Exogenous and endogenous response priming with auditory stimuli

Anticipating the magnitude of response outcomes can induce a potentiation effect for manipulable objects

Merely seeing large objects (e.g., apples) potentiates power grip whereas seeing small objects (e.g., strawberries) potentiates precision grip. According to the embodied cognition account, this potentiation effect reflects automatic access to object representation, including the grip usually associated with the object. Alternatively, this effect might be due to an overlap between magnitude codes used to code manipulable objects and magnitude codes used to code responses outcomes. In Experiment 1, participants saw objects usually grasped with a power or precision grip and had to press keys either with their forefinger or with their palm, each response generating a low or high tone (i.e., a large vs. small perceptual outcome, respectively). Tones were automatically delivered by headphones after the responses have been made in line with the ideomotor theories according to which voluntary actions are carried out due to the anticipation of their outcomes. Consistent with the magnitude-coding hypothesis, response times were shorter when the object and the anticipated response outcome were of the same magnitude than when they were not. These results were also consistent with a between-experiment analysis. In Experiments 2 and 3, we investigated to what extent removing or switching the outcomes during the experiment influence the potentiation effect. Our results support that the potentiation effect of grasping behaviours could be due to the compatibility between magnitude codes rather than to the involvement of motor representations. Our results also suggest a spontaneous use of the magnitude of response outcomes to code responses, as well as the flexibility of this coding processes when responses outcomes are altered.

Exploring the role of verbal-semantic overlap in response-effect compatibility

According to ideomotor accounts, actions are cognitively represented by their sensory effects. The response-effect compatibility (R-E compatibility) paradigm investigates this notion by presenting predictable effect stimuli that are produced by the response ("response effects"). The R-E compatibility effect denotes the finding of better performance in R-E compatible conditions than in incompatible conditions, suggesting that anticipation of the effect stimulus primes the response. Most previous studies employed perceptual R-E overlap manipulations (e.g., spatial, temporal or phonological overlap of response and predictable response effect). In the present study, we examined verbal-semantic response-effect overlap. In Experiment 1, we used category words as vocal responses and semantically associated vs. non-associated exemplar words for auditory response effects (or exemplar words as responses and category words as effects, respectively) to manipulate verbal-semantic R-E overlap without perceptual-phonological similarity. In Experiments 2A and 2B, we used the response word also as an "identical" auditory effect word (i.e., both verbal-semantic and perceptual-phonological R-E overlap). An R-E compatibility effect was observed only when there was both verbal-semantic and perceptual-phonological R-E overlap. These data suggest that anticipation of perceptual response features may be critical in the R-E compatibility paradigm, whereas the role of verbal-semantic processes in response-effect anticipation still needs to be established more firmly. We discuss how perceptual and conceptual processes can interact in ideomotor control of action.

Evidence for a multicomponent hierarchical representation of dual tasks

Recent dual-task studies observed worse performance in task-pair switches than in task-pair repetitions and interpreted these task-pair switch costs as evidence that the identity of the two individual tasks performed within a dual task is jointly represented in a single mental representation, termed “task-pair set.” In the present study, we conducted two experiments to examine (a) whether task-pair switch costs are due to switching cues or/and task pairs and (b) at which time task-pair sets are activated during dual-task processing. In Experiment 1, we used two cues per task-pair and found typical dual-task interference, indicating that performance in the individual tasks performed within the dual task deteriorates as a function of increased temporal task overlap. Moreover, we observed cue switch costs, possibly reflecting perceptual cue priming. Importantly, there were also task-pair switch costs that occur even when controlling for cue switching. This suggests that task-pair switching per se produces a performance cost that cannot be reduced to costs of cue switching. In Experiment 2, we employed a go/no-go-like manipulation and observed task-pair switch costs after no-go trials where subjects prepared for a task-pair, but did not perform it. This indicates that task-pair sets are activated before performing a dual task. Together, the findings of the present study provide further evidence for a multicomponent hierarchical representation consisting of a task-pair set organized at a hierarchically higher level than the task sets of the individual tasks performed within a dual task.

