Perceptual organization and apparent brightness in subjective contour figures

Phenomena of illusory form: can we bridge the gap between levels of explanation?

The study of illusory brightness and contour phenomena has become an important tool in modern brain research. Gestalt, cognitive, neural, and computational approaches are reviewed and their explanatory powers are discussed in the light of empirical data. Two well-known phenomena of illusory form are dealt with, the Ehrenstein illusion and the Kanizsa triangle. It is argued that the gap between the different levels of explanation, bottom-up versus top-down, creates scientific barriers which have all too often engendered unnecessary debate about who is right and who is wrong. In this review of the literature we favour an integrative approach to the question of how illusory form is derived from stimulus configuration which provide the visual system with seemingly incomplete information. The processes that can explain the emergence of these phenomena range from local feature detection to global strategies of perceptual organisation. These processes may be similar to those that help us restore partially occluded objects in everyday vision. To understand better the Ehrenstein and Kanizsa illusions, it is proposed that different levels of analysis and explanation are not mutually exclusive, but complementary. Theories of illusory contour and form perception must, therefore, take into account the underlying neurophysiological mechanisms and their possible interactions with cognitive and attentional processes.

Subjective contours 1900-1990: research trends and bibliography

A bibliography on subjective contours and a brief summary of trends in research on this problem are presented. The bibliography covers the years 1900-1990 and contains 445 entries, each briefly annotated with a code that indicates the general content and theoretical orientation of the item.

Visual illusory productions with or without amodal completion

A new type of illusory contour is presented whose appearance is generated by the graphic representation of groups of human figures interacting in a coordinated manner with external reality. When numerous pictorial indicators of cause-effect relationships are provided, and appropriate techniques and sufficiently ambiguous observation conditions are used, hallucinatory objects congruent with expectations linked to the meaning of the configurations appear. There is thus a high-level semantic component that is active in the formation of visual illusory contours and is even capable of interacting with other known factors: brightness contrast, the number of elements, the degree of alignment of the elements, etc. This new type of illusory contour fits current definitions and can be experimentally modified. The variations in subjective clarity scores are presented for a study in which twenty subjects observed nineteen experimental figures, certain variables of which were manipulated. The issue is worthy of further experimental investigation.