The Destructive/Non-Destructive Identification of Enameled Pottery, Glass Artifacts and Associated Pigments—A Brief Overview

A Multi-Analytical Investigation of Roman Frescoes from Rapoltu Mare (Romania)

(1) Background: Due to the precarious situation of many monuments or archeological sites, analytical investigations are necessary to obtain information about the used materials, as well as to identify the most appropriate solutions for their conservation/restoration. This paper addresses the characterization of mural painting fragments collected during the excavation in 2018 in Rapoltu Mare (La vie), Deva. (2) Methods: Specific analytical techniques were used, as follows: X-ray diffractometry (XRD), wavelength dispersive X-ray fluorescence (WDXRF), optical microscopy (OM), zoom microscopy and scanning electron microscopy (SEM), spectroscopic techniques (UV–Vis, FTIR, Raman), porosity and thermal analysis, all of which provide information about the structure, chemical composition, morphology and topography of pigments and their deterioration as well. (3) Results: Up to seven different pigments were identified: Egyptian blue, carbon, calcite, gypsum, hematite, goethite and green earth. Egyptian Blue is identified in all the other color areas, except the white area: in the green zone (as degradation product with beeswax) and in the red zone (in mixture with ochre) too. In addition, carbon and beeswax were highlighted as toner and binder for pigments, respectively. In the presence of the organic beeswax binding environment, the Egyptian blue pigment particles darkened or turned yellow significantly, changing the blue to a greenish color. It is also possible to identify wollastonite (CaSiO3) in the blue pigment, which indicates that the temperature used in the manufacturing of Egyptian blue was higher than 950 °C from thermal analysis. The presence of apatite, hematite and gypsum deposits in the Hunedoara region certifies that these pigments could have been of local origin, as demonstrated by the presence of analytically identified elements (Fe, P, S, Ca). (4) Conclusions: The analytical techniques used for such investigations have highlighted the main pigments used in Roman times for various Roman murals.

On-Site Identification of Pottery with pXRF: An Example of European and Chinese Red Stonewares

The invention of European hard porcelain, which aims at imitating kaolin-containing white paste of Chinese porcelain, had been started by the development of the technology of “red porcelain”, so-called “Jaspisporzellan” by Johann Friedrich Böttger in the early-eighteenth century at Meissen (Saxony). The visual features of the earlier Böttger red stoneware were rather similar to the one produced in Yixing, China. The prominence of Böttger productions allowed the manufacturing to be expanded across Europe to different countries (Holland, England, France, etc.). In this study, the chemical characteristics of nine European unglazed objects produced in England, France, Russia, and Holland from the 17th to 19th century and 10 Chinese (unglazed or enameled) red stoneware have been studied by using an on-site characterization technique pXRF. The results were compared with the previous studies carried out on 25 unglazed, polished, and non-polished Böttger artefacts. This non-invasive, speedy technique allows a methodology to be created for distinguishing the technological differences related to the provenance and authenticity of the artefacts. The elemental measurements explicitly show the significant discrepancy of Dutch objects from the main group, which involves other European and Chinese ones. Both a Lambertus van Eenhoorn (Delft) statue and an Ary de Milde (Delft) teapot are distinguishable from other European red stoneware by the high content of iron and calcium and high content of titanium and potassium, respectively, found in their body compositions. An overall comparison was made between the measurements made at different times in order to evaluate the error range arising from the measurement procedure (e.g., energy resolution of other series of the same instrument model).

Cobalt and Associated Impurities in Blue (and Green) Glass, Glaze and Enamel: Relationships between Raw Materials, Processing, Composition, Phases and International Trade

Minerals able to colour in blue (and green in combination with yellow pigments) are limited in number and geologically. After presenting a short history of the use of cobalt as a colouring agent of glass, glaze and enamel in the Western/Mediterranean, Islamic and Asian worlds since Antiquity, we will present the different forms (dissolved ions, natural and synthetic crystalline phases/pigments) of cobalt and associated elements regarding primary (transition metals) and secondary geological deposits (transition metals and/or arsenic, bismuth, silver). Attempts to identify the origin of cobalt have been made by many authors considering the associated elements but without considering the important modifications due to different processing of the raw materials (extraction/purification/formulation). We review the information available in the ancient reports and present literature on the use of cobalt, its extraction and production from the ores, the different geological sources and their relationship with associated elements (transition metals, bismuth, arsenic, and silver) and with technological/aesthetic requirements. (Partial) substitution of cobalt with lapis lazuli is also addressed. The relative application of non-invasive mobile Raman and pXRF analytical instruments, to detect mineral phases and elements associated with/replacing cobalt is addressed, with emphasis on Mamluk, Ottoman, Chinese, Vietnamese and Japanese productions. The efficiency of Ni-Zn-As diagram proposed by Gratuze et al. as a classification tool is confirmed but additionally, CoO-Fe2O3−MnO and CoO-NiO-Cr2O3 diagrams are also found as very efficient tools in this research. The relationship between the compositional data obtained from the artefacts and historical questions on the origin and date of their production are discussed in order to obtain a global historical view. The need of a better knowledge of (ancient) deposits of cobalt ores and the evolution of cobalt ore processing with time and place is obvious.

