Metastable Coordination Dynamics of Collaborative Creativity in Educational Settings

What affords being creative? Opportunities for novelty in light of perception, embodied activity, and imaginative skill

An affordance perspective highlights how resourceful the ecology is for creative actions of all sorts; it captures how creativity is grounded in materiality. In contrast to "canonical affordances" (i.e., "ready-to-hand," mundane instances), creative affordances point to unconventional or surprising action opportunities that are nonetheless valued. Our initial aim is to discuss how to frame the affordance concept to make it attractive for the study of creativity. We propose a dialectic position that reconciles aspects of the realism of ecological psychology with the constructivist view more typical of creativity scholars. We stress that novel options frequently depend on constructive actions; novelty cannot always simply be "found" or just waits to be used. Many creative opportunities only emerge from how person actively engages with the ecology. Our second aim is to explore specific ways that creativity is mediated through affordances, based on illustrations from crafts and dance. These suggest that affordances span various timescales and mediate in multiple ways, from noticing existing potentials, via active affordance shaping, to background activities that indirectly invite or enable novelty. In conclusion we discuss how a person's creative "vision," imagination and combinatoric ability, all fundamental creativity mechanisms, relate to affordances and how fruitful creative directions may be perceptually hinted at.

Analysis of the motor behaviour of people without specific dance training in improvisation tasks: Influence of mirror and partner

This study aims to analyse the influence of the mirror and/or partner constraints on the motor creativity of women without specific training in dance during improvisation tasks, in order to contribute to the knowledge of creativity in the field of sports science and movement-based practices. We studied the exploratory behaviour and emerging movement patterns of 12 women who performed four improvisations under the following situations: individual without mirror; individual with mirror; partner without mirror; and partner with mirror. The dynamic overlap qd(t) was calculated to identify the exploratory dynamics composed of the exploratory amplitude and the rate of change between movement configurations. To determine emerging movement patterns, a principal component analysis was carried out by ad hoc routines prepared. A mixed linear model was performed to find out the influence of the different constraints on the exploratory behaviour. The results indicate that the presence of the mirror seems to provoke a decrease in the exploratory behaviour. In addition, partner improvisation favoured coupling and imitation dynamics among the participants. Likewise, the most recurrent emergent movement pattern was walking while moving the arms. It would be advisable to take the influence of these constraints into consideration depending on the improvisation purpose and the experience level of female participants.

Embodied transfer of knowledge using dynamic systems concepts in high school: A preliminary study

The transfer of knowledge among academic subjects and linking different phenomena are crucial education competencies in Bloom's taxonomy of learning goals. From another side, modern cognitive science defines cognition and learning as embodied. The Synthetic Understanding through Movement Analogies (SUMA) educational framework proposes embodied learning of general scientific principles and concepts and knowledge transfer among academic disciplines encompassing sciences, humanities and arts. Accordingly, this research aimed to evaluate the educational potential of teaching a set of Dynamic Systems Theory (DST) concepts through body movement experiences in first-grade high school students. Five classes of high school students (n = 71; 23 girls, 46 boys and 2 non-binaries, aged 12-13 y.) followed a four-week intervention addressed to teaching five DST concepts (order parameter, stability, control parameter, instability and phase transition) and transfer them to biological and social phenomena. Students followed four teaching phases: a) embodied experience, b) reflective observation of the experience, c) abstract conceptualization of the experience using the five general concepts, d) transfer of knowledge through the concepts to different phenomena from biological and social science academic subjects. Students' integration and transfer of knowledge abilities were evaluated pre- and post-intervention through a questionnaire and three open-ended questions. Results were compared using non-parametric Wilcoxon matched-pairs test and effect sizes were calculated through PS _dep measures. Students' abilities to integrate and transfer knowledge increased post-intervention (Z = 7.322, p < 0.0001, PS_dep = 1). The effect of the intervention points to the potential of teaching general DST concepts through body movement experiences in high school students for achieving the goals of an embodied and unificatory transdisciplinary education.

