Responses of squirrel monkeys to their experimentally modified mobbing calls

Honest signaling in mouse lemur vocalizations?

Animal vocalizations may provide information about a sender’s condition or motivational state and, hence, mediate social interactions. In this study, we examined whether vocalizations of gray mouse lemurs (Microcebus murinus) emitted in aggressive contexts (grunts, tsaks) co-vary with physical condition, which would underly and indicate honest signaling. We recorded calls from captive individuals that were subjected to a caloric restricted (CR) or ad libitum (AL) diet, assuming that individuals on an ad libitum dietary regime were in better condition. We analyzed 828 grunts produced by seven CR and nine AL individuals and 270 tsaks by eight CR and five AL individuals. Grunts consisted of two separate elements, with the 1st element having more energy in higher frequencies than the 2nd element. Body mass correlated negatively with acoustic features of grunts, and heavier individuals produced lower-frequency grunts. Acoustic features of grunts did not differ between sexes. Acoustic features of tsaks were predicted by neither body mass nor sex. However, tsaks produced by AL individuals were noisier than those of CR individuals. Hence, manipulation of body condition via dietary regimes affected acoustic features of calls given during aggression in different ways: acoustic features of grunts varied according to the rule of acoustic allometry, and can be considered as honest signals. Acoustic features of tsaks, however, varied according to motivational structural rules. Longitudinal studies are now indicated to examine whether intra-individual changes in body mass are also reflected in the acoustic structure of calls, allowing callers to signal more flexible variation in condition.

Hunting dogs bark differently when they encounter different animal species

Previous studies have shown that vocalizations of dogs can provide information to human companions. While acoustic signals of dogs have been intensively studied during the last decade, barking during hunting activities remains unstudied. The experiences of hunters indicate that owners can recognize what animal species has been found based on the bark of their dog. Such a phenomenon has never been tested before. We tested such an ability by comparing barks that were produced when dogs encountered four different animal species: wild boar, red fox, rabbit and fowl. Classification results of a discrimination analysis showed, that based on barks of dachshunds and terriers, it is possible to categorize towards which animal species barks were produced. The most distinctive barks were produced during encounters with the most dangerous of these animals, the wild boar. On the contrary, barks evoked by red fox encounters were classified similarly as those towards other smaller and non-dangerous animals like rabbits and fowl. Although the red fox represents a potentially dangerous species, the barking provoked was not classified with a much higher result than barking at animals that pose no threat. This might indicate that the key parameter could be the body size of the animal the dog meets. We further tested whether the degree of threat from the species of animal the dog encounters is reflected in the structure of the acoustic parameters based on the valence-arousal model. We found that barks produced in contact with a wild boar showed significantly lower frequency parameters and longest duration compared to other barks. According to these results, it seems that the variability of barking depending on the species of animal a dog encounters is an expression of the dogʼs inner state rather than functionally reference information.

Development of snake-directed antipredator behavior by wild white-faced capuchin monkeys: III. the signaling properties of alarm-call tonality

In many primates, the acoustic properties of alarm calls can provide information on the level of perceived predatory threat as well as influence the antipredator behavior of nearby conspecifics. The present study examined the harmonics-to-noise ratio (tonality of spectral structure) of alarm calls emitted by white-faced capuchin monkeys (Cebus capucinus) in trees directed at photographic models of a boa constrictor, neotropical rattlesnake, scorpion eater snake, and white snake-shaped control presented on the ground. The average and peak harmonics-to-noise ratios of initial alarm calls by infants, juveniles, and adults and those of nearby second callers were analyzed using PRAAT software. Averaged for age class, the peak harmonics-to-noise ratio of alarm calls directed at the boa constrictor model, characterizing a primary capuchin predator, was reliably higher than the peak harmonics-to-noise ratio of alarm calls directed at the harmless scorpion eater model. This effect was influenced by the higher harmonics-to-noise ratio of infant alarm calls and it disconfirmed our prediction, based on primate vocalization research, that snake perception would increase arousal and alarm-call noisiness. Levels of call tonality did not distinguish the boa and rattlesnake or rattlesnake and scorpion eater models for any age class. Higher alarm-call tonality appeared contagious to nearby perceivers, with focal alarm calling influencing the level of tonality of the first calls of second callers. Together, these findings suggest that the higher peak harmonics-to-noise ratio of capuchin alarm calling directed at snakes is contagious and possibly conveys information about the level of perceived predatory threat.

Vocal contagion of emotions in non-human animals

Communicating emotions to conspecifics (emotion expression) allows the regulation of social interactions (e.g. approach and avoidance). Moreover, when emotions are transmitted from one individual to the next, leading to state matching (emotional contagion), information transfer and coordination between group members are facilitated. Despite the high potential for vocalizations to influence the affective state of surrounding individuals, vocal contagion of emotions has been largely unexplored in non-human animals. In this paper, I review the evidence for discrimination of vocal expression of emotions, which is a necessary step for emotional contagion to occur. I then describe possible proximate mechanisms underlying vocal contagion of emotions, propose criteria to assess this phenomenon and review the existing evidence. The literature so far shows that non-human animals are able to discriminate and be affected by conspecific and also potentially heterospecific (e.g. human) vocal expression of emotions. Since humans heavily rely on vocalizations to communicate (speech), I suggest that studying vocal contagion of emotions in non-human animals can lead to a better understanding of the evolution of emotional contagion and empathy.

