Color appearance depends on the variance of surround colors

Color constancy mechanisms in virtual reality environments

Prior research has demonstrated high levels of color constancy in real-world scenarios featuring single light sources, extensive fields of view, and prolonged adaptation periods. However, exploring the specific cues humans rely on becomes challenging, if not unfeasible, with actual objects and lighting conditions. To circumvent these obstacles, we employed virtual reality technology to craft immersive, realistic settings that can be manipulated in real time. We designed forest and office scenes illuminated by five colors. Participants selected a test object most resembling a previously shown achromatic reference. To study color constancy mechanisms, we modified scenes to neutralize three contributors: local surround (placing a uniform-colored leaf under test objects), maximum flux (keeping the brightest object constant), and spatial mean (maintaining a neutral average light reflectance), employing two methods for the latter: changing object reflectances or introducing new elements. We found that color constancy was high in conditions with all cues present, aligning with past research. However, removing individual cues led to varied impacts on constancy. Local surrounds significantly reduced performance, especially under green illumination, showing strong interaction between greenish light and rose-colored contexts. In contrast, the maximum flux mechanism barely affected performance, challenging assumptions used in white balancing algorithms. The spatial mean experiment showed disparate effects: Adding objects slightly impacted performance, while changing reflectances nearly eliminated constancy, suggesting human color constancy relies more on scene interpretation than pixel-based calculations.

Context effects on the perception of saturation of fruit colors in still-life paintings

Still-life painters, especially of the so-called Golden Age (17th century) in the Netherlands, are famous for their masterful techniques of rendering reality. Their amazing abilities to depict different material properties of fruits and flowers are stunning. But how important are these careful arrangements of different objects for the perception of an individual item? Is the perceived color saturation of a single fruit influenced by its surrounding context? We selected fruits in still-life paintings as stimuli to investigate whether and how perceived saturations of fruits were affected by their original contexts. In our study, we focused especially on effects of five context properties: complementary colors, chromatic and luminance contrast, object overlap, and surround variance. Six fruit varieties depicted in high-quality digital reproductions of 48 classic and eight varieties in 64 more recent, modern still-life paintings were selected. In a single trial, eight images of fruits of the same variety appeared on a neutral gray background; half were single fruit cutouts, and the other half were the same fruits embedded in their circular contexts. Fifteen participants ranked all eight images according to perceived color saturations of the fruits. Saturation ratings showed a high agreement of 77%. Surrounding contexts led to an increase in perceived saturation of central fruits. This effect was mainly driven by object overlap, the presence of the central fruit type also in the context, and surround variance. Chroma contrast between fruits and contexts decreased saturation significantly. No significant context effects were found for complementary colors or luminance contrast. Our results show that in paintings, many of the cues that are usually experimentally isolated occur in interesting combinations and lead to an increase in perceived saturation that makes fruit objects more appealing and convincing.

A model of colour appearance based on efficient coding of natural images

An object's colour, brightness and pattern are all influenced by its surroundings, and a number of visual phenomena and "illusions" have been discovered that highlight these often dramatic effects. Explanations for these phenomena range from low-level neural mechanisms to high-level processes that incorporate contextual information or prior knowledge. Importantly, few of these phenomena can currently be accounted for in quantitative models of colour appearance. Here we ask to what extent colour appearance is predicted by a model based on the principle of coding efficiency. The model assumes that the image is encoded by noisy spatio-chromatic filters at one octave separations, which are either circularly symmetrical or oriented. Each spatial band's lower threshold is set by the contrast sensitivity function, and the dynamic range of the band is a fixed multiple of this threshold, above which the response saturates. Filter outputs are then reweighted to give equal power in each channel for natural images. We demonstrate that the model fits human behavioural performance in psychophysics experiments, and also primate retinal ganglion responses. Next, we systematically test the model's ability to qualitatively predict over 50 brightness and colour phenomena, with almost complete success. This implies that much of colour appearance is potentially attributable to simple mechanisms evolved for efficient coding of natural images, and is a well-founded basis for modelling the vision of humans and other animals.

Demonstration of the bluish color on veins

This study aimed to demonstrate and quantify the greenish-blue color of veins using tissue paper and stocking via the simultaneous color contrast phenomenon. The colors of real skin and veins were accurately measured in the experiment and used as a reference to simulate the color of the skin and the veins. Subcutaneous veins were simulated using gray paper covered with tissue paper for Experiment 1 and stockings for Experiment 2. The color appearance was quantitatively measured by the elementary color naming method. The results suggest that tissue paper and stockings were used to enhance a stronger simultaneous color contrast of the veins. Moreover, the color of the veins appeared complementary to the color of the skin.

