Acoustic and Perceptual Characteristics of Mandarin Speech in Gay and Heterosexual Male Speakers

This study investigated acoustic and perceptual characteristics of Mandarin speech produced by gay and heterosexual male speakers. Acoustic analysis of monosyllabic words showed significant differences between the two groups in voice fundamental frequency (F0), F1 of low vowel, and duration of aspiration/frication in consonants. The acoustic patterns on F0, formants, and center of gravity as well as spectral skewness of /s/ differed from those reported for Western languages like American English, which could be interpreted from a sociopsychological point of view based on different acceptability of gay identity in the two societies. The results of a perceptual experiment revealed significant but weak correlations between the acoustic parameters and the score of perceived gayness, which was significantly higher on gay speech than on heterosexual male speech. Although the observed F0 and F1 patterns in Mandarin gay speech were opposite to the stereotype of gayness, gay identity can still be identified to some extent from speech due to the existence of other acoustic cues such as a longer fricative duration, which is not a stereotype of gayness but has been consistently observed in Mandarin and Western languages.

Gay Voice: Stable Marker of Sexual Orientation or Flexible Communication Device?

Listeners rely on vocal features when guessing others' sexual orientation. What is less clear is whether speakers modulate their voice to emphasize or to conceal their sexual orientation. We hypothesized that gay individuals adapt their voices to the social context, either emphasizing or disguising their sexual orientation. In Study 1 (n = 20 speakers, n = 383 Italian listeners and n = 373 British listeners), using a simulated conversation paradigm, we found that gay speakers modulated their voices depending on the interlocutor, sounding more gay when speaking to a person with whom they have had an easy (vs. difficult or no) coming out. Although straight speakers were always clearly perceived as heterosexual, their voice perception also varied depending on the interlocutor. Study 2 (n = 14 speakers and n = 309 listeners), comparing the voices of young YouTubers before and after their public coming out, showed a voice modulation as a function of coming out. The voices of gay YouTubers sounded more gay after coming out, whereas those of age-matched straight control male speakers sounded increasingly heterosexual over time. Combining experimental and archival methods, this research suggests that gay speakers modulate their voices flexibly depending on their relation with the interlocutor and as a consequence of their public coming out.