Sparse codes of harmonic natural sounds and their modulatory interactions

Simultaneous Estimation of Nongaussian Components and Their Correlation Structure

The statistical dependencies that independent component analysis (ICA) cannot remove often provide rich information beyond the linear independent components. It would thus be very useful to estimate the dependency structure from data. While such models have been proposed, they have usually concentrated on higher-order correlations such as energy (square) correlations. Yet linear correlations are a fundamental and informative form of dependency in many real data sets. Linear correlations are usually completely removed by ICA and related methods so they can only be analyzed by developing new methods that explicitly allow for linearly correlated components. In this article, we propose a probabilistic model of linear nongaussian components that are allowed to have both linear and energy correlations. The precision matrix of the linear components is assumed to be randomly generated by a higher-order process and explicitly parameterized by a parameter matrix. The estimation of the parameter matrix is shown to be particularly simple because using score-matching (Hyvärinen, 2005 ), the objective function is a quadratic form. Using simulations with artificial data, we demonstrate that the proposed method improves the identifiability of nongaussian components by simultaneously learning their correlation structure. Applications on simulated complex cells with natural image input, as well as spectrograms of natural audio data, show that the method finds new kinds of dependencies between the components.

A New Approach to Model Pitch Perception Using Sparse Coding

Our acoustical environment abounds with repetitive sounds, some of which are related to pitch perception. It is still unknown how the auditory system, in processing these sounds, relates a physical stimulus and its percept. Since, in mammals, all auditory stimuli are conveyed into the nervous system through the auditory nerve (AN) fibers, a model should explain the perception of pitch as a function of this particular input. However, pitch perception is invariant to certain features of the physical stimulus. For example, a missing fundamental stimulus with resolved or unresolved harmonics, or a low and high-level amplitude stimulus with the same spectral content-these all give rise to the same percept of pitch. In contrast, the AN representations for these different stimuli are not invariant to these effects. In fact, due to saturation and non-linearity of both cochlear and inner hair cells responses, these differences are enhanced by the AN fibers. Thus there is a difficulty in explaining how pitch percept arises from the activity of the AN fibers. We introduce a novel approach for extracting pitch cues from the AN population activity for a given arbitrary stimulus. The method is based on a technique known as sparse coding (SC). It is the representation of pitch cues by a few spatiotemporal atoms (templates) from among a large set of possible ones (a dictionary). The amount of activity of each atom is represented by a non-zero coefficient, analogous to an active neuron. Such a technique has been successfully applied to other modalities, particularly vision. The model is composed of a cochlear model, an SC processing unit, and a harmonic sieve. We show that the model copes with different pitch phenomena: extracting resolved and non-resolved harmonics, missing fundamental pitches, stimuli with both high and low amplitudes, iterated rippled noises, and recorded musical instruments.

The opponent channel population code of sound location is an efficient representation of natural binaural sounds

In mammalian auditory cortex, sound source position is represented by a population of broadly tuned neurons whose firing is modulated by sounds located at all positions surrounding the animal. Peaks of their tuning curves are concentrated at lateral position, while their slopes are steepest at the interaural midline, allowing for the maximum localization accuracy in that area. These experimental observations contradict initial assumptions that the auditory space is represented as a topographic cortical map. It has been suggested that a "panoramic" code has evolved to match specific demands of the sound localization task. This work provides evidence suggesting that properties of spatial auditory neurons identified experimentally follow from a general design principle- learning a sparse, efficient representation of natural stimuli. Natural binaural sounds were recorded and served as input to a hierarchical sparse-coding model. In the first layer, left and right ear sounds were separately encoded by a population of complex-valued basis functions which separated phase and amplitude. Both parameters are known to carry information relevant for spatial hearing. Monaural input converged in the second layer, which learned a joint representation of amplitude and interaural phase difference. Spatial selectivity of each second-layer unit was measured by exposing the model to natural sound sources recorded at different positions. Obtained tuning curves match well tuning characteristics of neurons in the mammalian auditory cortex. This study connects neuronal coding of the auditory space with natural stimulus statistics and generates new experimental predictions. Moreover, results presented here suggest that cortical regions with seemingly different functions may implement the same computational strategy-efficient coding.

Generalization of learning by synchronous waves: from perceptual organization to invariant organization

From a few presentations of an object, perceptual systems are able to extract invariant properties such that novel presentations are immediately recognized. This may be enabled by inferring the set of all representations equivalent under certain transformations. We implemented this principle in a neurodynamic model that stores activity patterns representing transformed versions of the same object in a distributed fashion within maps, such that translation across the map corresponds to the relevant transformation. When a pattern on the map is activated, this causes activity to spread out as a wave across the map, activating all the transformed versions represented. Computational studies illustrate the efficacy of the proposed mechanism. The model rapidly learns and successfully recognizes rotated and scaled versions of a visual representation from a few prior presentations. For topographical maps such as primary visual cortex, the mechanism simultaneously represents identity and variation of visual percepts whose features change through time.