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Cheung VKM, Harrison PMC, Koelsch S, Pearce MT, Friederici AD, Meyer L. Cognitive and sensory expectations independently shape musical expectancy and pleasure. Philos Trans R Soc Lond B Biol Sci 2024; 379:20220420. [PMID: 38104601 PMCID: PMC10725761 DOI: 10.1098/rstb.2022.0420] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 02/28/2023] [Accepted: 10/20/2023] [Indexed: 12/19/2023] Open
Abstract
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain unclear. While sensory models derive predictions based on local acoustic information in the auditory signal, cognitive models assume abstract knowledge of music structure acquired over the long term. To evaluate these two contrasting mechanisms, we compared simulations from four computational models of musical expectancy against subjective expectancy and pleasantness ratings of over 1000 chords sampled from 739 US Billboard pop songs. Bayesian model comparison revealed that listeners' expectancy and pleasantness ratings were predicted by the independent, non-overlapping, contributions of cognitive and sensory expectations. Furthermore, cognitive expectations explained over twice the variance in listeners' perceived surprise compared to sensory expectations, suggesting a larger relative importance of long-term representations of music structure over short-term sensory-acoustic information in musical expectancy. Our results thus emphasize the distinct, albeit complementary, roles of cognitive and sensory expectations in shaping musical pleasure, and suggest that this expectancy-driven mechanism depends on musical information represented at different levels of abstraction along the neural hierarchy. This article is part of the theme issue 'Art, aesthetics and predictive processing: theoretical and empirical perspectives'.
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Affiliation(s)
- Vincent K. M. Cheung
- Sony Computer Science Laboratories, Inc., Shinagawa-ku, Tokyo 141-0022, Japan
- Department of Neuropsychology, Sony Computer Science Laboratories, Inc., Shinagawa-ku, Tokyo 141-0022, Japan
- Institute of Information Science, Academia Sinica, Taipei 115, Taiwan
| | - Peter M. C. Harrison
- Centre for Music and Science, University of Cambridge, Faculty of Music, 11 West Road, Cambridge, CB3 9DP, UK
- Centre for Digital Music, Queen Mary University of London, E1 4NS, UK
| | - Stefan Koelsch
- Department of Biological and Medical Psychology, University of Bergen, Bergen, 5009, Norway
| | - Marcus T. Pearce
- Centre for Digital Music, Queen Mary University of London, E1 4NS, UK
- Department of Clinical Medicine, Aarhus University, Aarhus N, 8200, Denmark
| | - Angela D. Friederici
- Department of Neuropsychology, Sony Computer Science Laboratories, Inc., Shinagawa-ku, Tokyo 141-0022, Japan
| | - Lars Meyer
- Research Group Language Cycles, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig 04103, Germany
- Clinic for Phoniatrics and Pedaudiology, University Hospital Münster, Münster, 48149, Germany
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