Looking more masculine among females: Spatial context modulates gender perception of face and biological motion

Perception of visual information highly depends on spatial context. For instance, perception of a low-level visual feature, such as orientation, can be shifted away from its surrounding context, exhibiting a simultaneous contrast effect. Although previous studies have demonstrated the adaptation aftereffect of gender, a high-level visual feature, it remains largely unknown whether gender perception can also be shaped by a simultaneously presented context. In the present study, we found that the gender perception of a central face or a point-light walker was repelled away from the gender of its surrounding faces or walkers. A norm-based opponent model of lateral inhibition, which accounts for the adaptation aftereffect of high-level features, can also excellently fit the simultaneous contrast effect. But different from the reported contextual effect of low-level features, the simultaneous contrast effect of gender cannot be observed when the centre and the surrounding stimuli are from different categories, or when the surrounding stimuli are suppressed from awareness. These findings on one hand reveal a resemblance between the simultaneous contrast effect and the adaptation aftereffect of high-level features, on the other hand highlight different biological mechanisms underlying the contextual effects of low- and high-level visual features.

Color Contrast Enhanced Rendering for Optical See-Through Head-Mounted Displays

Most commercially available optical see-through head-mounted displays (OST-HMDs) utilize optical combiners to simultaneously visualize the physical background and virtual objects. The displayed images perceived by users are a blend of rendered pixels and background colors. Enabling high fidelity color perception in mixed reality (MR) scenarios using OST-HMDs is an important but challenging task. We propose a real-time rendering scheme to enhance the color contrast between virtual objects and the surrounding background for OST-HMDs. Inspired by the discovery of color perception in psychophysics, we first formulate the color contrast enhancement as a constrained optimization problem. We then design an end-to-end algorithm to search the optimal complementary shift in both chromaticity and luminance of the displayed color. This aims at enhancing the contrast between virtual objects and the real background as well as keeping the consistency with the original displayed color. We assess the performance of our approach using a simulated OST-HMD environment and an off-the-shelf OST-HMD. Experimental results from objective evaluations and subjective user studies demonstrate that the proposed approach makes rendered virtual objects more distinguishable from the surrounding background, thereby bringing a better visual experience.

Equivalent noise characterization of human lightness constancy

A goal of visual perception is to provide stable representations of task-relevant scene properties (e.g. object reflectance) despite variation in task-irrelevant scene properties (e.g. illumination and reflectance of other nearby objects). To study such stability in the context of the perceptual representation of lightness, we introduce a threshold-based psychophysical paradigm. We measure how thresholds for discriminating the achromatic reflectance of a target object (task-relevant property) in rendered naturalistic scenes are impacted by variation in the reflectance functions of background objects (task-irrelevant property), using a two-alternative forced-choice paradigm in which the reflectance of the background objects is randomized across the two intervals of each trial. We control the amount of background reflectance variation by manipulating a statistical model of naturally occurring surface reflectances. For low background object reflectance variation, discrimination thresholds were nearly constant, indicating that observers' internal noise determines threshold in this regime. As background object reflectance variation increases, its effects start to dominate performance. A model based on signal detection theory allows us to express the effects of task-irrelevant variation in terms of the equivalent noise, that is relative to the intrinsic precision of the task-relevant perceptual representation. The results indicate that although naturally occurring background object reflectance variation does intrude on the perceptual representation of target object lightness, the effect is modest - within a factor of two of the equivalent noise level set by internal noise.

Coding of chromatic spatial contrast by macaque V1 neurons

Color perception relies on comparisons between adjacent lights, but how the brain performs these comparisons is poorly understood. To elucidate the underlying neural mechanisms, we recorded spiking responses of individual V1 neurons in macaque monkeys to pairs of stimuli within the classical receptive field (RF). We estimated the spatial-chromatic RF of each neuron and then presented customized colored edges using a novel closed-loop technique. We found that many double-opponent (DO) cells, which have spatially and chromatically opponent RFs, responded to chromatic contrast as a weighted sum, akin to how other V1 cells responded to luminance contrast. Yet other neurons integrated chromatic signals non-linearly, confirming that linear signal integration is not an obligate property of V1 neurons. The functional similarity of cone-opponent DO cells and cone non-opponent simple cells suggests that these two groups may share a common underlying neural circuitry, promotes the construction of image-computable models for full-color image representation, and sheds new light on V1 complex cells.

