Distinct cognitive mechanisms involved in the processing of single objects and object ensembles

Examining the role of action-driven attention in ensemble processing

Ensemble processing allows the visual system to condense visual information into useful summary statistics (e.g., average size), thereby overcoming capacity limitations to visual working memory and attention. To examine the role of attention in ensemble processing, we conducted three experiments using a novel paradigm that merged the action effect (a manipulation of attention) and ensemble processing. Participants were instructed to make a simple action if the feature of a cue word corresponded to a subsequent shape. Immediately after, they were shown an ensemble display of eight ovals of varying sizes and were asked to report either the average size of all ovals or the size of a single oval from the set. In Experiments 1 and 2, participants were cued with a task-relevant feature, and in Experiment 3, participants were cued with a task-irrelevant feature. Overall, the task-relevant cues that elicited an action influenced reports of average size in the ensemble phase more than the cues that were passively viewed, whereas task-irrelevant cues did not bias the reports of average size. The results of this study suggest that attention influences ensemble processing only when it is directed toward a task-relevant feature.

Neural representations of ensemble coding in the occipital and parietal cortices

The human visual system is able to extract summary statistics from sets of similar items, but the underlying neural mechanism remains poorly understood. Using functional magnetic resonance imaging (fMRI) and an encoding model, we examined how the neural representation of ensemble coding is constructed by manipulating the task-relevance of ensemble features. We found a gradual increase in orientation-selective responses to the mean orientation of multiple stimuli along the visual hierarchy only when these orientations were task-relevant. Such responses to the ensemble orientation were present in the extrastriate area, V3, even when the mean orientation was not task-relevant, indicating that the ensemble representation can co-exist with the task-relevant individual feature representation. Ensemble orientations were also represented in frontal regions, but those representations were robust only when each mean orientation was linked to a motor response dimension. Together, our findings suggest that the neural representation of the ensemble percept is formed by pooling signals at multiple levels of the visual processing stream.

Shared cognitive mechanisms involved in the processing of scene texture and scene shape

Recent research has demonstrated that the parahippocampal place area represents both the shape and texture features of scenes, with the importance of each feature varying according to perceived scene category. Namely, shape features are predominately more diagnostic to the processing of artificial human–made scenes, while shape and texture are equally diagnostic in natural scene processing. However, to date little is known regarding the degree of interactivity or independence observed in the processing of these scene features. Furthermore, manipulating the scope of visual attention (i.e., globally vs. locally) when processing ensembles of multiple objects—stimuli that share a functional neuroanatomical link with scenes—has been shown to affect their cognitive visual representation. It remains unknown whether manipulating the scope of attention impacts scene processing in a similar manner. Using the well-established Garner speeded-classification behavioral paradigm, we investigated the influence of both feature diagnosticity and the scope of visual attention on potential interactivity or independence in the shape and texture processing of artificial human–made scenes. The results revealed asymmetric interference between scene shape and texture processing, with the more diagnostic feature (i.e., shape) interfering with the less diagnostic feature (i.e., texture), but not vice versa. Furthermore, this interference was attenuated and enhanced with more local and global visual processing strategies, respectively. These findings suggest that the scene shape and texture processing are mediated by shared cognitive mechanisms and that, although these representations are governed primarily via feature diagnosticity, they can nevertheless be influenced by the scope of visual attention.

Global and local interference effects in ensemble encoding are best explained by interactions between summary representations of the mean and the range

Through ensemble encoding, the visual system compresses redundant statistical properties from multiple items into a single summary metric (e.g., average size). Numerous studies have shown that global summary information is extracted quickly, does not require access to single-item representations, and often interferes with reports of single items from the set. Yet a thorough understanding of ensemble processing would benefit from a more extensive investigation at the local level. Thus, the purpose of this study was to provide a more critical inspection of global-local processing in ensemble perception. Taking inspiration from Navon (Cognitive Psychology, 9(3), 353-383, 1977), we employed a novel paradigm that independently manipulates the degree of interference at the global (mean) or local (single item) level of the ensemble. Initial results were consistent with reciprocal interference between global and local ensemble processing. However, further testing revealed that local interference effects were better explained by interference from another summary statistic, the range of the set. Furthermore, participants were unable to disambiguate single items from the ensemble display from other items that were within the ensemble range but, critically, were not actually present in the ensemble. Thus, it appears that local item values are likely inferred based on their relationship to higher-order summary statistics such as the range and the mean. These results conflict with claims that local information is captured alongside global information in summary representations. In such studies, successful identification of set members was not compared with misidentification of items within the range, but which were nevertheless not presented within the set.

