center, Nashville, TN USA
| | | | - Manuel Anglada-Tort
- grid.461782.e0000 0004 1795 8610Computational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany
| | - Else Eising
- grid.419550.c0000 0004 0501 3839Department of Language and Genetics, Max Planck Institute for Psycholinguistics, Nijmegen, Netherlands
| | - Eamonn Bell
- grid.21729.3f0000000419368729Department of Music, Columbia University, New York, NY USA ,grid.8250.f0000 0000 8700 0572Department of Computer Science, Durham University, Durham, UK
| | - Evonne McArthur
- grid.412807.80000 0004 1936 9916Vanderbilt Genetics Institute, Vanderbilt University Medical Center, Nashville, TN USA
| | - Peter Straub
- grid.412807.80000 0004 1936 9916Vanderbilt Genetics Institute, Vanderbilt University Medical Center, Nashville, TN USA
| | | | - J. Devin McAuley
- grid.17088.360000 0001 2150 1785Department of Psychology, Michigan State University, East Lansing, MI USA
| | - John A. Capra
- grid.266102.10000 0001 2297 6811Bakar Computational Health Sciences Institute, University of California, San Francisco, CA USA ,grid.266102.10000 0001 2297 6811Department of Epidemiology & Biostatistics, University of California, San Francisco, CA USA
| | - Fredrik Ullén
- grid.465198.7Department of Neuroscience, Karolinska Institutet, Solna, Sweden ,grid.461782.e0000 0004 1795 8610Department of Cognitive Neuropsychology, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany
| | - Nicole Creanza
- grid.152326.10000 0001 2264 7217Department of Biological Sciences, Vanderbilt University, Nashville, TN USA ,grid.152326.10000 0001 2264 7217Evolutionary Studies Initiative, Vanderbilt University, Nashville, TN USA
| | - Miriam A. Mosing
- grid.465198.7Department of Neuroscience, Karolinska Institutet, Solna, Sweden ,grid.461782.e0000 0004 1795 8610Department of Cognitive Neuropsychology, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany ,grid.1008.90000 0001 2179 088XMelbourne School of Psychological Sciences, University of Melbourne, Melbourne, Victoria Australia
| | - David A. Hinds
- grid.420283.f0000 0004 0626 085823andMe, Inc, Sunnyvale, CA USA
| | - Lea K. Davis
- grid.412807.80000 0004 1936 9916Vanderbilt Genetics Institute, Vanderbilt University Medical Center, Nashville, TN USA ,grid.412807.80000 0004 1936 9916Division of Genetic Medicine, Department of Medicine, Vanderbilt University Medical Center, Nashville, TN USA ,grid.412807.80000 0004 1936 9916Department of Biomedical Informatics, Vanderbilt University Medical Center, Nashville, TN USA ,grid.412807.80000 0004 1936 9916Department of Psychiatry and Behavioral Sciences, Vanderbilt University Medical Center, Nashville, TN USA ,grid.152326.10000 0001 2264 7217Department of Molecular Physiology and Biophysics, Vanderbilt University, Nashville, TN USA
| | - Nori Jacoby
- grid.461782.e0000 0004 1795 8610Computational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany
| | - Reyna L. Gordon
- grid.412807.80000 0004 1936 9916Vanderbilt Genetics Institute, Vanderbilt University Medical Center, Nashville, TN USA ,grid.412807.80000 0004 1936 9916Department of Otolaryngology—Head & Neck Surgery, Vanderbilt University Medical Center, Nashville, TN USA ,grid.152326.10000 0001 2264 7217Department of Psychology, Vanderbilt University, Nashville, TN USA ,grid.152326.10000 0001 2264 7217Vanderbilt Brain Institute, Vanderbilt University, Nashville, TN USA
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6
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Pfordresher PQ, Greenspon EB, Friedman AL, Palmer C. Spontaneous Production Rates in Music and Speech. Front Psychol 2021; 12:611867. [PMID: 34135799 PMCID: PMC8200629 DOI: 10.3389/fpsyg.2021.611867] [Citation(s) in RCA: 1] [Impact Index Per Article: 0.3] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 09/29/2020] [Accepted: 04/30/2021] [Indexed: 11/13/2022] Open
Abstract
Individuals typically produce auditory sequences, such as speech or music, at a consistent spontaneous rate or tempo. We addressed whether spontaneous rates would show patterns of convergence across the domains of music and language production when the same participants spoke sentences and performed melodic phrases on a piano. Although timing plays a critical role in both domains, different communicative and motor constraints apply in each case and so it is not clear whether music and speech would display similar timing mechanisms. We report the results of two experiments in which adult participants produced sequences from memory at a comfortable spontaneous (uncued) rate. In Experiment 1, monolingual pianists in Buffalo, New York engaged in three production tasks: speaking sentences from memory, performing short melodies from memory, and tapping isochronously. In Experiment 2, English-French bilingual pianists in Montréal, Canada produced melodies on a piano as in Experiment 1, and spoke short rhythmically-structured phrases repeatedly. Both experiments led to the same pattern of results. Participants exhibited consistent spontaneous rates within each task. People who produced one spoken phrase rapidly were likely to produce another spoken phrase rapidly. This consistency across stimuli was also found for performance of different musical melodies. In general, spontaneous rates across speech and music tasks were not correlated, whereas rates of tapping and music were correlated. Speech rates (for syllables) were faster than music rates (for tones) and speech showed a smaller range of spontaneous rates across individuals than did music or tapping rates. Taken together, these results suggest that spontaneous rate reflects cumulative influences of endogenous rhythms (in consistent self-generated rates within domain), peripheral motor constraints (in finger movements across tapping and music), and communicative goals based on the cultural transmission of auditory information (slower rates for to-be-synchronized music than for speech).
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Affiliation(s)
- Peter Q. Pfordresher
- Department of Psychology, University at Buffalo, State University of New York, Buffalo, NY, United States
- Department of Psychology, McGill University, Montreal, QC, Canada
| | - Emma B. Greenspon
- Department of Psychology, University at Buffalo, State University of New York, Buffalo, NY, United States
- Department of Psychology, Monmouth University, West Long Branch, NJ, United States
| | - Amy L. Friedman
- Department of Psychology, McGill University, Montreal, QC, Canada
| | - Caroline Palmer
- Department of Psychology, McGill University, Montreal, QC, Canada
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