Music exposure and audiological findings in Brazilian disc jockeys (DJs)

Prevalence of hearing loss among noise-exposed workers within the services sector, 2006-2015

OBJECTIVE

The purpose of this study is to estimate the prevalence of hearing loss among noise-exposed U.S. workers within the Services sector.

METHODS

Audiograms for 1.9 million workers (158,436 within Services) from 2006 to 2015 were examined. Prevalence and adjusted risk for hearing loss as compared with a reference industry were estimated for the Services sector/sub-sectors, and all industries combined.

RESULTS

The prevalence of hearing loss within Services was 17 compared to 16% for all industries combined. However, many sub-sectors greatly exceeded the overall prevalence (10-33% higher) and/or had adjusted risks significantly higher than the reference industry. Workers in Administration of Urban Planning and Community and Rural Development had the highest prevalence (50%), and workers in Solid Waste Combustors and Incinerators had more than double the risk, the highest of any sub-sector. Some sub-sectors traditionally viewed as 'low-risk' also had high prevalences and risks.

CONCLUSIONS

Large numbers of workers within Services have an elevated risk of hearing loss and need immediate hearing conservation efforts. Additional research and surveillance are needed for sub-sectors for which there is low awareness of hearing hazards or a lack of hearing data.

Headphone listening habits and hearing thresholds in swedish adolescents

Introduction:

The aim of this study was to investigate self-reported hearing and portable music listening habits, measured hearing function and music exposure levels in Swedish adolescents. The study was divided into two parts.

Materials and Methods:

The first part included 280 adolescents, who were 17 years of age and focused on self-reported data on subjective hearing problems and listening habits regarding portable music players. From this group, 50 adolescents volunteered to participate in Part II of the study, which focused on audiological measurements and measured listening volume.

Results:

The results indicated that longer lifetime exposure in years and increased listening frequency were associated with poorer hearing thresholds and more self-reported hearing problems. A tendency was found for listening to louder volumes and poorer hearing thresholds. Women reported more subjective hearing problems compared with men but exhibited better hearing thresholds. In contrast, men reported more use of personal music devices, and they listen at higher volumes.

Discussion:

Additionally, the study shows that adolescents listening for ≥3 h at every occasion more likely had tinnitus. Those listening at ≥85 dB L_{Aeq, FF} and listening every day exhibited poorer mean hearing thresholds, reported more subjective hearing problems and listened more frequently in school and while sleeping.

Conclusion:

Although the vast majority listened at moderate sound levels and for shorter periods of time, the study also indicates that there is a subgroup (10%) that listens between 90 and 100 dB for longer periods of time, even during sleep. This group might be at risk for developing future noise-induced hearing impairments.

A faceoff with hazardous noise: Noise exposure and hearing threshold shifts of indoor hockey officials

Noise exposure and hearing thresholds of indoor hockey officials of the Western States Hockey League were measured to assess the impact of hockey game noise on hearing sensitivity. Twenty-nine hockey officials who officiated the league in an arena in southeastern Wyoming in October, November, and December 2014 participated in the study. Personal noise dosimetry was conducted to determine if officials were exposed to an equivalent sound pressure level greater than 85 dBA. Hearing thresholds were measured before and after hockey games to determine if a 10 dB or greater temporary threshold shift in hearing occurred. Pure-tone audiometry was conducted in both ears at 500, 1000, 2000, 3000, 4000, 6000, and 8000 Hz. All noise exposures were greater than 85 dBA, with a mean personal noise exposure level of 93 dBA (SD = 2.2), providing 17.7% (SD = 6.3) of the officials' daily noise dose according to the OSHA criteria. Hearing threshold shifts of 10 dB or greater were observed in 86.2% (25/29) of officials, with 36% (9/25) of those threshold shifts equaling 15 dB or greater. The largest proportion of hearing threshold shifts occurred at 4000 Hz, comprising 35.7% of right ear shifts and 31.8% of left ear shifts. The threshold shifts between the pre- and post-game audiometry were statistically significant in the left ear at 500 (p=.019), 2000 (p=.0009), 3000 (p<.0001) and 4000 Hz (p=.0002), and in the right ear at 2000 (p=.0001), 3000 (p=.0001) and 4000 Hz (p<.0001), based on Wilcoxon-ranked sum analysis. Although not statistically significant at alpha = 0.05, logistic regression indicated that with each increase of one dB of equivalent sound pressure measured from personal noise dosimetry, the odds of a ≥ 10 dB TTS were increased in the left ear at 500 (OR=1.33, 95% CI 0.73-2.45), 3000 (OR=1.02, 95% CI 0.68-1.51), 4000 (OR=1.26, 95% CI 0.93-1.71) and 8000 Hz (OR=1.22, 95% CI 0.76-1.94) and in the right ear at 6000 (OR=1.03, 95% CI 0.14-7.84) and 8000 Hz (OR=1.29, 95% CI 0.12-13.83). These findings suggest that indoor hockey officials are exposed to hazardous levels of noise, experience temporary hearing loss after officiating games, and a hearing conservation program is warranted. Further temporary threshold shift research has the potential to identify officials of other sporting events that are at an increased risk of noise-induced hearing loss.