Individual Differences in Colour Perception: The Role of Low-Saturated and Complementary Colours in Ambiguous Images

Individual differences in colour perception, as evidenced by the popular debate of “The Dress” picture, have garnered additional interest with the popularisation of additional, similar photographs. We investigated which colorimetric characteristics were responsible for individual differences in colour perception. All objects of the controversial photographs are composed of two representative colours, which are low in saturation and are either complementary to each other or reminiscent of complementary colours. Due to these colorimetric characteristics, we suggest that one of the two complementary pixel clusters should be estimated as the illuminant hue depending on assumed brightness. Thus, people perceive the object's colours as being biased toward complementarily different colour directions and perceive different pixel clusters as chromatic and achromatic. Even though the distance between colours that people perceive differently is small in colour space, people perceive the object's colour as differently categorized colours in these ambiguous photographs, thereby causing debate. We suggest that people perceive the object's colours using different “modes of colour appearance” between surface-colour and self-luminous modes.

A virtual reality-based study of color contrast to encourage more sustainable food choices

In order to identify effective strategies to increase more environmentally friendly food choices, we conducted an experimental study to examine how the color contrast between the food and the background might influence people's choices between meat and vegetable dishes. Participants were instructed to choose three desirable dishes out of a choice set presented on a red- or green-colored table in a simulated restaurant environment. Each choice set consisted of two meat and two vegetable dishes, so the participants had to choose between the meat-heavy and vegetable-forward meals. The participants chose the meat-heavy meals more often than the chance level. However, the results revealed that using a red table to present the choice set could shift them toward choosing fewer meat-heavy meals and thus more vegetable-forward meals, and the visual attractiveness of the meat dishes was decreased when presented on the red tables. These findings provide empirical evidence regarding how the contrast between the color of food and the background color of the dining table can be used to modulate the sensory appeal of foods in order to promote sustainable food choices.

Exploration of the Relationships Among Narcissism, Life Satisfaction, and Loneliness of Instagram Users and the High- and Low-Level Features of Their Photographs

We examined the associations between the characteristics of Instagram users and the features of their photographs. Narcissism, life satisfaction, and loneliness were employed for user variables and the features at high- (content) and low-levels (pixel) were employed to analyze the Instagram photographs. An online survey was conducted with 179 university students, and their Instagram photographs, 25,394 in total, were collected and analyzed. High-level features were extracted using Computer Vision and Emotion Application Programming Interfaces (APIs) in Microsoft Azure Cognitive Services, and low-level features were extracted utilizing the program written by the authors. The results of correlation analysis indicate that narcissism, life satisfaction, and loneliness were significantly associated with a part of photograph features at high- and low-levels. The results of the predictive analysis suggest that narcissism, loneliness in total, and social loneliness could be predicted with acceptable accuracy from Instagram photograph features, while characteristics such as life satisfaction, family loneliness, and romantic loneliness could not be predicted. Implications of this research and suggestions for further research were presented.

The effect of scene articulation on transparent layer constancy

In this article, we examine the influence of scene articulation on transparent layer constancy. We argue that the term articulation may be understood as an aspect of the more general concept naturalness of a stimulus that relates to the degree of enrichment compared with a minimal stimulus and to the extent to which a stimulus contains regularities that are typically found in natural scenes. We conducted two matching experiments, in which we used strongly reduced scenes and operationalized articulation by the number of background reflectances (numerosity). The results of the first experiment show that higher numerosity actually leads to an increase in transparent layer constancy when reflectances are randomly drawn from a fixed population. However, this advantage disappears if the spatial mean and the variation of the subset colors are controlled as in our second experiment. Furthermore, our results suggest that the mechanism underlying transparent layer constancy leads to a rather stable compromise between two matching criteria, namely, proximal identity and constant filter properties according to our perceptual model. For filters with an additive component, which appear more or less hazy, we observed improved recovered filter properties and correspondingly higher degrees of transparent layer constancy, suggesting an additional mechanism in this type of filter.

Suppression of Luminance Contrast Sensitivity by Weak Color Presentation

The results of psychophysical studies suggest that color in a visual scene affects luminance contrast perception. In our brain imaging studies we have found evidence of an effect of chromatic information on luminance information. The dependency of saturation on brain activity in the visual cortices was measured by functional magnetic resonance imaging (fMRI) while the subjects were observing visual stimuli consisting of colored patches of various hues manipulated in saturation (Chroma value in the Munsell color system) on an achromatic background. The results indicate that the patches suppressed luminance driven brain activity. Furthermore, the suppression was stronger rather than weaker for patches with lower saturation colors, although suppression was absent when gray patches were presented instead of colored patches. We also measured brain activity while the subjects observed only the patches (on a uniformly black background) and confirmed that the colored patches alone did not give rise to differences in brain activity for different Chroma values. The chromatic information affects the luminance information in V1, since the effect was observed in early visual cortices (V2 and V3) and the ventral pathway (hV4), as well as in the dorsal pathway (V3A/B). In addition, we conducted a psychophysical experiment in which the ability to discriminate luminance contrast on a grating was measured. Discrimination was worse when weak (less saturated) colored patches were attached to the grating than when strong (saturated) colored patches or achromatic patches were attached. The results of both the fMRI and psychophysical experiments were consistent in that the effects of color were greater in the conditions with low saturation colors.

