The Sound of Smell: Associating Odor Valence With Disgust Sounds

Beyond Linguistic Relativity, Emotion Concepts Illustrate How Meaning is Contextually and Individually Variable

Kemmerer describes grounded accounts of cognition and, using crosslinguistic diversity across conceptual domains, argues that these accounts entail linguistic relativity. In this comment, I extend Kemmerer's position to the domain of emotion. Emotion concepts exemplify characteristics highlighted by grounded accounts of cognition and differ by culture and language. Recent research further demonstrates considerable situation- and person-specific differences. Based on this evidence, I argue that emotion concepts carry unique implications for variation in meaning and experience, entailing a relativity that is contextual and individual in addition to linguistic. I conclude by considering what such pervasive relativity means for interpersonal understanding.

Disgust in animals and the application of disease avoidance to wildlife management and conservation

Disgust is an adaptive system hypothesized to have evolved to reduce the risk of becoming sick. It is associated with behavioural, cognitive and physiological responses tuned to allow animals to avoid and/or get rid of parasites, pathogens and toxins. Little is known about the mechanisms and outcomes of disease avoidance in wild animals. Furthermore, given the escalation of negative human-wildlife interactions, the translation of such knowledge into the design of evolutionarily relevant conservation and wildlife management strategies is becoming urgent. Contemporary methods in animal ecology and related fields, using direct (sensory cues) or indirect (remote sensing technologies and machine learning) means, provide a flexible toolbox for testing and applying disgust at individual and collective levels. In this review/perspective paper, we provide an empirical framework for testing the adaptive function of disgust and its associated disease avoidance behaviours across species, from the least to the most social, in different habitats. We predict various trade-offs to be at play depending on the social system and ecology of the species. We propose five contexts in which disgust-related avoidance behaviours could be applied, including endangered species rehabilitation, invasive species, crop-raiding, urban pests and animal tourism. We highlight some of the perspectives and current challenges of testing disgust in the wild. In particular, we recommend future studies to consider together disease, predation and competition risks. We discuss the ethics associated with disgust experiments in the above contexts. Finally, we promote the creation of a database gathering disease avoidance evidence in animals and its applications.

A Cross‐Modal and Cross‐lingual Study of Iconicity in Language: Insights From Deep Learning

The present paper addresses the study of non‐arbitrariness in language within a deep learning framework. We present a set of experiments aimed at assessing the pervasiveness of different forms of non‐arbitrary phonological patterns across a set of typologically distant languages. Different sequence‐processing neural networks are trained in a set of languages to associate the phonetic vectorization of a set of words to their sensory (Experiment 1), semantic (Experiment 2), and word‐class representations (Experiment 3). The models are then tested, without further training, in a set of novel instances in a language belonging to a different language family, and their performance is compared with a randomized baseline. We show that the three cross‐domain mappings can be successfully transferred across languages and language families, suggesting that the phonological structure of the lexicon is pervaded with language‐invariant cues about the words' meaning and their syntactic classes.

Musical Scents: On the Surprising Absence of Scented Musical/Auditory Events, Entertainments, and Experiences

The matching of scents with music is both one of the most natural (or intuitive) of crossmodal correspondences and, at the same time, one of the least frequently explored combinations of senses in an entertainment and multisensory experiential design context. This narrative review highlights the various occasions over the last century or two when scents and sounds have coincided, and the various motivations behind those who have chosen to bring these senses together: This has included everything from the masking of malodour to the matching of the semantic meaning or arousal potential of the two senses, through to the longstanding and recently-reemerging interest in the crossmodal correspondences (now that they have been distinguished from the superficially similar phenomenon of synaesthesia, with which they were previously often confused). As such, there exist a number of ways in which these two senses can be incorporated into meaningful multisensory experiences that can potentially resonate with the public. Having explored the deliberate combination of scent and music (or sound) in everything from "scent-sory" marketing through to fragrant discos and olfactory storytelling, I end by summarizing some of the opportunities around translating such unusual multisensory experiences from the public to the private sphere. This will likely be via the widespread dissemination of sensory apps that promise to convert (or translate) from one sense (likely scent) to another (e.g., music), as has, for example already started to occur in the world of music selections to match the flavour of specific wines.