Automatic Change Detection of Emotional and Neutral Body Expressions: Evidence From Visual Mismatch Negativity

Facial feedback manipulation influences the automatic detection of unexpected emotional body expressions

Unexpected or changing facial expressions are known to be able to engage more automatic processing than frequently occurring facial expressions, thereby inducing a neural differential wave response known as expression mismatch negativity (EMMN). Recent studies have shown that EMMN can be modulated by the observer's facial feedback (i.e., feedback from their own facial movements). A similar EMMN activity has been discovered for body expressions, but thus far only a few emotion types have been investigated. It is unknown whether the EMMNs evoked by body expressions can be influenced by facial feedback. To explore this question, we recorded EEG activity of 29 participants in the reverse oddball paradigm. Here two unexamined categories of body expressions were presented, happy and sad, placed in two paired stimulus sequences: in one the happy body was presented with a probability of 80% (standards) while the sad body was presented with a probability of 20% (deviants), and in the other the probabilities were reversed. The facial feedback was manipulated by different pen holding conditions (i.e., participants holding the pen with the teeth, lips, or nondominant hand). The nonparametric cluster permutation test revealed significant happy and sad body-related EMMN (bEMMN) activities. The happy-bEMMN were more negative than sad-bEMMN within the range of 100-150 ms. Additionally, the bEMMN amplitude of both emotions is modulated by the facial feedback conditions. These results expand the range of emotional types applicable to bEMMN and provide evidence for the validity of the facial feedback hypothesis across emotional carriers.

The automatic detection of unexpected emotion and neutral body postures: A visual mismatch negativity study

The ability to automatically detect emotional changes in the environment is crucial for social interaction. In the visual system, expression-related mismatch negativity (EMMN) reflects the automatic processing of emotional changes in facial expression. However, body postures also carry visual emotional information that can be recognized effectively and processed automatically, although their processing mechanism remains unknown. In this study, the reverse oddball paradigm was used to investigate the mismatch responses of unexpected fear and neutral body postures. The nonparametric cluster permutation test revealed significant fear and neutral visual mismatch negativity (vMMN) activities, and the fear-related vMMN was enhanced prior (130-230 ms) to the neutral vMMN (180-230 ms). The body-sensitive N190 component may partially account for the vMMN obtained in this study. The fearful body posture evoked a greater N190 response over the neutral body, and amplitudes of N190 were more negative in the deviant condition than the standard condition. Additionally, the body-related visual mismatch oscillatory responses were associated with enhancement of the alpha band oscillation, especially for the fearful body posture. These results expanded the applicable scope of body posture cues corresponding to mismatch signals, objectively defined the electrophysiological activities evoked, and revealed the processing bias toward negative emotion.

Negative Mood States Are Related to the Characteristics of Facial Expression Drawing: A Cross-Sectional Study

An assessment of mood or emotion is important in developing mental health measures, and facial expressions are strongly related to mood or emotion. This study thus aimed to examine the relationship between levels of negative mood and characteristics of mouth parts when moods are drawn as facial expressions on a common platform. A cross-sectional study of Japanese college freshmen was conducted, and 1,068 valid responses were analyzed. The questionnaire survey consisted of participants’ characteristics, the Profile of Mood States (POMS), and a sheet of facial expression drawing (FACED), and the sheet was digitized and analyzed using an image-analysis software. Based on the total POMS score as an index of negative mood, the participants were divided into four groups: low (L), normal (N), high (H), and very high (VH). Lengths of drawn lines and between both mouth corners were significantly longer, and circularity and roundness were significantly higher in the L group. With increasing levels of negative mood, significant decreasing trends were observed in these lengths. Convex downward and enclosed figures were significantly predominant in the L group, while convex upward figures were significantly predominant and a tendency toward predominance of no drawn mouths or line figures was found in the H and VH groups. Our results suggest that mood states can be significantly related to the size and figure characteristics of drawn mouths of FACED on a non-verbal common platform. That is, these findings mean that subjects with low negative mood may draw a greater and rounder mouth and figures that may be enclosed and downward convex, while subjects with a high negative mood may not draw the line, or if any, may draw the line shorter and upward convex.