Matching visual induction effects on screens of different size

In the film industry, the same movie is expected to be watched on displays of vastly different sizes, from cinema screens to mobile phones. But visual induction, the perceptual phenomenon by which the appearance of a scene region is affected by its surroundings, will be different for the same image shown on two displays of different dimensions. This phenomenon presents a practical challenge for the preservation of the artistic intentions of filmmakers, because it can lead to shifts in image appearance between viewing destinations. In this work, we show that a neural field model based on the efficient representation principle is able to predict induction effects and how, by regularizing its associated energy functional, the model is still able to represent induction but is now invertible. From this finding, we propose a method to preprocess an image in a screen-size dependent way so that its perception, in terms of visual induction, may remain constant across displays of different size. The potential of the method is demonstrated through psychophysical experiments on synthetic images and qualitative examples on natural images.

The attentional template in high and low similarity search: Optimal tuning or tuning to relations?

The attentional template is often described as the mental representation that drives attentional selection and guidance, for instance, in visual search. Recent research suggests that this template is not a veridical representation of the sought-for target, but instead an altered representation that allows more efficient search. The current paper contrasts two such theories. Firstly, the Optimal Tuning account which posits that the attentional template shifts to an exaggerated target value to maximise the signal-to-noise ratio between similar targets and non-targets. Secondly, the Relational account which states that instead of tuning to feature values, attention is directed to the relative value created by the search context, e.g. all redder items or the reddest item. Both theories are empirically supported, but used different paradigms (perceptual decision tasks vs. visual search), and different attentional measures (probe response accuracy vs. gaze capture). The current design incorporates both paradigms and measures. The results reveal that while Optimal Tuning shifts are observed in probe trials they do not drive early attention or eye- movement behaviour in visual search. Instead, early attention follows the Relational Account, selecting all items with the relative target colour (e.g., redder). This suggests that the masked probe trials used in Optimal Tuning do not probe the attentional template that guides attention. In Experiment 3 we find that optimal tuning shifts correspond in magnitude to purely perceptual shifts created by contrast biases in the visual search arrays. This suggests that the shift in probe responses may in fact be a perceptual artefact rather than a strategic adaptation to optimise the signal-to-noise ratio. These results highlight the distinction between early attentional mechanisms and later, target identification mechanisms. SIGNIFICANCE STATEMENT: Classical theories of attention suggest that attention is guided by a feature-specific target template. In recent designs this has been challenged by an apparent non- veridical tuning of the template in situations where the target stimulus is similar to non-targets. The current studies compare two theories that propose different explanations for non-veridical tuning; the Relational and the Optimal Tuning account. We show that the Relational account describes the mechanism that guides early search behaviour, while the Optimal Tuning account describes perceptual decision-making. Optimal Tuning effects may be due to an artefact that has not been described in visual search before (simultaneous contrast).

Empirical Insights from a Study on Outlier Preserving Value Generalization in Animated Choropleth Maps

Time series animation of choropleth maps easily exceeds our perceptual limits. In this empirical research, we investigate the effect of local outlier preserving value generalization of animated choropleth maps on the ability to detect general trends and local deviations thereof. Comparing generalization in space, in time, and in a combination of both dimensions, value smoothing based on a first order spatial neighborhood facilitated the detection of local outliers best, followed by the spatiotemporal and temporal generalization variants. We did not find any evidence that value generalization helps in detecting global trends.

Spatial receptive field structure of double-opponent cells in macaque V1

The spatial processing of color is important for visual perception. Double-opponent (DO) cells likely contribute to this processing by virtue of their spatially opponent and cone-opponent receptive fields (RFs). However, the representation of visual features by DO cells in the primary visual cortex of primates is unclear because the spatial structure of their RFs has not been fully characterized. To fill this gap, we mapped the RFs of DO cells in awake macaques with colorful, dynamic white noise patterns. The spatial RF of each neuron was fitted with a Gabor function and three versions of the difference of Gaussians (DoG) function. The Gabor function provided the more accurate description for most DO cells, a result that is incompatible with a center-surround RF organization. A nonconcentric version of the DoG function, in which the RFs have a circular center and a crescent-shaped surround, performed nearly as well as the Gabor model thus reconciling results from previous reports. For comparison, we also measured the RFs of simple cells. We found that the superiority of the Gabor fits over DoG fits was slightly more decisive for simple cells than for DO cells. The implications of these results on biological image processing and visual perception are discussed.NEW & NOTEWORTHY Double-opponent cells in macaque area V1 respond to spatial chromatic contrast in visual scenes. What information they carry is debated because their receptive field organization has not been characterized thoroughly. Using white noise analysis and statistical model comparisons, De and Horwitz show that many double-opponent receptive fields can be captured by either a Gabor model or a center-with-an-asymmetric-surround model but not by a difference of Gaussians model.