Giving Ideas Some Legs or Legs Some Ideas? Children's Motor Creativity Is Enhanced by Physical Activity Enrichment: Direct and Mediated Paths

Approaches to foster motor creativity differ according to whether creative movements are assumed to be enacted creative ideas, or solutions to emerging motor problems that arise from task and environmental constraints. The twofold aim of the current study was to investigate whether (1) an enriched physical education (PE) intervention delivered with a joint constraints-led and cognitive stimulation approach fosters motor creativity, and the responsiveness to the intervention is moderated by baseline motor and cognitive skills and sex; (2) the intervention may benefit motor creativity through gains in motor coordination, executive function, and creative thinking. Ninety-five children, aged 6-9 years, participated in a 6-month group randomized trial with specialist-led enriched PE vs. generalist-led conventional PE. Before and after the intervention, Bertsch's Test of Motor Creativity, Movement Assessment Battery for Children, Random Number Generation task and Torrance Test of Creative Thinking were administered. Linear mixed models were run accounting for the random effects of data clusters. Multiple mediation analysis was performed to assess whether motor coordination, executive function and creative thinking mediated any improvement of motor creativity. Results showed that (1) specialist-led enriched PE, compared to generalist-led conventional practice, elicited a more pronounced improvement in all motor creativity dimensions (fluency, flexibility, and originality) independently of baseline levels of motor and cognitive skills and sex; and (2) improved motor creativity was partially mediated by improved motor coordination and, as regards motor flexibility, also by improved inhibitory ability. In conclusion, enriching PE with tailored manipulations of constraints and variability may enhance the ability to create multiple and original task-pertinent movements both directly and through indirect paths. The results are discussed extending to motor creativity a theoretical framework that distinguishes different creativity modes. The intervention may have fostered the generation of creative movements directly through the exposure to variation in constraints, activating the sensorimotor 'flow' mode of creativity that bypasses higher-order cognition, but also indirectly through a systematic and conscious convergence on solutions, activating the 'deliberate' mode of creativity that relies on inhibition to reject common or task-inappropriate movement categories.

Creativity in Motion: Examining the Creative Potential System and Enriched Movement Activities as a Way to Ignite It

In a global and highly competitive world, the importance of creativity is increasing as it supports adaptability, health, and actualization. Yet, because most research focuses on what it takes to produce creative artifacts, interventions supporting growth in creative potential remains underexplored. To address this limitation, the first goal of this paper is to review the creativity science literature to identify the elements that underpin the realization of an individual’s creative potential. The summary of the literature is presented using a framework which highlights the interactions between environmental elements (i.e., cultural values, social interactions, and material world) and actors’ elements (i.e., affective attributes and states, cognitive skills, and physical expression). Using a systemic perspective, the framework illustrates ‘what’ creativity enhancement interventions should aim for, to facilitate the emergence of creative actions. Given the current lack of holistic, embodied, and interactive evidence-based interventions to nurture the creative potential elements identified, the second part of this review builds on movement sciences literature and physical literacy conceptualization to suggest that enriched movement activities are promising avenues to explore. Specifically, following non-linear pedagogy approaches, an intervention called movement improvisation is introduced. Ecological dynamics principles are used to explain how improvising with movement in a risk-friendly environment can lead to cognitive, affective, social, and cultural repertoire expansion. To interrogate this argument further, the review concludes with possible solutions to withstand research challenges and raises future study questions. Overall, combining creativity and movement sciences in this review demonstrates the potential for well-designed movement interventions to ignite creative potential for individuals and overcome the tendency to remain anchored in a state of inertia.

Healthy Teleworking: Towards Personalized Exercise Recommendations

Home-based teleworking, associated with sedentary behavior, may impair self-reported adult health status. Current exercise recommendations, based on universal recipes, may be insufficient or even misleading to promote healthy teleworking. From the Network Physiology of Exercise perspective, health is redefined as an adaptive emergent state, product of dynamic interactions among multiple levels (from genetic to social) that cannot be reduced to a few dimensions. Under such a perspective, fitness development is focused on enhancing the individual functional diversity potential, which is better achieved through varied and personalized exercise proposals. This paper discusses some myths related to ideal or unique recommendations, like the ideal exercise or posture, and the contribution of recent computer technologies and applications for prescribing exercise and assessing fitness. Highlighting the need for creating personalized working environments and strengthening the active contribution of users in the process, new recommendations related to teleworking posture, home exercise counselling, exercise monitoring and to the roles of healthcare and exercise professionals are proposed. Instead of exercise prescribers, professionals act as co-designers that help users to learn, co-adapt and adequately contextualize exercise in order to promote their somatic awareness, job satisfaction, productivity, work–life balance, wellbeing and health.