Hearing in young adults. Part II: The effects of recreational noise exposure

Great concern arises from recreational noise exposure, which might lead to noise-induced hearing loss in young adults. The objective of the current study was to evaluate the effects of recreational noise exposure on hearing function in young adults. A questionnaire concerning recreational noise exposures and an audiological test battery were completed by 163 subjects (aged 18-30 years). Based on the duration of exposure and self-estimated loudness of various leisure-time activities, the weekly and lifetime equivalent noise exposure were calculated. Subjects were categorized in groups with low, intermediate, and high recreational noise exposure based on these values. Hearing was evaluated using audiometry, transient-evoked otoacoustic emissions (TEOAEs), and distortion-product otoacoustic emissions (DPOAEs). Mean differences in hearing between groups with low, intermediate, and high recreational noise exposure were evaluated using one-way analysis of variance (ANOVA). There were no significant differences in hearing thresholds, TEOAE amplitudes, and DPOAE amplitudes between groups with low, intermediate, or high recreational noise exposure. Nevertheless, one-third of our subjects exceeded the weekly equivalent noise exposure for all activities of 75 dBA. Further, the highest equivalent sound pressure levels (SPLs) were calculated for the activities visiting nightclubs or pubs, attending concerts or festivals, and playing in a band or orchestra. Moreover, temporary tinnitus after recreational noise exposure was found in 86% of our subjects. There were no significant differences in hearing between groups with low, intermediate, and high recreational noise exposure. Nevertheless, a long-term assessment of young adults’ hearing in relation to recreational noise exposure is needed.

Hearing in young adults. Part I: The effects of attitudes and beliefs toward noise, hearing loss, and hearing protector devices

There is great concern regarding the development of noise-induced hearing loss (NIHL) in youth caused by high sound levels during various leisure activities. Health-orientated behavior of young adults might be linked to the beliefs and attitudes toward noise, hearing loss, and hearing protector devices (HPDs). The objective of the current study was to evaluate the effects of attitudes and beliefs toward noise, hearing loss, and HPDs on young adults’ hearing status. A questionnaire and an audiological test battery were completed by 163 subjects (aged 18-30 years). The questionnaire contained the Youth Attitude to Noise Scale (YANS) and Beliefs about Hearing Protection and Hearing Loss (BAHPHL). A more positive attitude or belief represented an attitude where noise or hearing loss is seen as unproblematic and attitudes and beliefs regarding HPDs is worse. Hearing was evaluated using (high frequency) pure tone audiometry (PTA), transient evoked and distortion product otoacoustic emissions. First, mean differences in hearing between the groups with different attitudes and beliefs were evaluated using one-way analysis of variance (ANOVA). Second, a χ² test was used to examine the usage of HPDs by the different groups with different attitudes and beliefs. Young adults with a positive attitude had significantly more deteriorated hearing and used HPDs less than the other subjects. Hearing conservation programs (HCPs) for young adults should provide information and knowledge regarding noise, hearing loss, and HPDs. Barriers wearing HPDs should especially be discussed. Further, those campaigns should focus on self-experienced hearing related symptoms that might serve as triggers for attitudinal and behavioral changes.

Amplitude-modulation detection by recreational-noise-exposed humans with near-normal hearing thresholds and its medium-term progression

Noise exposure can affect the functioning of cochlear inner and outer hair cells (IHC/OHC), leading to multiple perceptual changes. This work explored possible changes in detection of amplitude modulation (AM) at three Sensation Levels (SL) for carrier frequencies of 3, 4 and 6 kHz. There were two groups of participants, aged 19 to 24 (Young) and 26 to 35 (Older) years. All had near-normal audiometric thresholds. Participants self-assessed exposure to high-level noise in recreational settings. Each group was sub-grouped into low-noise (LN) or high-noise (HN) exposure. AM detection thresholds were worse for the HN than for the LN sub-group at the lowest SL, for the males only of the Young group and for both genders for the Older group, despite no significant difference in absolute threshold at 3 and 4 kHz between sub-groups. AM detection at the lowest SL, at both 3 and 4 kHz, generally improved with increasing age and increasing absolute threshold, consistent with a recruitment-like process. However, poorer AM detection was correlated with increasing exposure at 3 kHz in the Older group. It is suggested that high-level noise exposure produces both IHC- and OHC-related damage, the balance between the two varying across frequency. However, the use of AM detection offers poor sensitivity as a measure of the effects.

