Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study

Once upon a Time, There Was a Piece of Wood: Present Knowledge and Future Perspectives in Fungal Deterioration of Wooden Cultural Heritage in Terrestrial Ecosystems and Diagnostic Tools

Wooden Cultural Heritage (WCH) represents a significant portion of the world's historical and artistic heritage, consisting of immovable and movable artefacts. Despite the expertise developed since ancient times to enhance its durability, wooden artefacts are inevitably prone to degradation. Fungi play a pivotal role in the deterioration of WCH in terrestrial ecosystems, accelerating its decay and leading to alterations in color and strength. Reviewing the literature of the last 25 years, we aimed to provide a comprehensive overview of fungal diversity affecting WCH, the biochemical processes involved in wood decay, and the diagnostic tools available for fungal identification and damage evaluation. Climatic conditions influence the occurrence of fungal species in threatened WCH, characterized by a prevalence of wood-rot fungi (e.g., Serpula lacrymans, Coniophora puteana) in architectural heritage in temperate and continental climates and Ascomycota in indoor and harsh environments. More efforts are needed to address the knowledge fragmentation concerning biodiversity, the biology of the fungi involved, and succession in the degradative process, which is frequently centered solely on the main actors. Multidisciplinary collaboration among engineers, restorers, and life sciences scientists is vital for tackling the challenges posed by climate change with increased awareness. Traditional microbiology and culture collections are fundamental in laying solid foundations for a more comprehensive interpretation of big data.

The impact of alkaline treatments on elasticity in spruce tonewood

It is commonly believed that violins sound differently when finished. However, if the role of varnishes on the vibrational properties of these musical instruments is well-established, how the first components of the complete wood finish impact on the final result is still unclear. According to tradition, the priming process consists of two distinct stages, called pre-treatment and sizing. The literature reports some recipes used by old Cremonese luthiers as primers, mainly based on alkaline aqueous solutions and protein-based glues. In this manuscript, we analyze the impact of these treatments on the mechanical properties of the material. The combination of two pre-treatments and three sizes is considered on nine different plates. We compare the vibrational properties before and after the application and assess the effects of the different primers, also supported by finite element modeling. The main outcome is that the combination of particular treatments on the violin surface before varnishing leads to changes not only to the wood appearance, but also to its vibrational properties. Indeed pre-treatments, often considered negligible in terms of vibrational changes, enhance the penetration of the size into the wood structure and strengthen the impact of the latter on the final rigidity of the material along the longitudinal and radial directions.

Assessment of Easily Accessible Spectroscopic Techniques Coupled with Multivariate Analysis for the Qualitative Characterization and Differentiation of Earth Pigments of Various Provenance

Natural minerals and earths with coloring properties have been widely used as artistic pigments since prehistoric times. Despite being extensively studied, the complex chemistry of earth pigments is still unsatisfactory described with respect to their mineralogical and structural variability and origin. In this study, a large group of earth pigments from various geographical locations was investigated using easily accessible spectroscopic techniques and multivariate analysis with the aim to identify distinctive mineralogical and chemical characteristics of natural pigment sources. Portable X-ray fluorescence (p-XRF), Fourier transform infrared spectroscopy (FTIR) and fiberoptic Raman spectroscopy were used for the elemental, molecular and structural characterization of the investigated pigments. Diagnostic spectral features and chemical patterns (fingerprints) were identified and discussed with respect to their geological sources. Due to the occurrence of similar accompanying minerals, it was observed that the differentiation of red and yellow ochers is more challenging compared to green, brown and black pigments. However, for some of the investigated pigments, the presence of certain accessory minerals and/or of certain chemical patterns can have diagnostic value. Principal component analysis (PCA) of the FTIR and XRF data matrices showed promising results in terms of geological attribution, highlighting a promising tool for provenance research. The results of the study demonstrate the potential benefits of this rapid and nondestructive approach for the characterization and differentiation of earth pigments with similar hues coming from different geological sources.

Study of a surface coating present on a Renaissance Piety from the Museum of Ancient Art (Castello Sforzesco, Milan)

The surface coating present on a marble Piety dating to the Renaissance period and stored at the Castello Sforzesco-Museum of Ancient Art (Milan, Italy) was studied and chemically characterised. For this purpose, both portable non-invasive (XRF and colorimetric measurements) and micro-invasive techniques (FTIR-ATR and SEM-EDS), have been applied. The statue has been recently submitted to a restoration, since its surface appeared dark and yellowed, before an exhibition at the Louvre Museum and the original appearance of the marble surface recovered thanks to the surface coating removal. Through the analytical characterisation carried out before and after the marble cleaning, the presence of a degradation layer composed by gypsum was evidenced on the stone. The origin of this layer is ascribable to the exposure of the statue to outdoor environment and interaction with atmospheric pollution. The chemical nature of the coating applied at the end of nineteenth century also responsible for the surface alteration was hypothesized.