Chicken colour discrimination depends on background colour

How well can a bird discriminate between two red berries on a green background? The absolute threshold of colour discrimination is set by photoreceptor noise, but animals do not perform at this threshold; their performance can depend on additional factors. In humans and zebra finches, discrimination thresholds for colour stimuli depend on background colour, and thus the adaptive state of the visual system. We have tested how well chickens can discriminate shades of orange or green presented on orange or green backgrounds. Chickens discriminated slightly smaller colour differences between two stimuli presented on a similarly coloured background, compared with a background of very different colour. The slope of the psychometric function was steeper when stimulus and background colours were similar but shallower when they differed markedly, indicating that background colour affects the certainty with which the animals discriminate the colours. The effect we find for chickens is smaller than that shown for zebra finches. We modelled the response to stimuli using Bayesian and maximum likelihood estimation and implemented the psychometric function to estimate the effect size. We found that the result is independent of the psychophysical method used to evaluate the effect of experimental conditions on choice performance.

Semi-Automated Analysis of Digital Photographs for Monitoring East Antarctic Vegetation

Climate change is affecting Antarctica and minimally destructive long-term monitoring of its unique ecosystems is vital to detect biodiversity trends, and to understand how change is affecting these communities. The use of automated or semi-automated methods is especially valuable in harsh polar environments, as access is limited and conditions extreme. We assessed moss health and cover at six time points between 2003 and 2014 at two East Antarctic sites. Semi-automatic object-based image analysis (OBIA) was used to classify digital photographs using a set of rules based on digital red, green, blue (RGB) and hue-saturation-intensity (HSI) value thresholds, assigning vegetation to categories of healthy, stressed or moribund moss and lichens. Comparison with traditional visual estimates showed that estimates of percent cover using semi-automated OBIA classification fell within the range of variation determined by visual methods. Overall moss health, as assessed using the mean percentages of healthy, stressed and moribund mosses within quadrats, changed over the 11 years at both sites. A marked increase in stress and decline in health was observed across both sites in 2008, followed by recovery to baseline levels of health by 2014 at one site, but with significantly more stressed or moribund moss remaining within the two communities at the other site. Our results confirm that vegetation cover can be reliably estimated using semi-automated OBIA, providing similar accuracy to visual estimation by experts. The resulting vegetation cover estimates provide a sensitive measure to assess change in vegetation health over time and have informed a conceptual framework for the changing condition of Antarctic mosses. In demonstrating that this method can be used to monitor ground cover vegetation at small scales, we suggest it may also be suitable for other extreme environments where repeat monitoring via images is required.

Color ensembles: Sampling and averaging spatial hue distributions

Color serves both to segment a scene into objects and background and to identify objects. Although objects and surfaces usually contain multiple colors, humans can readily extract a representative color description, for instance, that tomatoes are red and bananas yellow. The study of color discrimination and identification has a long history, yet we know little about the formation of summary representations of multicolored stimuli. Here, we characterize the human ability to integrate hue information over space for simple color stimuli varying in the amount of information, stimulus size, and spatial configuration of stimulus elements. We show that humans are efficient at integrating hue information over space beyond what has been shown before for color stimuli. Integration depends only on the amount of information in the display and not on spatial factors such as element size or spatial configuration in the range measured. Finally, we find that observers spontaneously prefer a simple averaging strategy even with skewed color distributions. These results shed light on how human observers form summary representations of color and make a link between the perception of polychromatic surfaces and the broader literature of ensemble perception.

Influences of orientation on the Ponzo, contrast, and Craik-O'Brien-Cornsweet illusions

Explanations of the Ponzo size illusion, the simultaneous contrast illusion, and the Craik-O'Brien-Cornsweet brightness illusions involve either stimulus-driven processes (assimilation, enhanced contrast, and anchoring) or prior experiences. Real-world up-down asymmetries for typical direction of illumination and ground planes in our physical environment should influence these illusions if they are experience based, but not if they are stimulus driven. Results presented here demonstrate differences in illusion strengths between upright and inverted versions of all three illusions. A left-right asymmetry of the Cornsweet illusion was produced by manipulating the direction of illumination, providing further support for the involvement of an experience-based explanation. When the inducers were incompatible with the targets being located at the different distances, the Ponzo illusion persisted and so did the influence from orientation, providing evidence for involvement of processes other than size constancy. As defined here, upright for the brightness illusions is consistent with an interpretation of a shaded bulging surface and a 3D object resulting from a light-from-above assumption triggering compensation for varying illumination. Upright for the Ponzo illusion is consistent with the inducers in the form of converging lines being interpreted as railway tracks receding on the ground triggering size constancy effects. The implications of these results, and other results providing evidence against experience-based accounts of the illusions, are discussed.