Exploring the representational basis of response-effect compatibility: Evidence from bilingual verbal response-effect mappings

The ideomotor principle states that actions are represented by their anticipated sensory effects. This notion is often tested using the response-effect compatibility (REC) paradigm, where participants' responses are followed either by a compatible or incompatible response effect (e.g., an effect on the right side after a right-hand response is considered R-E compatible due to the spatial overlap, whereas an effect on the left side after the right-hand response is considered incompatible). Shorter reaction times are typically observed in the compatible condition compared to the incompatible condition (i.e., REC effect), suggesting that effect anticipation plays a role in action control. Previous evidence from verbal REC suggested that effect anticipation can be due to conceptual R-E overlap, but there was also phonological overlap (i.e., anticipated reading of a word preceded by the vocal response of saying that very word). To examine the representational basis of REC, in three experiments, we introduced a bilingual R-E mapping to exclude phonological R-E overlap (i.e., in the R-E compatible condition, the translation equivalent of the response word is presented as an effect word in a different language). Our findings show that the REC effect is obtained when presenting the effect word in the same language as the response (i.e., monolingual condition), but the compatibility effect was not found when the semantically same word is presented in a different language, suggesting no conceptually generalized REC in a bilingual setting. (232 words).

Auditory prediction cues motor preparation in the absence of movements

There is increasing evidence for integrated representation of sensory and motor information in the brain, and that seeing or hearing action-related stimuli may automatically cue the movements required to respond to or produce them. In this study we tested whether anticipation of tones in a known melody automatically activates corresponding motor representations in a predictive way, in preparation for potential upcoming movements. Therefore, we trained 20 non-musicians (8 men, 12 women) to play a simple melody. Then, while they passively listened to the learned or unlearned melodies, we applied single pulse transcranial magnetic stimulation (TMS) over M1 to measure motor evoked potentials from the associated finger muscle either preceding or following the onset of individual tones. Our results show that listening to the learned melody increased corticospinal excitability for specific finger muscles before tone onset. This demonstrates that predictable auditory information can activate motor representations in an anticipatory muscle-specific manner, even in the absence of intention to move. This suggests that the motor system is involved in the prediction of sensory events, likely based on auditory-parietal-prefrontal feedforward/feedback loops that automatically prepare predictable sound-related actions independent of actual execution and the associated auditory feedback. Overall, we propose that multimodal forward models of upcoming sounds and actions support motor preparation, facilitate error detection and correction, and guide perception.

Working memory and auditory imagery predict sensorimotor synchronisation with expressively timed music

Sensorimotor synchronisation (SMS) is prevalent and readily studied in musical settings, as most people are able to perceive and synchronise with a beat (e.g., by finger tapping). We took an individual differences approach to understanding SMS to real music characterised by expressive timing (i.e., fluctuating beat regularity). Given the dynamic nature of SMS, we hypothesised that individual differences in working memory and auditory imagery-both fluid cognitive processes-would predict SMS at two levels: (1) mean absolute asynchrony (a measure of synchronisation error) and (2) anticipatory timing (i.e., predicting, rather than reacting to beat intervals). In Experiment 1, participants completed two working memory tasks, four auditory imagery tasks, and an SMS-tapping task. Hierarchical regression models were used to predict SMS performance, with results showing dissociations among imagery types in relation to mean absolute asynchrony, and evidence of a role for working memory in anticipatory timing. In Experiment 2, a new sample of participants completed an expressive timing perception task to examine the role of imagery in perception without action. Results suggest that imagery vividness is important for perceiving and control is important for synchronising with irregular but ecologically valid musical time series. Working memory is implicated in synchronising by anticipating events in the series.

A common mechanism behind distractor-response and response-effect binding?