New Probe for Porcelain Glazes by Luminescence at Near-Infrared Excitation

Raman spectroscopy is a powerful technique for a wide range of materials, including porcelain, and near-infrared excitation is often used to suppress a fluorescence background from a sample. When we measured the Raman spectra of porcelains at 785 nm excitation, we observed a strong broad band in a high-frequency region, and its origin was not clearly elucidated. In this study, we have measured the spectra of glazed porcelains at 532, 785, and 1064 nm excitation and demonstrated that the broad feature originates from luminescence around 880 nm and not from Raman scattering. We provide experimental evidence showing that the band originates from a thin layer of glaze. Since the band shape depends on the processing temperature, the luminescence spectra can be a nondestructive probe for studying the glass formation of a glaze.

On-site contactless surface analysis of modern paintings from Galleria Nazionale (Rome) by reflectance FTIR and Raman spectroscopies

Seven artworks representing the diversity of paints used around the 1960s and created by German and Italian painters (J. Albers, A. Bonalumi, L. Boille, T. Scialoja and M. Schifano) were studied on-site at the Galleria Nazionale d'Arte Moderna (Rome) with mobile instruments. We present a methodology based on Specular Reflectance Infrared Spectroscopy (SR-FTIR) adapted to unvarnished paintings. Complementary measurements have been performed by Raman spectroscopy. Characteristic bands regarding as-recorded infrared reflectance spectra and Kramers-Kronig Transformation-converted absorbance spectra are identified according to literature and reference spectra recorded on representative commercially available paints. To distinguish the different binders by SR-FTIR, we propose spectroscopic markers as the comparison of the intensity of carbonyl band around 1730-1735 cm^-1 with bands at ~1160 (for acrylic), ~1230 (for PVAc), and 1270 cm^-1 (for alkyds). On the other hand, oil/resin binders are characterized by intense and thin νCH₂, νCH₃ IR absorption bands around 2920-2850 cm^-1, combined with an intense 1260 cm^-1 band and a characteristic concave cradle shape (between ca. 1750 and 1260 cm^-1). The results obtained establish the relevance of the implemented mobile non-invasive infrared spectroscopy analytical approach by successfully identifying acrylic, vinylic, oil media and enamel paints, with or without opacifiers, which is supplemented by Raman analyses for pigment identification.

A Tale of Two Tiles: Characterization of Floor Tiles from the Nineteenth-Century Akko Tower Shipwreck (Israel)

Fragments of decorated floor tiles were retrieved from the Akko Tower shipwreck, Israel. Most tiles were made of bright brown fired clay with a white glaze decorated with colored stenciled motifs (Type A); and others consisted of a red-brown fired clay body, coated with a brown pigment covered with transparent brown glaze (Type B). This study aimed to characterize the two tile types; to reveal information concerning the manufacturing process; and to determine the origin of their raw material. A multidisciplinary approach was used, including light microscopy, SEM-EDS, electron probe microanalysis with wavelength-dispersive X-ray spectroscopy (EPMA-WDS), XRD, Raman spectroscopy, and time-of-flight secondary ion mass spectrometry (TOF-SIMS) analyses. The characterization of both tile types demonstrated the use of different raw materials. The Type A tiles were covered with tin-opacified majolica glaze and colored with various mixtures of pigments. The blue color was due to pigment rich in cobalt; the yellow color was due to Naples yellow and lead-tin yellow I minerals; and the green, orange, and brown colors were all prepared by mixing the Naples yellow pigment with different minerals. These majolica glaze tiles were probably manufactured in Sicily. The brown coating of the Type B tiles was due to pigment rich in lead and iron minerals. These tiles were produced with different manufacturing processes, and apparently made in France.

Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry

A selection of 15 Chinese painted enameled porcelains from the 18th century (Qing dynasty) was analyzed on-site by mobile Raman and XRF microspectroscopy. The highly prized artifacts are present in the collections of the Musée du Louvre in Paris and Musée Chinois at Fontainebleau Castle in France. In the painted enamels, pigments such as Naples yellow lead pyrochlore, hematite, manganese oxide and carbon and opacifiers such as lead arsenates were detected. The glassy matrices of the enamels mainly belonged to lead-rich and lead-alkali glass types according to the Raman spectra obtained. The glaze and body phases of the porcelain artifacts were also analyzed. The detection of lead arsenate apatite in some of the blue enamels was significant, indicating the use of arsenic-rich European cobalt ores (smalt) and possibly mixing with Asian cobalt. This characteristic phase has also been identified in French soft-paste porcelains and glass decor and high-quality Limoges enamels from the same period. Based on the shape of the Raman scattering background, the presence of colloidal gold (Au° nanoparticles) was identified in red, orange and pink enamels. Different types of Naples yellow pigments were also detected with Sb-rich, Sn-rich and mixed Sb–Sn–(Zn, Fe?) compositions in the yellow enamels. The results were compared to previous data obtained on Chinese cloisonné and painted enameled metalware and Limoges enamels as well as French enameled watches.