Canvas Painting Analysis Using Spectroscopic Analysis and Microcharacterisation Techniques

Raman spectroscopy is a well-recognised tool for the analysis of materials in canvas paintings. However, it can be difficult to interpret the peaks of the spectra without the additional context of the artwork such as the age, provenance, or colour. Reflectance spectrophotometry can be used to capture the colour of pigments, dyes, and lacquers, but is seldom used to complement Raman data. Additionally, reflectance spectrophotometry results can be influenced by the surface profile of the painting. To overcome these limitations, this work brings together three different analysis modalities to provide a singular, analytical map of the artwork. Raman spectroscopy was used to conduct the chemical identification of pigments, binding media, and varnish present in a synthetic painting sample. Reflectance spectrophotometry was applied to obtain colour information of the surface paint of the sample. Three-dimensional optical profilometry data was used to characterise the micro topology of the paint surface. These three data sets were spatially matched allowing the recorded spectroscopic data to be displayed with the corresponding colour and surface topography across the paint surface.

Preliminary Cleaning Approach with Alginate and Konjac Glucomannan Polysaccharide Gel for the Surfaces of East Asian and Western String Musical Instruments

The cleaning of string musical instruments is challenging due to the traditional finishing treatments used by the makers. Multilayered coating systems were applied to Western musical instruments, while the Nakdong technique was applied in East Asia. Furthermore, by restorations and performance, dust and grime were overlapped together with polishes, adhesives, and varnishes. Gel cleaning is important in the field of conservation because of the ability to selectively remove chemical and biological degradation products from the surface, minimizing the interactions with the inner layers. In this study, hydrogels based on sodium alginate (SA) and konjac glucomannan (KG) polysaccharides were applied on laboratory mock-ups of East Asian and Western instruments to test their ability to remove synthetic soiling and sweat from the surface. In particular, SA cross-linked with calcium cations and KG cross-linked with borate gels were used. To control the exposure of the cleaning solvent on the surface of mock-ups, the moisture content of the gels was determined. The effectiveness of removing synthetic contaminants was investigated by noninvasive analytical methods. Stereomicroscopy and colorimetry, together with Fourier Transform Infrared (FTIR) spectroscopy in reflection mode and X-Ray Fluorescence (XRF), were used to evaluate the cleaning efficacy. Overall, polysaccharide hydrogels resulted in promising cleaning systems on both smooth and rough surfaces of wood.

New Insights on the Stradivari “Coristo” Mandolin: A Combined Non-Invasive Spectroscopic Approach

In this work, one of the two existing mandolins made by Antonio Stradivari has been investigated for the first time, as a rare exemplar of the lesser-known class of plucked string instruments. The mandolin was studied by non-invasive reflection Fourier transformed infrared (FT-IR) spectroscopy and X-ray fluorescence (XRF) on different areas previously selected by UV-induced fluorescence imaging. The analytical campaign was aimed at (i) identifying the materials used by Stradivari in the finishing of the mandolin, (ii) comparing these materials with those traditionally used in violin making, and (iii) increasing the knowledge of materials and techniques applied by Stradivari in the rare production of plucked string instruments. The combined spectroscopic approach allowed us to hypothesize original materials and finishing procedures similar to those used in violin making: a possible sizing treatment of the wood with protein-based materials and silicates, externally coated with an oil–resin varnish. XRF results were essential to support FT-IR findings and to detect possible iron-based pigments in the finishing layers. Moreover, it permitted us to distinguish original areas from the restored areas, including the purflings on the top plate and the varnished area on the treble side of the mandolin for which the originality was assumed.

Tree-ring dating of musical instruments

[Figure: see text].

Compositional and Morphological Comparison among Three Coeval Violins Made by Giuseppe Guarneri “del Gesù” in 1734

In the present work, we had the opportunity to study the coating systems of three different coeval violins, namely “Spagnoletti”, “Stauffer”, and “Principe Doria”, made by Giuseppe Guarneri “del Gesù” in 1734. These three violins were non-invasively investigated by reflection Fourier transform infrared spectroscopy and X-ray fluorescence. These two techniques were combined for the first time with a 3D laser scanner. The analytical campaign enabled the characterization of the materials and their distribution within the stratigraphy, mainly composed of varnish and, when present, of a proteinaceous ground coat. Some restoration materials were also identified, suggesting the application of different maintenance treatments undertaken during their history. The preliminary information about morphological and geometrical differences between the three coeval violins were acquired through the 3D laser scanner in order to observe similarities and differences in the design features among the three violins.

Non-Destructive Subsurface Inspection of Marine and Protective Coatings Using Near- and Mid-Infrared Optical Coherence Tomography

Near- and mid-infrared optical coherence tomography (OCT) is evaluated as a non-destructive and non-contact reflection imaging modality for inspection of industrial and marine coatings. Near-infrared OCT was used to obtain high-resolution images (~6/2 µm lateral/axial) of hidden subsurface cracks and defects in a resin base coating, which had been exposed to high pressure and high temperature to study coating degradation in hostile environments. Mid-infrared OCT was employed for high-resolution (~15/8.5 µm lateral/axial) subsurface inspection of highly scattering marine coatings, demonstrating monitoring of wet film thickness and particle dispersion during curing of a 210 µm layer of antifouling coating, and detection of substrate corrosion through 369 µm of high-gloss alkyd enamel. Combining high-resolution and fast, non-invasive scanning, OCT is therefore considered a promising tool for studying coating performance and for industrial inspection.