Influence of naturalness of chroma and lightness contrast modulation on colorfulness adaptation in natural images

We investigated as to whether the naturalness of images modulated by a combination of chroma and lightness contrast affects the colorfulness perception. Four types of modulated images with different combinations of chroma and lightness contrast were used as adaptation stimuli. After adapting to one of the adaptation stimuli groups, observers judged the colorfulness of test images that were also modulated by the different combinations of chroma and lightness contrast. Our results showed that the combination of chroma and lightness contrast modulation affected the strength of colorfulness adaptation. The results also indicated that when adapting to images that exhibited high naturalness, the effect of colorfulness adaptation was strong. It was suggested that the naturalness of the chroma and lightness combination is an important factor for colorfulness adaptation.

The effect of tissue paper on the color appearance of colored papers

A sheet of tissue paper can change color appearance. Various colors were observed through tissues, and the appearance was quantitatively measured by the elementary color naming method. The saturation decreased with tissues, but the color appearance was fairly vivid in spite of a marked decrease of excitation purity, suggesting that visual mechanisms neglect the white color appearance to judge the color behind the tissue. A tissue was applied to the simultaneous color contrast stimulus, and a vivid color appeared on the central gray patch, which otherwise appeared just gray. The analysis of the color appearance of both the surround and the test patch suggested that the simultaneous color contrast phenomenon is a result of chromatic adaptation to the color of the surround.

Using photos for public health communication: A computational analysis of the Centers for Disease Control and Prevention Instagram photos and public responses

This study aims to explore the use of Instagram by the Centers for Disease Control and Prevention, one of the representative public health authorities in the United States. For this aim, all of the photos uploaded on the Centers for Disease Control and Prevention Instagram account were crawled and the content of them were analyzed using Microsoft Azure Cognitive Services. Also, engagement was measured by the sum of numbers of likes and comments to each photo, and sentiment analysis of comments was conducted. Results suggest that the photos that can be categorized into "text" and "people" took the largest share in the Centers for Disease Control and Prevention Instagram photos. And it was found that the Centers for Disease Control and Prevention's major way of delivering messages on Instagram was to imprint key messages that call for actions for better health on photos and to provide the source of complementary information on text component of each post. It was also found that photos with more and bigger human faces had lower level of engagement than the others, and happiness and neutral emotions expressed on the faces in photos were negatively associated with engagement. The features whose high value would make the photos look splendid and gaudy were negatively correlated with engagement, but sharpness was positively correlated.

Neighboring chromaticity influences how white a surface looks

To identify surface properties independently of the illumination the visual system must make assumptions about the statistics of scenes and their illumination. Are assumptions about the intensity of the illumination independent of assumptions about its chromaticity? To find out, we asked participants to judge whether test patches within three different sets of surrounding surfaces were white or grey. Two sets were matched in terms of their maximal luminance, their mean luminance and chromaticity, and the variability in their luminance and chromaticity, but differed in how luminance and chromaticity were associated: the highest luminance was either associated with colorful surfaces or with achromatic ones. We found that test patches had to have a higher luminance to appear white when the highest luminance in the surrounding was associated with colorful surfaces. This makes sense if one considers that being colorful implies that a surface only reflects part of the light that falls on it, meaning that the illumination must have a higher luminance (a perfectly white surface reflects all of the light falling on it). In the third set, the colorful surfaces had the same luminance as in the set in which they were associated with the highest luminance, but the achromatic surfaces had a lower luminance so that the overall mean luminance was lower. Despite the constraints on the illumination being identical, test patches did not have to have as high luminance to appear white for the third set. Considering the layout of the surfaces in the surrounding revealed that test patches did have to have the same high luminance if the high luminance colorful surfaces were adjacent to the target patch. Thus, the assumptions about the possible illumination are applied locally. A possible mechanism is relying on the contrast within each type of cone: for a surface to appear white it must stimulate each of the three kinds of cones substantially more than do any neighboring surfaces.

Kandinsky or Me? How Free Is the Eye of the Beholder in Abstract Art?

