Neural correlates of attention and streaming in a perceptually multistable auditory illusion

Attentional control via synaptic gain mechanisms in auditory streaming

Attention is a crucial component in sound source segregation allowing auditory objects of interest to be both singled out and held in focus. Our study utilizes a fundamental paradigm for sound source segregation: a sequence of interleaved tones, A and B, of different frequencies that can be heard as a single integrated stream or segregated into two streams (auditory streaming paradigm). We focus on the irregular alternations between integrated and segregated that occur for long presentations, so-called auditory bistability. Psychaoustic experiments demonstrate how attentional control, a listener's intention to experience integrated or segregated, biases perception in favour of different perceptual interpretations. Our data show that this is achieved by prolonging the dominance times of the attended percept and, to a lesser extent, by curtailing the dominance times of the unattended percept, an effect that remains consistent across a range of values for the difference in frequency between A and B. An existing neuromechanistic model describes the neural dynamics of perceptual competition downstream of primary auditory cortex (A1). The model allows us to propose plausible neural mechanisms for attentional control, as linked to different attentional strategies, in a direct comparison with behavioural data. A mechanism based on a percept-specific input gain best accounts for the effects of attentional control.

A modification of the scale illusion into a detection task for assessment of binaural streaming

Binaural streaming by frequency-proximity was investigated without subjective listener-feedback by modifying the scale illusion of Deutsch [J. Acoust. Soc. Am. 57, 1156-1160 (1975)] into a detection-task. Nineteen listeners had to detect one deviation within a repeating melody stream, while simultaneously presented with a randomized distractor stream. Every second note in each stream was presented to the opposite ear, requiring binaural streaming to detect the deviant. Listeners performed well in this test but adding interaural delay or timbre-difference let the listeners group by lateralization instead. This confirms the grouping by frequency-proximity. The method could be used to investigate binaural streaming in hearing-impaired patients, where interaural percepts might differ.

How We Hear: The Perception and Neural Coding of Sound

Auditory perception is our main gateway to communication with others via speech and music, and it also plays an important role in alerting and orienting us to new events. This review provides an overview of selected topics pertaining to the perception and neural coding of sound, starting with the first stage of filtering in the cochlea and its profound impact on perception. The next topic, pitch, has been debated for millennia, but recent technical and theoretical developments continue to provide us with new insights. Cochlear filtering and pitch both play key roles in our ability to parse the auditory scene, enabling us to attend to one auditory object or stream while ignoring others. An improved understanding of the basic mechanisms of auditory perception will aid us in the quest to tackle the increasingly important problem of hearing loss in our aging population.

Modulation of Illusory Auditory Perception by Transcranial Electrical Stimulation

The aim of the present study was to test whether transcranial electrical stimulation can modulate illusory perception in the auditory domain. In two separate experiments we applied transcranial Direct Current Stimulation (anodal/cathodal tDCS, 2 mA; N = 60) and high-frequency transcranial Random Noise Stimulation (hf-tRNS, 1.5 mA, offset 0; N = 45) on the temporal cortex during the presentation of the stimuli eliciting the Deutsch's illusion. The illusion arises when two sine tones spaced one octave apart (400 and 800 Hz) are presented dichotically in alternation, one in the left and the other in the right ear, so that when the right ear receives the high tone, the left ear receives the low tone, and vice versa. The majority of the population perceives one high-pitched tone in one ear alternating with one low-pitched tone in the other ear. The results revealed that neither anodal nor cathodal tDCS applied over the left/right temporal cortex modulated the perception of the illusion, whereas hf-tRNS applied bilaterally on the temporal cortex reduced the number of times the sequence of sounds is perceived as the Deutsch's illusion with respect to the sham control condition. The stimulation time before the beginning of the task (5 or 15 min) did not influence the perceptual outcome. In accordance with previous findings, we conclude that hf-tRNS can modulate auditory perception more efficiently than tDCS.

An auditory illusion reveals the role of streaming in the temporal misallocation of perceptual objects

This study investigates the neural correlates and processes underlying the ambiguous percept produced by a stimulus similar to Deutsch's 'octave illusion', in which each ear is presented with a sequence of alternating pure tones of low and high frequencies. The same sequence is presented to each ear, but in opposite phase, such that the left and right ears receive a high-low-high … and a low-high-low … pattern, respectively. Listeners generally report hearing the illusion of an alternating pattern of low and high tones, with all the low tones lateralized to one side and all the high tones lateralized to the other side. The current explanation of the illusion is that it reflects an illusory feature conjunction of pitch and perceived location. Using psychophysics and electroencephalogram measures, we test this and an alternative hypothesis involving synchronous and sequential stream segregation, and investigate potential neural correlates of the illusion. We find that the illusion of alternating tones arises from the synchronous tone pairs across ears rather than sequential tones in one ear, suggesting that the illusion involves a misattribution of time across perceptual streams, rather than a misattribution of location within a stream. The results provide new insights into the mechanisms of binaural streaming and synchronous sound segregation.This article is part of the themed issue 'Auditory and visual scene analysis'.