Short-term bindings between responses and events in the environment ensure efficient behavioral control. This notion holds true for two particular types of binding: bindings between responses and response-irrelevant distractor stimuli that are present at the time of responding, and also for bindings between responses and the effects they cause. Although both types of binding have been extensively studied in the past, little is known about their interrelation. In three experiments, we analyzed both types of binding processes in a distractor-response binding design and in a response-effect binding design, which yielded two central findings: (1) Distractor-response binding and response-effect binding effects were observed not only in their native, but also in the corresponding "non-native" design, and (2) a manipulation of retrieval delay affected both types of bindings in a similar way. We suggest that a general and unselective mechanism is responsible for integrating own responses with a large variety of stimuli.

Non-action effect binding: A critical re-assessment

Humans typically act to cause effects in their environment, but at times they also voluntarily omit an action to cause a predictable effect. These effects may become bound to the causing non-actions, just as actions and their effects can become associated. In three experiments, we provide a critical re-assessment of previous reports of non-action effect binding. Following this work, participants completed an acquisition phase to associate actions and non-actions with particular effects. In a subsequent test phase, the former effects were presented as stimuli and participants were allowed to choose an action or non-action freely as a response. Binding should lead to more effect-consistent choices than predicted by chance. Previous studies, however, did not control for deliberate strategies of participants that might inflate the consistency bias and, also, did not address overall preferences for either acting or non-acting, which might introduce additional artifacts. We show that these confounds have a strong impact in common experimental designs and introduce ways to mitigate these effects. This improved assessment still corroborated evidence of binding between non-actions and their effects.

The ideomotor recycling theory for tool use, language, and foresight

The present theoretical framework highlights a common action-perception mechanism for tool use, spoken language, and foresight capacity. On the one hand, it has been suggested that human language and the capacity to envision the future (i.e. foresight) have, from an evolutionary viewpoint, developed mutually along with the pressure of tool use. This co-evolution has afforded humans an evident survival advantage in the animal kingdom because language can help to refine the representation of future scenarios, which in turn can help to encourage or discourage engagement in appropriate and efficient behaviours. On the other hand, recent assumptions regarding the evolution of the brain have capitalized on the concept of "neuronal recycling". In the domain of cognitive neuroscience, neuronal recycling means that during evolution, some neuronal areas and cognitive functions have been recycled to manage new environmental and social constraints. In the present article, we propose that the co-evolution of tool use, language, and foresight represents a suitable example of such functional recycling throughout a well-defined common action-perception mechanism, i.e. the ideomotor mechanism. This ideomotor account is discussed in light of different future ontogenetic and phylogenetic perspectives.

An investigation of spatial representation of pitch in individuals with congenital amusia

Spatial representation of pitch plays a central role in auditory processing. However, it is unknown whether impaired auditory processing is associated with impaired pitch-space mapping. Experiment 1 examined spatial representation of pitch in individuals with congenital amusia using a stimulus-response compatibility (SRC) task. For amusic and non-amusic participants, pitch classification was faster and more accurate when correct responses involved a physical action that was spatially congruent with the pitch height of the stimulus than when it was incongruent. However, this spatial representation of pitch was not as stable in amusic individuals, revealed by slower response times when compared with control individuals. One explanation is that the SRC effect in amusics reflects a linguistic association, requiring additional time to link pitch height and spatial location. To test this possibility, Experiment 2 employed a colour-classification task. Participants judged colour while ignoring a concurrent pitch by pressing one of two response keys positioned vertically to be congruent or incongruent with the pitch. The association between pitch and space was found in both groups, with comparable response times in the two groups, suggesting that amusic individuals are only slower to respond to tasks involving explicit judgments of pitch.

Through the portal: Effect anticipation in the central bottleneck

Ample evidence suggests that motor actions are generated by mentally recollecting their sensory consequences, i.e., via effect anticipations. There is less evidence, though, on the capacity limitations that such effect anticipations suffer from. In the present paper we aim to overcome shortcomings of previous research on this issue by extending the set of empirical indicators of effect anticipations and by using trial-wise instead of block-wise manipulations. In four experiments using the locus of slack- and the effect propagation-logic, we found conclusive evidence for effect anticipation taking place in the capacity-limited central bottleneck. These findings extend previous research suggesting an overlap of a "response selection" process as assumed in traditional stage theory and effect anticipation processes as assumed in effect-based ideomotor models of action control.

