Orientation tuning of a two-stimulus afterimage: Implications for theories of filling-in

A Model for a Filling-in Process Triggered by Edges Predicts "Conflicting" Afterimage Effects

The goal of our research was to develop a compound computational model that predicts the "opposite" effects of the alternating aftereffects stimuli, such as the "color dove illusion" (Barkan and Spitzer, 2017), and the "filling in the afterimage after the image" (van Lier et al., 2009). The model is based on a filling-in mechanism, through a diffusion equation where the color and intensity of the perceived surface are obtained through a diffusion process of color from the stimulus edges. The model solves the diffusion equation with boundary conditions that takes the locations of the chromatic edges of the chromatic inducer (chromatic stimulus) and the achromatic remaining contours into account. These contours (edges) trigger the diffusion process. The same calculations are done for both types of afterimage effects, with the only difference related to the location of the remaining contour. While a gradient toward the inducing color produces a perception of the complementary color, an opposite gradient yields the perception of the same color as that of the chromatic inducer. Furthermore, we show that the same computational model can also predict new alternating aftereffects stimuli, such as the spiral stimulus, and the averaging of colors in alternating afterimage stimuli described by Anstis et al. (2012). The suggested model is able to predict most of the additional properties related to the "conflicting" phenomena that have been recently described in the literature, and thus supports the idea that a shared visual mechanism is responsible for both the positive and the negative effects.

Contour Erasure and Filling-in: Old Simulations Account for Most New Observations

Three recent studies used similar stimulus sequences to investigate mechanisms for brightness perception. Anstis and Greenlee (2014) demonstrated that adaptation to a flickering black and white outline erased the visibility of a subsequent target shape defined by a luminance increment or decrement. Robinson and de Sa (2012, 2013) used a flickering disk or annulus to show a similar effect. Here, a neural network model of visual perception (Francis & Kim, 2012), that previously explained properties of scene fading, is shown to also explain most of the erasure effects reported by Anstis and Greenlee and by Robinson and de Sa. The model proposes that in normal viewing conditions a brightness filling-in process is constrained by oriented boundaries, which thereby define separate regions of a visual scene. Contour adaptation can weaken the boundaries and thereby allow brightness signals to merge together, which renders target stimuli indistinguishable from the background. New simulations with the stimuli used by Anstis and Greenlee and Robinson and de Sa produce model output very similar to the perceptual experience of human observers. Finally, the model predicts that adaptation to illusory contours will not produce contour erasure.

Simulations of induced visual scene fading with boundary offset and filling-in

Blurred images can appear to fade to uniform brightness and color when viewed with some types of visual transient stimuli. Simons et al. (2006) identified the conditions where such scene fading occurs and noted that their findings were inconsistent with mechanisms that have been used to explain other fading effects. We show that their empirical findings are consistent with a neural model of visual perception that hypothesizes filling-in of brightness and color that is constrained by signals from a boundary contour system. Certain types of transients can weaken the boundary responses and thereby induce scene fading. The simulations explain how even small transient changes can produce scene fading effects across large parts of an image.