The next step: mirror neurons, music, and mechanistic explanation

Sensorimotor Grounding of Musical Embodiment and the Role of Prediction: A Review

In a previous article, we reviewed empirical evidence demonstrating action-based effects on music perception to substantiate the musical embodiment thesis (Maes et al., 2014). Evidence was largely based on studies demonstrating that music perception automatically engages motor processes, or that body states/movements influence music perception. Here, we argue that more rigorous evidence is needed before any decisive conclusion in favor of a “radical” musical embodiment thesis can be posited. In the current article, we provide a focused review of recent research to collect further evidence for the “radical” embodiment thesis that music perception is a dynamic process firmly rooted in the natural disposition of sounds and the human auditory and motor system. Though, we emphasize that, on top of these natural dispositions, long-term processes operate, rooted in repeated sensorimotor experiences and leading to learning, prediction, and error minimization. This approach sheds new light on the development of musical repertoires, and may refine our understanding of action-based effects on music perception as discussed in our previous article (Maes et al., 2014). Additionally, we discuss two of our recent empirical studies demonstrating that music performance relies on similar principles of sensorimotor dynamics and predictive processing.

Space distribution of EEG responses to hanoi-moving visual and auditory stimulation with Fourier Independent Component Analysis

BACKGROUND AND OBJECTIVE

The relationship between EEG source signals and action-related visual and auditory stimulation is still not well-understood. The objective of this study was to identify EEG source signals and their associated action-related visual and auditory responses, especially independent components of EEG.

METHODS

A hand-moving-Hanoi video paradigm was used to study neural correlates of the action-related visual and auditory information processing determined by mu rhythm (8-12 Hz) in 16 healthy young subjects. Independent component analysis (ICA) was applied to identify separate EEG sources, and further computed in the frequency domain by applying-Fourier transform ICA (F-ICA).

RESULTS

F-ICA found more sensory stimuli-related independent components located within the sensorimotor region than ICA did. The total number of independent components of interest from F-ICA was 768, twice that of 384 from traditional time-domain ICA (p < 0.05). In the sensory-motor region C3 or C4, the total source signals intensity distribution values from all 14 subjects was 23.00 (Mean 1.64 ± 1.17) from F-ICA; which was more than the 10.5 (Mean 0.75 ± 0.62) from traditional time-domain ICA (p < 0.05). Furthermore, the intensity distribution of source signals in the C3 or C4 region was statistically significant between the ICA and F-ICA groups (strong 50 vs. 92%; weak 50 vs. 8% retrospectively; p < 0.05). In the Pz region, the total source signal intensity distribution from F-ICA was 12.50 (Mean 0.89 ± 0.53); although exceeding that of traditional time-domain ICA 8.20 (Mean 0.59 ± 0.48), the difference was not statistically significant (p > 0.05).

CONCLUSIONS

These results support the hypothesis that mu rhythm was sensitive to detection of the cognitive expression, which could be reflected by the function in the parietal lobe sensory-motor region. The results of this study could potentially be applied into early diagnosis for those with visual and hearing impairments in the near future.