Shortening of subjective visual intervals followed by repetitive stimulation

Stimulus (dis)similarity can modify the effect of a task-irrelevant sandwiching stimulus on the perceived duration of brief visual stimuli

The perceived duration of a target visual stimulus is shorter when a brief non-target visual stimulus precedes and trails the target than when it appears alone. This time compression requires spatiotemporal proximity of the target and non-target stimuli, which is one of the perceptual grouping rules. The present study examined whether and how another grouping rule, stimulus (dis)similarity, modulated this effect. In Experiment 1, time compression occurred only when the preceding and trailing stimuli (black-white checkerboard) were dissimilar from the target (unfilled round or triangle) with spatiotemporal proximity. In contrast, it was reduced when the preceding or trailing stimuli (filled rounds or triangles) were similar to the target. Experiment 2 revealed time compression with dissimilar stimuli, independent of the intensity or saliency of the target and non-target stimuli. Experiment 3 replicated the findings of Experiment 1 by manipulating the luminance similarity between target and non-target stimuli. Furthermore, time dilation occurred when the non-target stimuli were indistinguishable from the target stimuli. These results indicate that stimulus dissimilarity with spatiotemporal proximity induces time compression, whereas stimulus similarity with spatiotemporal proximity does not. These findings were discussed in relation to the neural readout model.

Auditory Rate Perception Displays a Positive Serial Dependence

We investigated perceived timing in auditory rate perception using a reproduction task. The study aimed to test (a) whether central tendency occurs in rate perception, as shown for interval timing, and (b) whether rate is perceived independently on each trial or shows a serial dependence, as shown for other perceptual attributes. Participants were well able to indicate perceived rate as reproduced and presented rates were linearly related with a slope that approached unity, although tapping significantly overestimated presented rates. While the slopes approached unity, they were significantly less than 1, indicating a central tendency in which reproduced rates tended towards the mean of the presented range. We tested for serial dependency by seeing if current trial rate reproductions depended on the preceding rate. In two conditions, a positive dependence was observed. A third condition in which participants withheld responses on every second trial produced a negative dependency. These results suggest separate components of serial dependence linked to stimulus and response: Withholding responses reveals a negative perceptual effect, whereas making responses adds a stronger positive effect that is postperceptual and makes the combined effect positive. Together, these data show that auditory rate perception exhibits both central tendency and serial dependence effects.

Temporal rate is not a distinct perceptual metric

Sensory adaptation experiments have revealed the existence of 'rate after-effects' - adapting to a relatively fast rate makes an intermediate test rate feel slow, and adapting to a slow rate makes the same moderate test rate feel fast. The present work aims to deconstruct the concept of rate and clarify how exactly the brain processes a regular sequence of sensory signals. We ask whether rate forms a distinct perceptual metric, or whether it is simply the perceptual aggregate of the intervals between its component signals. Subjects were exposed to auditory or visual temporal rates (a 'slow' rate of 1.5 Hz and a 'fast' rate of 6 Hz), before being tested with single unfilled intervals of varying durations. Results show adapting to a given rate strongly influences the perceived duration of a single empty interval. This effect is robust across both interval reproduction and duration discrimination judgments. These findings challenge our understanding of rate perception. Specifically, they suggest that contrary to some previous assertions, the perception of sequence rate is strongly influenced by the perception of the sequence's component duration intervals.

Sandwiched visual stimuli are perceived as shorter than the stimulus alone

A visual stimulus is perceived as shorter when a short sound is presented immediately before and after the visual target than when the visual target appears alone. It remains unclear whether the time compression occurs in an intramodal condition. Therefore, the present study examined how and when non-target sandwiching stimuli affect the perceived filled duration of target visual stimuli. We further hypothesized that this effect could be modulated by temporal and spatial proximity between the target and non-target stimuli. Experiments 1a, 1b, and 2 showed that non-target stimuli could decrease the perceived duration only when the inter-stimulus interval between these stimuli was 0 ms, using time reproduction and category estimation methods. Experiments 3 revealed that the time compression effect did not occur when both the non-target preceding and trailing stimuli were spatially distinct from the target. Experiment 4 demonstrated that either the preceding or trailing stimulus induced the time compression effect when the non-target stimuli were presented at the same position as the target stimuli. We discuss the implications of the time compression effect induced by non-target sandwiching stimuli with reference to the Scalar Expectancy Theory and the Neural Readout Model. We speculated that the attenuation of neural responses to the target via visual masking or perceptual grouping may be attributable to the time compression effect.