Functional characteristics of control adaptation in intermodal sensory processing

The present work investigated functional characteristics of control adjustments in intermodal sensory processing. Subjects performed an interference task that involved simultaneously presented visual and auditory stimuli which were either congruent or incongruent with respect to their response mappings. In two experiments, trial-by-trial sequential congruency effects were analysed for specific conditions that allowed ruling out "non-executive" contributions of stimulus or response priming to the respective RT fluctuations. In Experiment 1, conflict adaptation was observed in an oddball condition in which interference emanates from a task-irrelevant and response-neutral low-frequency stimulus. This finding characterizes intermodal control adjustments to be based - at least partly - on increased sensory selectivity, which is able to improve performance in any kind of interference condition which shares the same or overlapping attentional requirements. In order to further specify this attentional mechanism, Experiment 2 defined analogous conflict adaptation effects in non-interference unimodal trials in which just one of the two stimulus modalities was presented. Conflict adaptation effects in unimodal trials exclusively occurred for unimodal task-switch trials but not for otherwise equivalent task repetition trials, which suggests that the observed conflict-triggered control adjustments mainly consist of increased distractor inhibition (i.e., down-regulation of task-irrelevant information), while attributing a negligible role to target amplification (i.e., enhancement of task-relevant information) in this setup. This behavioral study yields a promising operational basis for subsequent neuroimaging investigations to define brain activations and connectivities which underlie the adaptive control of attentional selection.

Influence of action-effect associations acquired by ideomotor learning on imitation

According to the ideomotor theory, actions are represented in terms of their perceptual effects, offering a solution for the correspondence problem of imitation (how to translate the observed action into a corresponding motor output). This effect-based coding of action is assumed to be acquired through action-effect learning. Accordingly, performing an action leads to the integration of the perceptual codes of the action effects with the motor commands that brought them about. While ideomotor theory is invoked to account for imitation, the influence of action-effect learning on imitative behavior remains unexplored. In two experiments, imitative performance was measured in a reaction time task following a phase of action-effect acquisition. During action-effect acquisition, participants freely executed a finger movement (index or little finger lifting), and then observed a similar (compatible learning) or a different (incompatible learning) movement. In Experiment 1, finger movements of left and right hands were presented as action-effects during acquisition. In Experiment 2, only right-hand finger movements were presented during action-effect acquisition and in the imitation task the observed hands were oriented orthogonally to participants' hands in order to avoid spatial congruency effects. Experiments 1 and 2 showed that imitative performance was improved after compatible learning, compared to incompatible learning. In Experiment 2, although action-effect learning involved perception of finger movements of right hand only, imitative capabilities of right- and left-hand finger movements were equally affected. These results indicate that an observed movement stimulus processed as the effect of an action can later prime execution of that action, confirming the ideomotor approach to imitation. We further discuss these findings in relation to previous studies of action-effect learning and in the framework of current ideomotor approaches to imitation.

A review of ideomotor approaches to perception, cognition, action, and language: advancing a cultural recycling hypothesis

The term "cultural recycling" derives from the neuronal recycling hypothesis, which suggests that representations of cultural inventions like written words, Arabic numbers, or tools can occupy brain areas dedicated to other functions. In the present selective review article, we propose a recycling hypothesis for the ideomotor mechanism. The ideomotor approach assumes that motor actions are controlled by the anticipation of the expected perceptual consequences that they aim to generate in the environment. Arguably, such action-perception mechanisms contribute to motor behaviour for human and non-human animals since millions of years. However, recent empirical studies suggest that the ideomotor mechanism can also contribute to word processing, number representation, and arithmetic. For instance, it has been shown that the anticipatory simulation of abstract semantics, like the numerical quantitative value of three items can prime processing of the associated Arabic number "3". Arabic numbers, words, or tools represent cultural inventions, so that, from a theoretical perspective, we suggest an ideomotor recycling hypothesis for the interaction with such artefacts. In this view, the ideomotor mechanism spreads its influence to other functions beyond motor control, and is recycled to flexibly adapt different human behaviours towards dealing with more abstract concepts.