Glass Beads, Markers of Ancient Trade in Sub-Saharan Africa: Methodology, State of the Art and Perspectives

Glass beads have been produced and traded for millennia all over the world for use as everyday items of adornment, ceremonial costumes or objects of barter. The preservation of glass beads is good and large hoards have been found in archaeological sites across the world. The variety of shape, size and colour as well as the composition and production technologies of glass beads led to the motivation to use them as markers of exchange pathways covering the Indian Ocean, Africa, Asia, Middle East, the Mediterranean world, Europe and America and also as chronological milestones. This review addresses the history of glass production, the methodology of identification (morphology, colour, elemental composition, glass nanostructure, colouring and opacifying agents and secondary phases) by means of laboratory based instruments (LA-ICP-MS, SEM-EDS, XRF, NAA, Raman microspectroscopy) as well as the mobile instruments (pXRF, Raman) used to study glass beads excavated from sub-Saharan African sites. Attention is paid to the problems neglected such as the heterogeneity of glass (recycled and locally reprocessed glass). The review addresses the potential information that could be extracted using advanced portable methods of analysis.

Multi-technique investigation of potshards of a cerrito (earthen mound) from southern Brazil

The physicochemical investigation of ceramics crafted and managed by ancient humans allows a better understanding of their social, technological, economical, routine and artistic activities. The Brazilian State of Rio Grande do Sul presents the biggest number of registered archaeological sites in the country, and many of them are earthen mounds, locally known as cerritos de indios. This kind of archaeological site is of utmost importance to understand the social development of the biome Pampa - including areas from Brazil, Argentina and Uruguay - and almost nothing is known about the physicochemical composition of the artifacts from the Brazilian portion. In this work we investigated the mineral phases present in archaeological ceramics from the cerrito Pavão I (PSG-20) by means of white light microscopy (petrography), Raman micro-spectroscopy, XRD and XRF spectroscopies, and FTIR-ATR. Different minerals were identified and allowed to propose a firing temperature of ca. 500-650 °C. It was also suggested that the makers used both oxidizing and reducing atmospheres, that more than one clay source was used to prepare the ceramics, and that trace elements are present in different shards. Regarding the multi-analytical technique approach, the results highlight the importance of complementary investigations and underline the role of Raman micro-spectroscopy for these objects.

Raman microspectroscopy for Cultural Heritage studies

The Raman effect is at the basis of Raman scattering and microspectrometry: in the first part of the chapter, it is very shortly exposed together with differences with infrared (IR) spectroscopy, and advantages and drawbacks of the technique. The importance of the choice of the excitation wavelength, of the spectrometer (fixed, portable and handheld) and of the optics is underlined, while the information provided by the technique for inorganic and organic materials is considered. The surface-enhanced Raman spectroscopy (SERS) theory and principle applications are also taken into account. In the second part of the chapter, all the different applications of Raman and SERS to cultural heritage materials are contemplated: minerals, gemstones, rocks, patinas and corrosion products, glass, pottery, mortars, dyes, binders, resins, paper, parchment, inks and human remains. For each category of objects, the answers that Raman microspectrometry and SERS can give to the archaeometric and conservation-related questions, the in situ investigations, the search of specific spectral parameters and the use of chemometrics are shown, together with the most recent advances in the field.

Raman identification of cuneiform tablet pigments: emphasis and colour technology in ancient Mesopotamian mid-third millennium

Cuneiform tablets tell the life and culture of Sumerian people in a sort of black and white tale because of the binary engraving technique. A leading question arises: did Mesopotamian people apply some kind of colour to decorate their tablets or to put emphasis on selected words? Some administrative and literary Sumerian cuneiform tablets of mid-third Millennium B.C. from the site of Kish (central Mesopotamia, modern Iraq) were dug up in twentieth-century and stored at the Ashmolean Museum of the Oxford University. Non-destructive micro-Raman spectroscopy is a powerful technique to detect the presence of residual pigments eventually applied to the engraving signs. Yellow, orange, red and white pigments have been detected and a possible identification has been proposed in this work. In particular yellow pigments are identified as Crocoite (PbCrO₄), Lead stannate (Pb₂SnO₄); red pigments − hematite (Fe₂O₃) and cuprite (Cu₂O); White pigments − Lead carbonate (PbCO₃), calcium phosphate (Ca₃(PO₄)₂), titanium dioxide (TiO₂), gypsum (CaSO₄.2H₂O); orange pigment a composition of red and yellow compounds. These results suggest that Sumerian people invented a new editorial style, to overcome the binary logic of engraving process and catch the reader’s eye by decorating cuneiform tablets. Finally, the coloured rendering of the tablet in their original view is proposed.