We investigated in "art-naïve" German and Chinese participants the perception of color and spatial balance in abstract art. For color perception, we asked participants (a) to adjust the color of a single element in 24 paintings according to their liking and (b) to indicate whether they preferred their version of the painting or the original. For spatial perception, we asked participants (a) to determine the "balance point" of an artwork and (b) to indicate their preferences for the original or left-right reversed orientation of previously seen and unfamiliar paintings. Results of the color experiments suggest that, even though the interactive task was of a rather open-ended nature, observers' color adjustments were not random but systematically influenced by each painting's color palette. Overall, participants liked their own color choices about as much as the original composition. Results of the spatial experiments reveal a remarkable consistency between participants in their balance point settings. The perceived lateral position of the balance point systematically affected the left-right orientation preference for a given painting. We conclude that "art-naïve" observers are sensitive to the composition of colors and spatial structures in abstract art and are influenced by their cultural backgrounds when experiencing abstract paintings.

A neural field model for color perception unifying assimilation and contrast

We address the question of color-space interactions in the brain, by proposing a neural field model of color perception with spatial context for the visual area V1 of the cortex. Our framework reconciles two opposing perceptual phenomena, known as simultaneous contrast and chromatic assimilation. They have been previously shown to act synergistically, so that at some point in an image, the color seems perceptually more similar to that of adjacent neighbors, while being more dissimilar from that of remote ones. Thus, their combined effects are enhanced in the presence of a spatial pattern, and can be measured as larger shifts in color matching experiments. Our model supposes a hypercolumnar structure coding for colors in V1, and relies on the notion of color opponency introduced by Hering. The connectivity kernel of the neural field exploits the balance between attraction and repulsion in color and physical spaces, so as to reproduce the sign reversal in the influence of neighboring points. The color sensation at a point, defined from a steady state of the neural activities, is then extracted as a nonlinear percept conveyed by an assembly of neurons. It connects the cortical and perceptual levels, because we describe the search for a color match in asymmetric matching experiments as a mathematical projection on color sensations. We validate our color neural field alongside this color matching framework, by performing a multi-parameter regression to data produced by psychophysicists and ourselves. All the results show that we are able to explain the nonlinear behavior of shifts observed along one or two dimensions in color space, which cannot be done using a simple linear model.

Disentangling simultaneous changes of surface and illumination

Retinally incident light is an ambiguous product of spectral distributions of light in the environment and their interactions with reflecting, absorbing, and transmitting materials. An ideal color constant observer would unravel these confounded sources of information and account for changes in each factor. Scene statistics have been proposed as a way to compensate for changes in the illumination, but few theories consider changes of 3-dimensional surfaces. Here, we investigated the visual system's capacity to deal with simultaneous changes in illumination and surfaces. Spheres were imaged with a hyperspectral camera in a white box and their colors, as well as that of the illumination were varied along "red-green" and "blue-yellow" axes. Both the original hyperspectral images and replica scenes rendered with Mitsuba were used as stimuli, including rendered scenes with Glavens (Acta Psychologica, 2009, 132, 259-266). Observers viewed sequential, random pairs of our images, with either the whole scene, only the object, or only a part of the background being present. They judged how much the illuminant and object color changed on a scale of 0-100%. Observers could extract simultaneous illumination and reflectance changes when provided with a view of the whole scene, but global scene statistics did not fully account for their behavior, while local scene statistics improved the situation. There was no effect of color axis, shape, or simulated vs. original hyperspectral images. Observers appear to be making use of various sources of local information to complete the task.

The effect of luminance differences on color assimilation

The color appearance of a surface depends on the color of its surroundings (inducers). When the perceived color shifts towards that of the surroundings, the effect is called "color assimilation" and when it shifts away from the surroundings it is called "color contrast." There is also evidence that the phenomenon depends on the spatial configuration of the inducer, e.g., uniform surrounds tend to induce color contrast and striped surrounds tend to induce color assimilation. However, previous work found that striped surrounds under certain conditions do not induce color assimilation but induce color contrast (or do not induce anything at all), suggesting that luminance differences and high spatial frequencies could be key factors in color assimilation. Here we present a new psychophysical study of color assimilation where we assessed the contribution of luminance differences (between the target and its surround) present in striped stimuli. Our results show that luminance differences are key factors in color assimilation for stimuli varying along the s axis of MacLeod-Boynton color space, but not for stimuli varying along the l axis. This asymmetry suggests that koniocellular neural mechanisms responsible for color assimilation only contribute when there is a luminance difference, supporting the idea that mutual-inhibition has a major role in color induction.

