Optical coherence tomography and non-linear microscopy for paintings - a study of the complementary capabilities and laser degradation effects

Photoacoustic speckle pattern interferometry for detecting cracks of different sizes

A system and method for non-destructive detection of cracks of different width and depths based on digital speckle interferometry coupled with pulsed laser excitation is introduced and tested. Based on photoacoustic effect, acoustic waves are induced onto the rear of the samples by pumping a pulsed laser beam on it. The generated mechanical wave propagates from the rear surface of the sample to the front while front surface is monitored by speckle interferometry. In order to acquire information about surface deformation, the front surface is illuminated by continuous wave laser and interference are imaged onto the camera as speckle images. After processing the produced fringe patterns, it indicates the presence and location of the cracks in qualitative way. In this study, the system and method mentioned above are validated by detecting medium density fiberboard with simulated cracks. The fringe patterns from areas with or without defects are compared and discussed. Besides, the system and method to distinguish and predict cracks sizes is proposed and validated.

A study of potential laser-induced degradation in remote standoff Raman spectroscopy for wall paintings

A mobile remote standoff Raman spectroscopy system operational at typical distances of 10 m was developed specifically for research of historical sites and wall paintings recently. Here we present an upgrade to that system informed by a thorough experimental investigation of the relevant laser-induced degradation issues. Reflectance spectroscopy as a more sensitive technique than Raman spectroscopy was used for monitoring and a new phenomenon of reversible alterations was detected in many paint samples at very low laser intensities of less than 1 W/cm² when Raman measurements detected no changes. Contrary to conventional wisdom, the intensity threshold for safe operation was found to decrease significantly for larger incident irradiation area in the case of a vermilion oil paint sample. Damage threshold in intensity for each material needs to be determined for different spot sizes, which can be orders of magnitude lower for 1 mm spot size compared with micro-Raman. Results from this study is also relevant to portable Raman systems which use similarly large spot sizes. However, the larger spot size still generates more Raman photons overall under safe operation than micro-Raman systems. Continuous-wave (CW) lasers are found to be best suited to efficient, that is more Raman signal detected over a given measurement time, and safe Raman operation than ns-pulse lasers at the same wavelength. While the damage threshold in intensity for ns-pulse lasers is much higher than that of CW lasers, the pulse energy allowed in one pulse for safe operation is still too low to allow detection of Raman signal, and the need for multiple pulses makes pulse laser inefficient owing to the low repetition rate necessary to ensure adequate heat dissipation between pulses. The safety of the upgraded system was evaluated and found that no permanent laser-induced degradation was detected within 60 s of laser irradiation for any of the paint samples.

Investigation of craquelure patterns in oil paintings using precise 3D morphological analysis for art authentication

The development of scientific technology for art authentication has elicited multidimensional evidence to distinguish forgeries from original artwork. Here, we analyzed the three-dimensional morphology of cracks that contain information, such as the painting features of artworks, using optical coherence tomography. The forgeries were produced by an expert from original oil paintings with cracks that occur owing to paint drying, canvas aging, and physical damage. Parameters, such as shape, width, and depth, were compared based on the cross-sectional images of the original and fake cracks. The original cracks were rectangular and inverted, but the fake cracks were relatively simple inverted triangles. The original cracks were as deep as the thickness of the upper layer and mostly were "thin/deep" or "wide/shallow". The fake cracks were observed to be "'thin/shallow" or "wide/deep". This study aims to improve the understanding of crack characteristics and promote the development of techniques for determining art authenticity.

Noninvasive quantitative assessment of collagen degradation in parchments by polarization-resolved SHG microscopy

Nondestructive and noninvasive investigation techniques are highly sought-after to establish the degradation state of historical parchments, which is up to now assessed by thermal techniques that are invasive and destructive. We show that advanced nonlinear optical (NLO) microscopy enables quantitative in situ mapping of parchment degradation at the micrometer scale. We introduce two parameters that are sensitive to different degradation stages: the ratio of two-photon excited fluorescence to second harmonic generation (SHG) signals probes severe degradation, while the anisotropy parameter extracted from polarization-resolved SHG measurements is sensitive to early degradation. This approach is first validated by comparing NLO quantitative parameters to thermal measurements on artificially altered contemporary parchments. We then analyze invaluable parchments from the Middle Ages and show that we can map their conservation state and assess the impact of a restoration process. NLO quantitative microscopy should therefore help to identify parchments most at risk and optimize restoration methods.