Perception of emotional valence in horse whinnies

Background

Non-human animals often produce different types of vocalisations in negative and positive contexts (i.e. different valence), similar to humans, in which crying is associated with negative emotions and laughter is associated with positive ones. However, some types of vocalisations (e.g. contact calls, human speech) can be produced in both negative and positive contexts, and changes in valence are only accompanied by slight structural differences. Although such acoustically graded signals associated with opposite valence have been highlighted in some species, it is not known if conspecifics discriminate them, and if contagion of emotional valence occurs as a result. We tested whether domestic horses perceive, and are affected by, the emotional valence of whinnies produced by both familiar and unfamiliar conspecifics. We measured physiological and behavioural reactions to whinnies recorded during emotionally negative (social separation) and positive (social reunion) situations.

Results

We show that horses perceive acoustic cues to both valence and familiarity present in whinnies. They reacted differently (respiration rate, head movements, height of the head and latency to respond) to separation and reunion whinnies when produced by familiar, but not unfamiliar individuals. They were also more emotionally aroused (shorter inter-pulse intervals and higher locomotion) when hearing unfamiliar compared to familiar whinnies. In addition, the acoustic parameters of separation and reunion whinnies affected the physiology and behaviour of conspecifics in a continuous way. However, we did not find clear evidence for contagion of emotional valence.

Conclusions

Horses are thus able to perceive changes linked to emotional valence within a given vocalisation type, similar to perception of affective prosody in humans. Whinnies produced in either separation or reunion situations seem to constitute acoustically graded variants with distinct functions, enabling horses to increase their apparent vocal repertoire size.

Electronic supplementary material

The online version of this article (doi:10.1186/s12983-017-0193-1) contains supplementary material, which is available to authorized users.

Honey Bee Inhibitory Signaling Is Tuned to Threat Severity and Can Act as a Colony Alarm Signal

Alarm communication is a key adaptation that helps social groups resist predation and rally defenses. In Asia, the world's largest hornet, Vespa mandarinia, and the smaller hornet, Vespa velutina, prey upon foragers and nests of the Asian honey bee, Apis cerana. We attacked foragers and colony nest entrances with these predators and provide the first evidence, in social insects, of an alarm signal that encodes graded danger and attack context. We show that, like Apis mellifera, A. cerana possesses a vibrational "stop signal," which can be triggered by predator attacks upon foragers and inhibits waggle dancing. Large hornet attacks were more dangerous and resulted in higher bee mortality. Per attack at the colony level, large hornets elicited more stop signals than small hornets. Unexpectedly, stop signals elicited by large hornets (SS large hornet) had a significantly higher vibrational fundamental frequency than those elicited by small hornets (SS small hornet) and were more effective at inhibiting waggle dancing. Stop signals resulting from attacks upon the nest entrance (SS nest) were produced by foragers and guards and were significantly longer in pulse duration than stop signals elicited by attacks upon foragers (SS forager). Unlike SS forager, SS nest were targeted at dancing and non-dancing foragers and had the common effect, tuned to hornet threat level, of inhibiting bee departures from the safe interior of the nest. Meanwhile, nest defenders were triggered by the bee alarm pheromone and live hornet presence to heat-ball the hornet. In A. cerana, sophisticated recruitment communication that encodes food location, the waggle dance, is therefore matched with an inhibitory/alarm signal that encodes information about the context of danger and its threat level.

Cues to androgens and quality in male gibbon songs

Animal vocal signals may provide information about senders and mediate important social interactions like sexual competition, territory maintenance and mate selection. Hence, it is important to understand whether vocal signals provide accurate information about animal attributes or status. Gibbons are non-human primates that produce loud, distinctive and melodious vocalizations resembling more those of birds than of other non-human primates. Wild gibbons are characterized by flexibility in social organization (i.e., pairs and multimale units) as well as in mating system (i.e., monogamy and polyandry). Such features make them a suitable model to investigate whether the physiology (hormonal status) and socio-demographic features find their correspondence in the structure of their songs. By combining male solo song recordings, endocrine outputs using non-invasive fecal androgen measures and behavioral observations, we studied 14 groups (10 pair-living, 4 multimale) of wild white-handed gibbons (Hylobates lar) residing at Khao Yai National Park, Thailand. We collected a total of 322 fecal samples and recorded 48 songs from 18 adult animals. Our results confirmed inter-individuality in male gibbon songs, and showed a clear correlation between androgen levels and song structures. Gibbons with higher androgen levels produced calls having higher pitch, and similarly adult individuals produced longer calls than senior males. Thus, it is plausible that gibbon vocalizations provide receivers with information about singers' attributes.

