Perception and prediction of apparent source width and listener envelopment in binaural spherical microphone array auralizations

Spatial Audio Scene Characterization (SASC): Automatic Localization of Front-, Back-, Up-, and Down-Positioned Music Ensembles in Binaural Recordings

The automatic localization of audio sources distributed symmetrically with respect to coronal or transverse planes using binaural signals still poses a challenging task, due to the front–back and up–down confusion effects. This paper demonstrates that the convolutional neural network (CNN) can be used to automatically localize music ensembles panned to the front, back, up, or down positions. The network was developed using the repository of the binaural excerpts obtained by the convolution of multi-track music recordings with the selected sets of head-related transfer functions (HRTFs). They were generated in such a way that a music ensemble (of circular shape in terms of its boundaries) was positioned in one of the following four locations with respect to the listener: front, back, up, and down. According to the obtained results, CNN identified the location of the ensembles with the average accuracy levels of 90.7% and 71.4% when tested under the HRTF-dependent and HRTF-independent conditions, respectively. For HRTF-dependent tests, the accuracy decreased monotonically with the increase in the ensemble size. A modified image occlusion sensitivity technique revealed selected frequency bands as being particularly important in terms of the localization process. These frequency bands are largely in accordance with the psychoacoustical literature.

Perceptual implications of different Ambisonics-based methods for binaural reverberation

Reverberation is essential for the realistic auralisation of enclosed spaces. However, it can be computationally expensive to render with high fidelity and, in practice, simplified models are typically used to lower costs while preserving perceived quality. Ambisonics-based methods may be employed to this purpose as they allow us to render a reverberant sound field more efficiently by limiting its spatial resolution. The present study explores the perceptual impact of two simplifications of Ambisonics-based binaural reverberation that aim to improve efficiency. First, a "hybrid Ambisonics" approach is proposed in which the direct sound path is generated by convolution with a spatially dense head related impulse response set, separately from reverberation. Second, the reverberant virtual loudspeaker method (RVL) is presented as a computationally efficient approach to dynamically render binaural reverberation for multiple sources with the potential limitation of inaccurately simulating listener's head rotations. Numerical and perceptual evaluations suggest that the perceived quality of hybrid Ambisonics auralisations of two measured rooms ceased to improve beyond the third order, which is a lower threshold than what was found by previous studies in which the direct sound path was not processed separately. Additionally, RVL is shown to produce auralisations with comparable perceived quality to Ambisonics renderings.

Localization Performance in a Binaural Real-Time Auralization System Extended to Research Hearing Aids

Auralization systems for auditory research should ideally be validated by perceptual experiments, as well as objective measures. This study employed perceptual tests to evaluate a recently proposed binaural real-time auralization system for hearing aid (HA) users. The dynamic localization of real sound sources was compared with that of virtualized ones, reproduced binaurally over headphones, loudspeakers with crosstalk cancellation (CTC) filters, research HAs, or combined via loudspeakers with CTC filters and research HAs under free-field conditions. System-inherent properties affecting localization cues were identified and their effects on overall horizontal localization, reversal rates, and angular error metrics were assessed. The general localization performance in combined reproduction was found to fall between what was measured for loudspeakers with CTC filters and research HAs alone. Reproduction via research HAs alone resulted in the highest reversal rates and angular errors. While combined reproduction helped decrease the reversal rates, no significant effect was observed on the angular error metrics. However, combined reproduction resulted in the same overall horizontal source localization performance as measured for real sound sources, while improving localization compared with reproduction over research HAs alone. Collectively, the results with respect to combined reproduction can be considered a performance indicator for future experiments involving HA users.

Perceptual evaluation of headphone auralization of rooms captured with spherical microphone arrays with respect to spaciousness and timbre

A listening experiment is presented in which subjects rated the perceived differences in terms of spaciousness and timbre between a headphone-based headtracked dummy head auralization of a sound source in different rooms and a headphone-based headtracked auralization of a spherical microphone array recording of the same scenario. The underlying auralizations were based on measured impulse responses to assure equal conditions. Rigid-sphere arrays with different amounts of microphones ranging from 50 to up to 1202 were emulated through sequential measurements, and spherical harmonics orders of up to 12 were tested. The results show that the array auralizations are partially indistinguishable from the direct dummy head auralization at a spherical harmonics order of 8 or higher if the virtual sound source is located at a lateral position. No significant reduction of the perceived differences with increasing order is observed for frontal virtual sound sources. In this case, small differences with respect to both spaciousness and timbre persist. The evaluation of lowpass-filtered stimuli shows that the perceived differences occur exclusively at higher frequencies and can therefore be attributed to spatial aliasing. The room had only a minor effect on the results.