Multiphoton Excitation Fluorescence Microscopy and Spectroscopic Multianalytical Approach for Characterization of Historical Glass Grisailles

The preservation of the integrity of artworks and cultural heritage items during characterization and conservation operations is of high priority, therefore, the application of non-invasive techniques is commonly suggested and recommended. Nonlinear optical microscopies (NLOM), based on the use of tightly focused pulsed femtosecond lasers, are emerging techniques for structural and chemical analysis of heritage objects with micrometric lateral and axial resolution. The results obtained with a set of optical and spectroscopic techniques for the chemical and physical characterization of grisaille paint layers on historical stained glasses, from different chronologies and provenance in Spain, are presented in this work. Optical behaviour and chemical composition were investigated by NLOM, using a laboratory set-up in the modality of Multi-Photon Excitation Fluorescence (MPEF), and by a multi-analytical combination of Field Emission Scanning Electron Microscopy-Energy Dispersive X-ray Spectrometry (FESEM-EDS), Laser Induced Breakdown Spectrosocopy (LIBS) and Laser Induced Fluorescence (LIF). Thicknesses values of the historical grisaille paint layers measured with MPEF were compared with those retrieved through FESEM, showing significant consistency and agreement. Under proper conditions, analysis via MPEF microscopy avoids the photochemical and physical damage to the examined materials, thus ensuring their preservation. This approach paves the way for future in-situ, non-invasive stratigraphic investigations on cultural heritage objects.

In-Depth Analysis of Egg-Tempera Paint Layers by Multiphoton Excitation Fluorescence Microscopy

The non-invasive depth-resolved imaging of pictorial layers in paintings by means of linear optical techniques represents a challenge in the field of Cultural Heritage (CH). The presence of opaque and/or highly-scattering materials may obstruct the penetration of the radiation probe, thus impeding the visualization of the stratigraphy of paintings. Nonlinear Optical Microscopy (NLOM), which makes use of tightly-focused femtosecond pulsed lasers as illumination sources, is an emerging technique for the analysis of painted objects enabling micrometric three-dimensional (3D) resolution with good penetration capability in semi-transparent materials. In this work, we evaluated the potential of NLOM, specifically in the modality of Multi-Photon Excitation Fluorescence (MPEF), to probe the stratigraphy of egg-tempera mock-up paintings. A multi-analytical non-invasive approach, involving ultraviolet-visible-near infrared (UV-Vis-NIR) Fiber Optics Reflectance Spectroscopy, Vis-NIR photoluminescence, and Laser Induced Fluorescence, yielded key-information for the characterization of the constituting materials and for the interpretation of the nonlinear results. Furthermore, the use of three nonlinear optical systems allowed evaluation of the response of the analyzed paints to different excitation wavelengths and photon doses, which proved useful for the definition of the most suitable measurement conditions. The micrometric thickness of the paint layers, which was not measurable by means of Optical Coherence Tomography (OCT), was instead assessed by MPEF, thus demonstrating the effectiveness of this nonlinear modality in probing highly-scattering media, while ensuring the minimal photochemical disturbance to the examined materials.

Non-Linear Microscopy: A Well-Established Technique for Biological Applications towards Serving as a Diagnostic Tool for in situ Cultural Heritage Studies

A range of sophisticated imaging techniques have been developed in recent years that can reveal the surface structure of cultural heritage objects with varying precision. In combination with various spectroscopic methods, they allow the study of the chemical composition of the object; thus, conclusions can be drawn about the origin of the object or its initial components, method, or time of creation, authenticity, mechanisms of degradation, and ways of further conservation. At present, different techniques can be applied to a wide range of cultural heritage objects, such as varnishes, paintings, archaeological objects, binding media, paper-based documents, parchments, marbles, frescoes, as well as various objects made of leather, fabric, stone, ceramics and glass, wood, or metal. One of the main needs in the study of cultural heritage (CH) is the transportability/portability of the research equipment, since many pieces under investigation cannot be moved to the laboratory, either because of their size, inseparability (for example, frescoes on walls, mural paintings in caves), or the threat of damage. In this work, we briefly overview the main optical- and laser-based methods used for the study of cultural heritage objects indicating the scope of their application, and we focus on the applications of non-linear microscopic methods for the investigation of a series of artifacts. We also discuss all the requirements for the construction of a prototype transportable non-linear optical system that will be used as a novel diagnostic tool for in situ studies of CH assets. The availability of such a transportable workstation will significantly improve the study and characterization of various types of CH objects and will constitute an extremely useful diagnostic tool for heritage scientists dealing with a variety of investigations.