Cognitive control of distinct vocalizations in rhesus monkeys

Whether nonhuman primates can decouple their innate vocalizations from accompanied levels of arousal or specific events in the environment to achieve cognitive control over their vocal utterances has been a matter of debate for decades. We show that rhesus monkeys can be trained to elicit different call types on command in response to arbitrary visual cues. Furthermore, we report that a monkey learned to switch between two distinct call types from trial to trial in response to different visual cues. A controlled behavioral protocol and data analysis based on signal detection theory showed that noncognitive factors as a cause for the monkeys' vocalizations could be excluded. Our findings also suggest that monkeys also have rudimentary control over acoustic call parameters. These findings indicate that monkeys are able to volitionally initiate their vocal production and, therefore, are able to instrumentalize their vocal behavior to perform a behavioral task successfully.

Hearing others' pain: neural activity related to empathy

The human voice is one of the principal conveyers of social and affective communication. Recent neuroimaging studies have suggested that observing pain in others activates neural representations similar to those from the first-hand experience of pain; however, studies on pain expressions in the auditory channel are lacking. We conducted a functional magnetic resonance imaging study to examine brain responses to emotional exclamations of others' pain. The control condition comprised positive (e.g., laughing) or negative (e.g., snoring) stimuli of the human voice that were not associated with pain and suffering. Compared to these control stimuli, pain-related exclamations elicited increased activation in the superior and middle temporal gyri, left insula, secondary somatosensory cortices, thalamus, and right cerebellum, as well as deactivation in the anterior cingulate cortex. The left anterior insular and thalamic activations correlated significantly with the Empathic Concern subscale of the Interpersonal Reactivity Index. Thus, the brain regions involved in hearing others' pain are similar to those activated in the empathic processing of visual stimuli. Additionally, the findings emphasise the modulating role of interindividual differences in affective empathy.

Evidence for a perception of prosodic cues in bat communication: contact call classification by Megaderma lyra

The perception of prosodic cues in human speech may be rooted in mechanisms common to mammals. The present study explores to what extent bats use rhythm and frequency, typically carrying prosodic information in human speech, for the classification of communication call series. Using a two-alternative, forced choice procedure, we trained Megaderma lyra to discriminate between synthetic contact call series differing in frequency, rhythm on level of calls and rhythm on level of call series, and measured the classification performance for stimuli differing in only one, or two, of the above parameters. A comparison with predictions from models based on one, combinations of two, or all, parameters revealed that the bats based their decision predominantly on frequency and in addition on rhythm on the level of call series, whereas rhythm on level of calls was not taken into account in this paradigm. Moreover, frequency and rhythm on the level of call series were evaluated independently. Our results show that parameters corresponding to prosodic cues in human languages are perceived and evaluated by bats. Thus, these necessary prerequisites for a communication via prosodic structures in mammals have evolved far before human speech.

Socially meaningful vocal plasticity in adult Campbell's monkeys (Cercopithecus campbelli)

Campbell's monkeys (Cercopithecus campbelli) frequently exchange vocalizations, the combined-harmonic calls, with individuals responding to one another's calls. Previous work has shown that these calls can be grouped into several structural variants. Adult females differ in their variant repertoires, which may change during their adult life, particularly after changes in the group composition. Playback of females' currently produced variants triggered vocal responses from other group members, whereas the same females' former, no longer used variants and those of stranger females never did. In contrast, former variants caused long-term cessation of vocal behavior, whereas stranger variants had no effect. Data showed that monkeys were able to distinguish between the different types of variants, indicating that these calls form part of a long-term social memory.

Judgment of Emotional Nonlinguistic Vocalizations: Age-Related Differences

Humans make extensive use of vocal information to attribute emotional states to other individuals. To date, most studies exploring perception of vocal emotions have done so in the context of speech prosody, although nonlinguistic emotional vocalizations represent an important, perhaps more universal, means to express emotions. Here, we explored the perception of emotional nonlinguistic vocalizations in healthy individuals, with an emphasis on potential age- and sex-related differences. Sixty participants rated 563 positive (e.g., laughs, sexual vocalizations), negative (e.g., cries, screams of fear), and neutral vocalizations (e.g., coughs), according to the valence, intensity, and authenticity of the emotion expressed. Ratings were consistent among individuals, suggesting that valence is an adequate measure of emotional categorization. An important effect of age emerged: (a) age by vocalization category interactions were observed for both valence and intensity ratings, and (b) younger participants rated stimuli as more emotional than older individuals (i.e., higher valence for positive, lower for negative, and more intense for both positive and negative). We also found a sex effect in the authenticity ratings: older women rated the vocalizations as less authentic than younger women whereas authenticity judgments did not differ between the two age groups in men. Taken together, these findings suggest that, as previously observed for facial expressions and prosody, the judgments of emotional vocalizations may vary with age.