Vibrotactile timing: Are vibrotactile judgements of duration affected by repetitive stimulation?

Timing in the vibrotactile modality was explored. Previous research has shown that repetitive auditory stimulation (in the form of click-trains) and visual stimulation (in the form of flickers) can alter duration judgements in a manner consistent with a "speeding up" of an internal clock. In Experiments 1 and 2 we investigated whether repetitive vibrotactile stimulation in the form of vibration trains would also alter duration judgements of either vibrotactile stimuli or visual stimuli. Participants gave verbal estimates of the duration of vibrotactile and visual stimuli that were preceded either by five seconds of 5-Hz vibration trains, or, by a five-second period of no vibrotactile stimulation, the end of which was signalled by a single vibration pulse (control condition). The results showed that durations were overestimated in the vibrotactile train conditions relative to the control condition; however, the effects were not multiplicative (did not increase with increasing stimulus duration) and as such were not consistent with a speeding up of the internal clock, but rather with an additive attentional effect. An additional finding was that the slope of the vibrotactile psychometric (control condition) function was not significantly different from that of the visual (control condition) function, which replicates a finding from a previous cross-modal comparison of timing.

"Flash" dance: how speed modulates percieved duration in dancers and non-dancers

Speed has been proposed as a modulating factor on duration estimation. However, the different measurement methodologies and experimental designs used have led to inconsistent results across studies, and, thus, the issue of how speed modulates time estimation remains unresolved. Additionally, no studies have looked into the role of expertise on spatiotemporal tasks (tasks requiring high temporal and spatial acuity; e.g., dancing) and susceptibility to modulations of speed in timing judgments. In the present study, therefore, using naturalistic, dynamic dance stimuli, we aimed at defining the role of speed and the interaction of speed and experience on time estimation. We presented videos of a dancer performing identical ballet steps in fast and slow versions, while controlling for the number of changes present. Professional dancers and non-dancers performed duration judgments through a production and a reproduction task. Analysis revealed a significantly larger underestimation of fast videos as compared to slow ones during reproduction. The exact opposite result was true for the production task. Dancers were significantly less variable in their time estimations as compared to non-dancers. Speed and experience, therefore, affect the participants' estimates of time. Results are discussed in association to the theoretical framework of current models by focusing on the role of attention.

Adaptation to visual or auditory time intervals modulates the perception of visual apparent motion

It is debated whether sub-second timing is subserved by a centralized mechanism or by the intrinsic properties of task-related neural activity in specific modalities (Ivry and Schlerf, 2008). By using a temporal adaptation task, we investigated whether adapting to different time intervals conveyed through stimuli in different modalities (i.e., frames of a visual Ternus display, visual blinking discs, or auditory beeps) would affect the subsequent implicit perception of visual timing, i.e., inter-stimulus interval (ISI) between two frames in a Ternus display. The Ternus display can induce two percepts of apparent motion (AM), depending on the ISI between the two frames: "element motion" for short ISIs, in which the endmost disc is seen as moving back and forth while the middle disc at the overlapping or central position remains stationary; "group motion" for longer ISIs, in which both discs appear to move in a manner of lateral displacement as a whole. In Experiment 1, participants adapted to either the typical "element motion" (ISI = 50 ms) or the typical "group motion" (ISI = 200 ms). In Experiments 2 and 3, participants adapted to a time interval of 50 or 200 ms through observing a series of two paired blinking discs at the center of the screen (Experiment 2) or hearing a sequence of two paired beeps (with pitch 1000 Hz). In Experiment 4, participants adapted to sequences of paired beeps with either low pitches (500 Hz) or high pitches (5000 Hz). After adaptation in each trial, participants were presented with a Ternus probe in which the ISI between the two frames was equal to the transitional threshold of the two types of motions, as determined by a pretest. Results showed that adapting to the short time interval in all the situations led to more reports of "group motion" in the subsequent Ternus probes; adapting to the long time interval, however, caused no aftereffect for visual adaptation but significantly more reports of group motion for auditory adaptation. These findings, suggesting amodal representation for sub-second timing across modalities, are interpreted in the framework of temporal pacemaker model.