Standoff Raman spectroscopy for architectural interiors from 3-15 m distances

Portable and mobile Raman spectroscopy systems are increasingly being adopted in in situ non-invasive examination of artworks given their high specificity in material identification. However, these systems typically operate within centimeter range working distances, making the examination of large architectural interiors such as wall paintings in churches challenging. We demonstrate the first standoff Raman spectroscopy system for in situ investigation of historic architectural interior at distances > 3 m. The 780 nm continuous wave laser-induced standoff Raman system was successfully deployed for the in situ examination of wall paintings, at distances of 3-15 m, under ambient light. It is able to identify most common pigments while maintaining a very low laser intensity to avoid light induced degradation. It is shown to complement our current method of standoff remote surveys of wall paintings using spectral imaging.

Combined photoacoustic imaging to delineate the internal structure of paintings

In this Letter, we present a combined photoacoustic imaging method, based on consecutive excitation using either the fundamental or the second-harmonic wavelength of a pulsed Nd:YAG laser for the stratigraphy of painted artworks. Near-infrared excitation was employed for the imaging of hidden underdrawings in mock-up samples, whereas visible light was used for the thickness mapping of the overlying paint through the detection of photoacoustic signal attenuation. The proposed methodology was proven effective in measuring thick and strongly absorbing layers, which would not be possible by means of other pure optical techniques, while also enabling the visualization of features underneath the painted surface. Such an implementation expands significantly the applicability of the previously presented photoacoustic technique, which was limited to point-measurements, and paves the way for novel application in historical and technical studies, as well as in documenting restoring operations.

Multianalytical non-invasive characterization of phthalocyanine acrylic paints through spectroscopic and non-linear optical techniques

The documentation and monitoring of cleaning operations on paintings benefit from the identification and determination of thickness of the materials to be selectively removed. Since in artworks diagnosis the preservation of the object's integrity is a priority, the application of non-invasive techniques is commonly preferred. In this work, we present the results obtained with a set of non-invasive optical techniques for the chemical and physical characterization of six copper-phthalocyanine (Cu-Pc) acrylic paints. Cu-Pc pigments have been extensively used by artists over the past century, thanks to their properties and low cost of manufacture. They can also be found in historical paintings in the form of overpaints/retouchings, providing evidence of recent conservation treatments. The optical behaviour and the chemical composition of Cu-Pc paints were investigated through a multi-analytical approach involving micro-Raman spectroscopy, Fibre Optics Reflectance Spectroscopy (FORS) and Laser Induced Fluorescence (LIF), enabling the differentiation among pigments and highlighting discrepancies with the composition declared by the manufacturer. The applicability of Non Linear Optical Microscopy (NLOM) for the evaluation of paint layer thickness was assessed using the modality of Multi-photon Excitation Fluorescence (MPEF). Thickness values measured with MPEF were compared with those retrieved through Optical Coherence Tomography (OCT), showing significant consistency and paving the way for further non-linear stratigraphic investigations on painting materials.

Spectroscopic Differentiation and Microscopic Imaging of Red Organic Pigments Using Optical Pump-Probe Contrast

Analysis of red organic pigments in artworks (and in forensics applications) is challenging, because conventional nondestructive mapping techniques provide little contrast, and most chemical analyses with high specificity require sample removal. Here we demonstrate a new optical approach, pump-probe microscopy, for the analysis of red organic pigments. We investigate Carmine naccarat, Lac dye, purpurin, alizarin, madder lake, and eosin Y and show that their intrinsic photophysical properties produce distinctive pump-probe spectra. We utilize this contrast for high-resolution, three-dimensional imaging without the need for physical sample removal. Lastly, we highlight the potential of pump-probe microscopy as an analytical tool for forensics of other types of organic colorants by investigating a series of automotive paints.