Limiares auditivos em músicos militares: convencionais e altas frequências

OBJETIVO: Analisar e caracterizar os limiares auditivos tonais entre 500 Hz e 16.000 Hz de músicos profissionais, integrantes de uma banda militar. MÉTODOS: Realizou-se um estudo de coorte histórico, que comparou um grupo de 50 músicos profissionais (banda militar) com um grupo sem histórico de exposição profissional a som intenso (44 sujeitos); e homogêneos (p<0,05) em relação ao gênero (masculino) e à idade (em torno de 35 anos). Foram realizados exames de audiometria tonal limiar convencional e de altas frequências (de 9.000 a 16.000 Hz). RESULTADOS: A exposição à música desencadeou alterações auditivas permanentes. Quanto aos limiares auditivos convencionais, no grupo exposto encontrou-se 32% dos músicos com alterações auditivas neurossensoriais e no grupo não exposto encontrou-se 2,27%. Os sujeitos expostos à música tiveram 14,54 vezes mais risco de adquirir alterações auditivas neurossensoriais do que o grupo não exposto. Após 20 anos de exposição à música foram observadas pioras significativas nos limiares auditivos, principalmente nas altas frequências, e ocorreram diferenças entre os grupos a partir de 30 anos de idade. CONCLUSÃO: A exposição à música desencadeou alterações auditivas permanentes, evidenciando diferenças em relação ao grupo não exposto à música, registradas na avaliação audiológica convencional e em altas frequências.

Queixas auditivas de disc jockeys da cidade de Recife

OBJETIVO: investigar a ocorrência de queixas auditivas em disc jockeys da cidade de Recife/PE. MÉTODOS: foi realizada uma entrevista com 30 disc jockeys, com idade entre 19 e 28 anos, abordando informações ocupacionais, conhecimentos gerais sobre o ruído e queixas auditivas (diminuição da acuidade auditiva, desconforto a sons intensos, zumbido, sensação de ouvido abafado e otalgia). A análise foi realizada por meio de abordagem quantitativa, utilizando o teste estatístico t-student. RESULTADOS: dentre os dados mais relevantes, destacam-se: 46,7% dos disc jockeys apresentaram, espontaneamente, queixas auditivas, em especial, a diminuição da acuidade auditiva (relatada por todos os sujeitos); 14 disc jockeys (46,67%) referiram desconforto a sons intensos e 13 (43,33%) mencionaram zumbido. Todos afirmaram ter conhecimento sobre os riscos do ruído para a saúde auditiva, mas 76,7% não realizam qualquer medida preventiva de suas consequências. A perda auditiva foi referida pelos sujeitos como o principal risco da exposição a níveis intensos de pressão sonora. CONCLUSÃO: todos os disc jockeys apresentaram queixa de perda auditiva e, entre as demais queixas auditivas, destacaram-se o desconforto a sons intensos e o zumbido. Tendo em vista a irreversibilidade da perda auditiva induzida por elevados níveis de pressão sonora, os disc jockeys devem ser periodicamente avaliados a fim de que se confirme ou não a perda auditiva de que se queixaram e, caso ela exista, deve ser monitorada para que seja passível de intervenção pelo fonoaudiólogo. Desta forma, percebe-se a necessidade de atuação da Fonoaudiologia junto aos disc jockeys, uma vez que poder-se-á propiciar a otimização do exercício profissional com o mínimo de risco possível.

The risks of amplified music for disc-jockeys working in nightclubs

OBJECTIVES

Here, we evaluate the risks of amplified music for disc-jockeys (DJs) working in nightclubs.

DESIGN

Sound level measurements were performed within the DJ mixing booths. A questionnaire was used to obtain exposure to noise and length of time in the profession. Audiograms and tinnitus pitch matching was also performed.

RESULTS

The DJs' audiograms showed the expected noise-induced hearing loss at 6 KHz, but also low frequency losses at 125-500 Hz. Three quarters of them have tinnitus with a frequency corresponding to hearing loss.

CONCLUSIONS

This study highlights the risk of amplified music on hearing and tinnitus.

Prevention of adolescents' music-induced hearing loss due to discotheque attendance: a Delphi study

Noise-induced hearing loss is a significant social and public health problem, which is found in increasing numbers of adolescents. Young people are particularly likely to expose themselves to potentially damaging loud sounds during leisure activities. Visiting discotheques is one of the most popular leisure activities of young people. Only a few minutes exposure to the sound levels played in discotheques can cause permanent hearing loss. Since little is known about what constitutes effective prevention strategies, we explored the opinions and ideas of 30 experts in a qualitative study consisting of a three-round web-based Delphi study. The main parties involved in the prevention of music-induced hearing loss due to discotheque attendance are as follows: the adolescents themselves, followed by the government, discotheque owners, decorators of discotheques and disk jockeys (DJs). None of the identified protective behaviors of adolescents was considered to be feasible. Five environmental interventions were identified as being both relevant and feasible; of these, the most important were that loudspeakers must be placed further away from the visitors and that discotheques have attractive, low-volume and clearly indicated 'chill-out rooms'. Effective prevention strategies to avoid music-induced hearing loss among adolescents due to discotheque attendance need to be taken primarily by discotheque owners and disk jockeys.