Upper-limit luminance for the surface-color mode appearance

Effects of adapting luminance and CCT on appearance of white and degree of chromatic adaptation

Past studies reported that the degree of chromatic adaptation was affected by viewing medium and adapting luminance. In this study, human observers adjusted the color appearance of a stimulus produced by a self-luminous display to make it appear as white as possible under different adapting conditions, whose adapting luminance and Correlated Color Temperature (CCT) levels were systematically varied. Though an identical display was used as the viewing medium, the chromaticities adjusted under the high adapting luminance levels were generally around the adapting chromaticities, which was similar to the findings in the past studies using reflective surface color samples as the viewing medium. This suggested that the effect of the viewing medium, as reported in the past studies, was actually the effect of viewing mode, due to the change in adapting luminance. Furthermore, the adapting luminance and CCT were found to jointly affect the degree of chromatic adaptation, with a stronger effect of adapting luminance under a lower adapting CCT.

The Neon Fruit Illusion: A Fresh Recipe for Colour Science Demonstrations

At this year’s European Conference on Visual Perception, we debuted a novel colour science demonstration—and visual illusion—for the Un mare di illusioni exhibition. Under carefully curated lighting conditions, cycling through different illuminant spectra, certain fruits and vegetables appear to glow and dim in an unchanging environment. Encouraged by the positive reactions it received, and the numerous and specific questions from conference delegates, we here describe what this illusion is, why we believe it may work, and how this particular low-cost setup may be assembled and demonstrated for the amazement of your friends, students, and members of the public.

Study of chromatic adaptation via neutral white matches on different viewing media

Two experiments were carried out to study the neutral white and the chromatic adaptation in human vision and color science. After matching neutral whites under different illuminants using both surface and self-luminous colors, the result were used to verify the previous study about the chromatic adaptation. Not all the white illuminants were found neutral even the adaptation time is long. The baseline illuminant of the two-step chromatic adaptation transform was found as the illuminant with the same chromaticity of the neutral white under it and depended on viewing medium in the present study. The results were also used as corresponding colors to derive models of the effective degree of chromatic adaptation, which were found highly associated with the chromaticity of the adapting illuminant.

Color constancy in a scene with bright colors that do not have a fully natural surface appearance

Theoretical and experimental approaches have proposed that color constancy involves a correction related to some average of stimulation over the scene, and some of the studies showed that the average gives greater weight to surrounding bright colors. However, in a natural scene, high-luminance elements do not necessarily carry information about the scene illuminant when the luminance is too high for it to appear as a natural object color. The question is how a surrounding color's appearance mode influences its contribution to the degree of color constancy. Here the stimuli were simple geometric patterns, and the luminance of surrounding colors was tested over the range beyond the luminosity threshold. Observers performed perceptual achromatic setting on the test patch in order to measure the degree of color constancy and evaluated the surrounding bright colors' appearance mode. Broadly, our results support the assumption that the visual system counts only the colors in the object-color appearance for color constancy. However, detailed analysis indicated that surrounding colors without a fully natural object-color appearance had some sort of influence on color constancy. Consideration of this contribution of unnatural object color might be important for precise modeling of human color constancy.

A vision research apparatus for broad luminance range displays

Lightness, the perceived gray shade of a surface, and the perception of self-luminous surfaces--that is, surfaces that appear to glow--have most often been studied with paper displays and computer-generated stimuli presented on CRT monitors. Although both methods are often effective, experiments that require a wide range of luminance values in the same display are often difficult to conduct with paper and computer displays alone. Also, color mode appearance is often an issue when surface color perception is the topic of research; CRT monitors are essentially light sources themselves and often appear in the luminous mode of color appearance. Here, we describe an apparatus in which the target is an undetected aperture whose luminance is adjustable. Whereas a typical CRT monitor offers a luminance range of about 100:1, much broader luminance ranges are possible with the described apparatus. Unlike a CRT monitor, the stimulus background will always appear in the surface mode of color perception, and the target(s) can appear as either surface colors or luminous colors. Apparatus modifications are possible, including the addition of a stereoscope or an embedded CRT for creating an adjustable region that is computer controlled.