Colour Constancy Beyond the Classical Receptive Field

The problem of removing illuminant variations to preserve the colours of objects (colour constancy) has already been solved by the human brain using mechanisms that rely largely on centre-surround computations of local contrast. In this paper we adopt some of these biological solutions described by long known physiological findings into a simple, fully automatic, functional model (termed Adaptive Surround Modulation or ASM). In ASM, the size of a visual neuron's receptive field (RF) as well as the relationship with its surround varies according to the local contrast within the stimulus, which in turn determines the nature of the centre-surround normalisation of cortical neurons higher up in the processing chain. We modelled colour constancy by means of two overlapping asymmetric Gaussian kernels whose sizes are adapted based on the contrast of the surround pixels, resembling the change of RF size. We simulated the contrast-dependent surround modulation by weighting the contribution of each Gaussian according to the centre-surround contrast. In the end, we obtained an estimation of the illuminant from the set of the most activated RFs' outputs. Our results on three single-illuminant and one multi-illuminant benchmark datasets show that ASM is highly competitive against the state-of-the-art and it even outperforms learning-based algorithms in one case. Moreover, the robustness of our model is more tangible if we consider that our results were obtained using the same parameters for all datasets, that is, mimicking how the human visual system operates. These results suggest a dynamical adaptation mechanisms contribute to achieving higher accuracy in computational colour constancy.

Color constancy of color reproductions in art paintings

Popular color reproductions of art paintings such as postcards are intended to remind viewers of the original works. It is, however, unclear how well the quality of the reproductions is preserved under various illuminations. Color constancy of the reproductions in relation to colors in the original paintings was estimated computationally with hyperspectral images of 15th-century Flemish paintings, 20th-century modern abstract paintings, and their corresponding postcards with a series of illuminants: the CIE daylight D65 with correlated color temperature (CCT) 6500 K, daylight D40, fluorescent lamps F2 and F11, and a LED lamp designed for museums with CCT approximately 3500-4000 K. Despite large colorimetric differences between the types of art paintings and between the illuminants simulated, local areas showed good color constancy: skin areas in the Flemish paintings ranged from 0.76 to 0.81, whereas nonskin areas ranged from 0.19 to 0.68. This result suggests that viewers may be able to achieve color constancy with the reproduction postcards by disregarding inconsistent colors representations from the original paintings caused by changes in illumination conditions.

Determinants of Colour Constancy and the Blue Bias

We investigated several sensory and cognitive determinants of colour constancy across 40 illumination hues. In the first experiment, we measured colour naming for the illumination and for the colour induced by the illumination on the colorimetric grey. Results confirmed that the induced colours are approximately complementary to the colour of the illumination. In the second experiment, we measured colour constancy using achromatic adjustments. Average colour constancy was perfect under the blue daylight illumination and decreased in colour directions away from the blue daylight illumination due to undershooting and a strong blue bias. Apart from this blue bias, colour constancy was not related to illumination discrimination and to chromatic detection measured previously with the same setup and stimuli. We also observed a strong negative relationship between the degree of colour constancy and the consensus of naming the illumination colour. Constancy coincided with a low naming consensus, in particular because bluish illumination colours were sometimes seen as achromatic. Blue bias and category consensus alone explained >68%, and all determinants together explained >94% of the variance of achromatic adjustments. These findings suggest that colour constancy is optimised for blue daylight.

NanoSIMS for biological applications: Current practices and analyses

Secondary ion mass spectrometry (SIMS) has become an increasingly utilized tool in biologically relevant studies. Of these, high lateral resolution methodologies using the NanoSIMS 50/50L have been especially powerful within many biological fields over the past decade. Here, the authors provide a review of this technology, sample preparation and analysis considerations, examples of recent biological studies, data analyses, and current outlooks. Specifically, the authors offer an overview of SIMS and development of the NanoSIMS. The authors describe the major experimental factors that should be considered prior to NanoSIMS analysis and then provide information on best practices for data analysis and image generation, which includes an in-depth discussion of appropriate colormaps. Additionally, the authors provide an open-source method for data representation that allows simultaneous visualization of secondary electron and ion information within a single image. Finally, the authors present a perspective on the future of this technology and where they think it will have the greatest impact in near future.

Relative colour cues improve colour constancy in birds

A ripe strawberry looks red to our eyes in sunlight and in the green light of a forest, although the spectrum of light reflected from its surface differs dramatically. This is caused by two effects: colour constancy and our ability to learn relative colour cues - the ripe strawberry remains relatively 'redder' than an unripe green strawberry. While colour constancy - the ability to recognize colours in shifted illumination - has been studied in many animals, the use of relative colour cues is investigated more rarely. In a previous study on chickens, we measured how large a shift in illumination their colour constancy mechanisms tolerate without reliable relative colour cues. Here, we show that chickens remain colour constant over larger illumination shifts, if they can use such relative colour cues. As relative colour cues are readily available in natural environments, we suggest that their use contributes strongly to colour constancy performance in nature.