Role of an ideomotor mechanism in number processing

The ideomotor principle predicts that the anticipation of expected sensory consequences precedes and controls voluntary goal-directed movements. Recent studies have revealed that an ideomotor mechanism could also support the link between finger movements and number processing. However, it is unknown whether such a mechanism is devoted to number processing per se, that is, without associated movement. In three experiments, we tested whether the ideomotor mechanism was also involved in a verbal number production task without associated goal-directed and motor dimensions. We tested this hypothesis in a response-effect (R-E) paradigm generally used to assess the ideomotor mechanisms. The results of Experiment 1 revealed a compatibility effect both in a stimulus-response task and an R-E task, suggesting the involvement of an ideomotor mechanism during number processing. More importantly, Experiment 2 revealed that performance in a motor imagery task correlated with the R-E compatibility effect, whereas performance in a visual imagery task did not, suggesting a distinct motor imagery contribution to R-E compatibility. Finally, Experiment 3 showed a strong R-E compatibility effect in a verbal word production task, but the correlations with motor or visual imagery tasks were not observed. Altogether, these findings suggest that ideomotor mechanisms play a specific and functional role in number processing.

A conceptual review on action-perception coupling in the musicians' brain: what is it good for?

Experience with a sensorimotor task, such as practicing a piano piece, leads to strong coupling of sensory (visual or auditory) and motor cortices. Here we review behavioral and neurophysiological (M/EEG, TMS and fMRI) research exploring this topic using the brain of musicians as a model system. Our review focuses on a recent body of evidence suggesting that this form of coupling might have (at least) two cognitive functions. First, it leads to the generation of equivalent predictions (concerning both when and what event is more likely to occur) during both perception and production of music. Second, it underpins the common coding of perception and action that supports the integration of the motor output of multiple musicians’ in the context of joint musical tasks. Essentially, training-based coupling of perception and action might scaffold the human ability to represent complex (structured) actions and to entrain multiple agents—via reciprocal prediction and adaptation—in the pursuit of shared goals.

Modulation of isochronous movements in a flexible environment: links between motion and auditory experience

The ability to perform isochronous movements while listening to a rhythmic auditory stimulus requires a flexible process that integrates timing information with movement. Here, we explored how non-temporal and temporal characteristics of an auditory stimulus (presence, interval occupancy, and tempo) affect motor performance. These characteristics were chosen on the basis of their ability to modulate the precision and accuracy of synchronized movements. Subjects have participated in sessions in which they performed sets of repeated isochronous wrist's flexion-extensions under various conditions. The conditions were chosen on the basis of the defined characteristics. Kinematic parameters were evaluated during each session, and temporal parameters were analyzed. In order to study the effects of the auditory stimulus, we have minimized all other sensory information that could interfere with its perception or affect the performance of repeated isochronous movements. The present study shows that the distinct characteristics of an auditory stimulus significantly influence isochronous movements by altering their duration. Results provide evidence for an adaptable control of timing in the audio-motor coupling for isochronous movements. This flexibility would make plausible the use of different encoding strategies to adapt audio-motor coupling for specific tasks.

Influence of auditory and audiovisual stimuli on the right-left prevalence effect