Car expertise does not compete with face expertise during ensemble coding

When objects from two categories of expertise (e.g., faces and cars in dual car/face experts) are processed simultaneously, competition occurs across a variety of tasks. Here, we investigate whether competition between face and car processing also occurs during ensemble coding. The relationship between single object recognition and ensemble coding is debated, but if ensemble coding relies on the same ability as object recognition, we expect cars to interfere with ensemble coding of faces as a function of car expertise. We measured the ability to judge the variability in identity of arrays of faces, in the presence of task-irrelevant distractors (cars or novel objects). On each trial, participants viewed two sequential arrays containing four faces and four distractors, judging which array was the more diverse in terms of face identity. We measured participants' car expertise, object recognition ability, and face recognition ability. Using Bayesian statistics, we found evidence against competition as a function of car expertise during ensemble coding of faces. Face recognition ability predicted ensemble judgments for faces, regardless of the category of task-irrelevant distractors. The result suggests that ensemble coding is not susceptible to competition between different domains of similar expertise, unlike single-object recognition.

Differential hemispheric and visual stream contributions to ensemble coding of crowd emotion

In crowds, where scrutinizing individual facial expressions is inefficient, humans can make snap judgments about the prevailing mood by reading "crowd emotion". We investigated how the brain accomplishes this feat in a set of behavioral and fMRI studies. Participants were asked to either avoid or approach one of two crowds of faces presented in the left and right visual hemifields. Perception of crowd emotion was improved when crowd stimuli contained goal-congruent cues and was highly lateralized to the right hemisphere. The dorsal visual stream was preferentially activated in crowd emotion processing, with activity in the intraparietal sulcus and superior frontal gyrus predicting perceptual accuracy for crowd emotion perception, whereas activity in the fusiform cortex in the ventral stream predicted better perception of individual facial expressions. Our findings thus reveal significant behavioral differences and differential involvement of the hemispheres and the major visual streams in reading crowd versus individual face expressions.

The Contribution of Object Shape and Surface Properties to Object Ensemble Representation in Anterior-medial Ventral Visual Cortex

Our visual system can extract summary statistics from large collections of objects without forming detailed representations of the individual objects in the ensemble. In a region in ventral visual cortex encompassing the collateral sulcus and the parahippocampal gyrus and overlapping extensively with the scene-selective parahippocampal place area (PPA), we have previously reported fMRI adaptation to object ensembles when ensemble statistics repeated, even when local image features differed across images (e.g., two different images of the same strawberry pile). We additionally showed that this ensemble representation is similar to (but still distinct from) how visual texture patterns are processed in this region and is not explained by appealing to differences in the color of the elements that make up the ensemble. To further explore the nature of ensemble representation in this brain region, here we used PPA as our ROI and investigated in detail how the shape and surface properties (i.e., both texture and color) of the individual objects constituting an ensemble affect the ensemble representation in anterior-medial ventral visual cortex. We photographed object ensembles of stone beads that varied in shape and surface properties. A given ensemble always contained beads of the same shape and surface properties (e.g., an ensemble of star-shaped rose quartz beads). A change to the shape and/or surface properties of all the beads in an ensemble resulted in a significant release from adaptation in PPA compared with conditions in which no ensemble feature changed. In contrast, in the object-sensitive lateral occipital area (LO), we only observed a significant release from adaptation when the shape of the ensemble elements varied, and found no significant results in additional scene-sensitive regions, namely, the retrosplenial complex and occipital place area. Together, these results demonstrate that the shape and surface properties of the individual objects comprising an ensemble both contribute significantly to object ensemble representation in anterior-medial ventral visual cortex and further demonstrate a functional dissociation between object- (LO) and scene-selective (PPA) visual cortical regions and within the broader scene-processing network itself.

What is the Bandwidth of Perceptual Experience?

Although our subjective impression is of a richly detailed visual world, numerous empirical results suggest that the amount of visual information observers can perceive and remember at any given moment is limited. How can our subjective impressions be reconciled with these objective observations? Here, we answer this question by arguing that, although we see more than the handful of objects, claimed by prominent models of visual attention and working memory, we still see far less than we think we do. Taken together, we argue that these considerations resolve the apparent conflict between our subjective impressions and empirical data on visual capacity, while also illuminating the nature of the representations underlying perceptual experience.