When auditory stimuli are used in two-dimensional spatial compatibility tasks, where the stimulus and response configurations vary along the horizontal and vertical dimensions simultaneously, a right-left prevalence effect occurs in which horizontal compatibility dominates over vertical compatibility. The right-left prevalence effects obtained with auditory stimuli are typically larger than that obtained with visual stimuli even though less attention should be demanded from the horizontal dimension in auditory processing. In the present study, we examined whether auditory or visual dominance occurs when the two-dimensional stimuli are audiovisual, as well as whether there will be cross-modal facilitation of response selection for the horizontal and vertical dimensions. We also examined whether there is an additional benefit of adding a pitch dimension to the auditory stimulus to facilitate vertical coding through use of the spatial-musical association of response codes (SMARC) effect, where pitch is coded in terms of height in space. In Experiment 1, we found a larger right-left prevalence effect for unimodal auditory than visual stimuli. Neutral, non-pitch coded, audiovisual stimuli did not result in cross-modal facilitation, but did show evidence of visual dominance. The right-left prevalence effect was eliminated in the presence of SMARC audiovisual stimuli, but the effect influenced horizontal rather than vertical coding. Experiment 2 showed that the influence of the pitch dimension was not in terms of influencing response selection on a trial-to-trial basis, but in terms of altering the salience of the task environment. Taken together, these findings indicate that in the absence of salient vertical cues, auditory and audiovisual stimuli tend to be coded along the horizontal dimension and vision tends to dominate audition in this two-dimensional spatial stimulus-response task.

It Takes Two to Imitate

Imitation is assumed to serve crucial functions in social interaction, such as empathy and learning, yet these functions apply only to the imitating observer. In the two experiments reported here, we revealed a distinct function of imitation for the action model: Anticipation of being imitated facilitates the production of overt motor actions. Specifically, anticipated motor responses of social counterparts serve as mental cues for the model to retrieve corresponding motor commands to orchestrate his or her own actions.

Perceptual distortions in pitch and time reveal active prediction and support for an auditory pitch-motion hypothesis

A number of accounts of human auditory perception assume that listeners use prior stimulus context to generate predictions about future stimulation. Here, we tested an auditory pitch-motion hypothesis that was developed from this perspective. Listeners judged either the time change (i.e., duration) or pitch change of a comparison frequency glide relative to a standard (referent) glide. Under a constant-velocity assumption, listeners were hypothesized to use the pitch velocity (Δf/Δt) of the standard glide to generate predictions about the pitch velocity of the comparison glide, leading to perceptual distortions along the to-be-judged dimension when the velocities of the two glides differed. These predictions were borne out in the pattern of relative points of subjective equality by a significant three-way interaction between the velocities of the two glides and task. In general, listeners' judgments along the task-relevant dimension (pitch or time) were affected by expectations generated by the constant-velocity standard, but in an opposite manner for the two stimulus dimensions. When the comparison glide velocity was faster than the standard, listeners overestimated time change, but underestimated pitch change, whereas when the comparison glide velocity was slower than the standard, listeners underestimated time change, but overestimated pitch change. Perceptual distortions were least evident when the velocities of the standard and comparison glides were matched. Fits of an imputed velocity model further revealed increasingly larger distortions at faster velocities. The present findings provide support for the auditory pitch-motion hypothesis and add to a larger body of work revealing a role for active prediction in human auditory perception.

How automatic are crossmodal correspondences?

The last couple of years have seen a rapid growth of interest (especially amongst cognitive psychologists, cognitive neuroscientists, and developmental researchers) in the study of crossmodal correspondences - the tendency for our brains (not to mention the brains of other species) to preferentially associate certain features or dimensions of stimuli across the senses. By now, robust empirical evidence supports the existence of numerous crossmodal correspondences, affecting people's performance across a wide range of psychological tasks - in everything from the redundant target effect paradigm through to studies of the Implicit Association Test, and from speeded discrimination/classification tasks through to unspeeded spatial localisation and temporal order judgment tasks. However, one question that has yet to receive a satisfactory answer is whether crossmodal correspondences automatically affect people's performance (in all, or at least in a subset of tasks), as opposed to reflecting more of a strategic, or top-down, phenomenon. Here, we review the latest research on the topic of crossmodal correspondences to have addressed this issue. We argue that answering the question will require researchers to be more precise in terms of defining what exactly automaticity entails. Furthermore, one's answer to the automaticity question may also hinge on the answer to a second question: Namely, whether crossmodal correspondences are all 'of a kind', or whether instead there may be several different kinds of crossmodal mapping (e.g., statistical, structural, and semantic). Different answers to the automaticity question may then be revealed depending on the type of correspondence under consideration. We make a number of suggestions for future research that might help to determine just how automatic crossmodal correspondences really are.

Sensory-based mechanism for delayed motor intention

Prospective motor learning (PML) can be defined as learning an action to be performed in the future. The privileged retrieval mechanism behind this delayed motor performance remains unknown. From a motor control and learning perspective, we may conceive of two forms of retrieval: a stimulus- and an intention-based control. Retrieval from intention-based control is based on the anticipation of intended sensory effects related to an action in order to select and control the appropriate motor procedure (i.e., the ideomotor mechanism). In contrast, in a stimulus-based control a connection between stimuli-features and their related action-features is stored in the memory and serves as the retrieval mechanism. In this view, action retrieval from external stimuli is based on the detection of events in the environment to perform the intended behaviour (i.e., the sensorimotor mechanism). In this study, we report an advantage in the action retrieval for participants who use an intention-based mode of control in comparison to a stimulus-based control. Furthermore, a control task reveals that the intention-based advantage is specific to PML. Our findings show that PML is benefited by mental anticipation of a sensory effect that is efficiently processed through an ideomotor mechanism to fulfil delayed motor intentions.

Mental imagery in music performance: underlying mechanisms and potential benefits

This paper examines the role of mental imagery in music performance. Self-reports by musicians, and various other sources of anecdotal evidence, suggest that covert auditory, motor, and/or visual imagery facilitate multiple aspects of music performance. The cognitive and motor mechanisms that underlie such imagery include working memory, action simulation, and internal models. Together these mechanisms support the generation of anticipatory images that enable thorough action planning and movement execution that is characterized by efficiency, temporal precision, and biomechanical economy. In ensemble performance, anticipatory imagery may facilitate interpersonal coordination by enhancing online predictions about others' action timing. Overlap in brain regions subserving auditory imagery and temporal prediction is consistent with this view. It is concluded that individual differences in anticipatory imagery may be a source of variation in expressive performance excellence and the quality of ensemble cohesion. Engaging in effortful musical imagery is therefore justified when artistic perfection is the goal.

Implicit chord processing and motor representation in pianists

The aim of this paper is to assess the relevance of pitch dimension in auditory-motor interaction. Several behavioural and brain imaging studies have shown that auditory processing of sounds can activate motor representations, an effect which is however elicited only by action-related sounds, i.e., sounds linked to a specific motor repertoire. Music provides an appropriate framework for further exploration of this issue. Three groups of participants (pianists, non-pianist musicians and non-musicians) were tested with a shape decision task where left-hand and right-hand responses were required; each visual stimulus was paired with an auditory task-irrelevant stimulus (high-pitched or low-pitched piano-timbre chords). Of the three groups, only pianists had longer reaction times for left-hand/high-pitched chords and right-hand/low-pitched chords associations. These findings are consistent with an auditory-motor effect elicited by pitch dimension, as only pianists show an interaction between motor responses and implicit pitch processing. This interaction is consistent with the canonical mapping of hand gestures and pitch dimension on the piano keyboard. The results are discussed within the ideo-motor theoretical framework offered by the Theory of Event Coding (Hommel et al. in Behav Brain Sci 24:849-937, 2001).

Performed or observed keyboard actions affect pianists' judgements of relative pitch

Action can affect visual perception if the action's expected sensory effects resemble a concurrent unstable or deviant event. To determine whether action can also change auditory perception, participants were required to play pairs of octave-ambiguous tones by pressing successive keys on a piano or computer keyboard and to judge whether each pitch interval was rising or falling. Both pianists and nonpianist musicians gave significantly more "rising" responses when the order of key presses was left-to-right than when it was right-to-left, in accord with the pitch mapping of the piano. However, the effect was much larger in pianists. Pianists showed a similarly large effect when they passively observed the experimenter pressing keys on a piano keyboard, as long as the keyboard faced the participant. The results suggest that acquired action-effect associations can affect auditory perceptual judgement.