The effect of luminance differences on color assimilation

The contribution of luminance and chromatic channels to color assimilation

Color induction is the phenomenon where the physical and the perceived colors of an object differ owing to the color distribution and the spatial configuration of the surrounding objects. Previous works studying this phenomenon on the lsY MacLeod-Boynton color space, show that color assimilation is present only when the magnocellular pathway (i.e., the Y axis) is activated (i.e., when there are luminance differences). Concretely, the authors showed that the effect is mainly induced by the koniocellular pathway (s axis), but not by the parvocellular pathway (l axis), suggesting that when magnocellular pathway is activated it inhibits the koniocellular pathway. In the present work, we study whether parvo-, konio-, and magnocellular pathways may influence on each other through the color induction effect. Our results show that color assimilation does not depend on a chromatic-chromatic interaction, and that chromatic assimilation is driven by the interaction between luminance and chromatic channels (mainly the magno- and the koniocellular pathways). Our results also show that chromatic induction is greatly decreased when all three visual pathways are simultaneously activated, and that chromatic pathways could influence each other through the magnocellular (luminance) pathway. In addition, we observe that chromatic channels can influence the luminance channel, hence inducing a small brightness induction. All these results show that color induction is a highly complex process where interactions between the several visual pathways are yet unknown and should be studied in greater detail.

Influence of Stimulus Size on Simultaneous Chromatic Induction

Chromatic induction is a major contextual effect of color appearance. Patterned backgrounds are known to induce strong chromatic induction effects. However, it has not been clarified whether the spatial extent of the chromatic surrounding induces a chromatic contrast or assimilation effects. In this study, we examined the influence of the width of a center line and its flanking white contour on the color appearance when the line was surrounded by chromatic backgrounds. A strong color shift was observed when the center line was flanked by white contours with the L/M- and S-cone chromatic backgrounds. There was a difference between the optimal widths of the center line and the contour for the shift in color appearance for the L/M-cone chromaticity (0.9 and 1.1–1.7 min, respectively) and the S-cone chromaticity (8.2–17.5 and 0.9–2.5 min, respectively). The optimal width of the center line for the L/M-cone was finer than the resolution-limit width of the chromatic contrast sensitivity and coarser than that of the luminance contrast sensitivity. Thus, the color appearance of the center line could be obtained by integrating broad chromatic information and fine luminance details. Due to blurring and chromatic aberrations, the simulated artifact was large for the darker center line and S-cone background, thus suggesting that the artifact could explain the luminance dependency of the induction along the S-cone chromaticity. Moreover, the findings of this study reveal that the dominant factor of the color shift is neural instead of optical.

Chromatic Induction in Migraine

The human visual system is not a colorimeter. The perceived colour of a region does not only depend on its colour spectrum, but also on the colour spectra and geometric arrangement of neighbouring regions, a phenomenon called chromatic induction. Chromatic induction is thought to be driven by lateral interactions: the activity of a central neuron is modified by stimuli outside its classical receptive field through excitatory-inhibitory mechanisms. As there is growing evidence of an excitation/inhibition imbalance in migraine, we compared chromatic induction in migraine and control groups. As hypothesised, we found a difference in the strength of induction between the two groups, with stronger induction effects in migraine. On the other hand, given the increased prevalence of visual phenomena in migraine with aura, we also hypothesised that the difference between migraine and control would be more important in migraine with aura than in migraine without aura. Our experiments did not support this hypothesis. Taken together, our results suggest a link between excitation/inhibition imbalance and increased induction effects.

Large enhancement of simultaneous color contrast by white flanking contours

Simultaneous color contrast and assimilation are mutually opposing effects on color appearance, and their magnitude depends on spatial context. The Monnier-Shevell illusion induces a large color shift by a synergy of simultaneous assimilation and contrast using the alternating color of proximal and distant surrounds. The illusion induces a prominent effect along the blue-yellow color axis, but a subtle effect along the orthogonal color axis. In this study, we report an illusion generated by an extremely thin gray line on a cyan background that appears reddish when the line is flanked by thin white contours. We quantified the color appearance of the gray line in a color matching experiment and found that the color shift of the gray line with white contours induced large color shifts. It is also known that luminance contrast between a center and its surrounds affects the magnitude of simultaneous color contrast. However, our color contrast effects were larger for a dark line rather than for a pale line. In contrast, the perceived color shift of the line without the contours increased as the luminance of the gray line increased, supporting the known effect of Kirschmann's third law. These results indicate that Kirschmann's third law fails to explain the perceived color shift of our illusion, even after accounting for optical factors like aberrations. Observed color shifts could be explained by an augmented synergy theory based on intensity space, rather than chromaticity.

Instrumental and visual evaluation of the color adjustment potential of resin composites

OBJECTIVE

To evaluate the instrumental and visual color adjustment potential (CAP-I, CAP-V), of resin composites.

METHODS

Resin composites tested were Omnichroma, Filtek Supreme Ultra, TPH Spectra, Herculite Ultra, and Tetric EvoCeram. Two types of specimens, "dual" and "single" were evaluated. For dual specimens, class I preparations (4 mm-diameter, 2 mm-depth), were created in denture teeth and restored with test resin composites. For single specimens, replications of denture teeth were created using the test resin composites (n = 5) and compared with unrestored denture teeth. Reflectance values were obtained using a spectroradiometer. CAP-I and CAP-V were calculated. Fisher PLSD intervals for comparison of means were calculated at the 0.05 level of significance.

RESULTS

CAP-I ranged between 0.02 and 0.67. The Fisher PLSD interval for comparisons between single/dual color differences was 0.09 (P < .0001, power 1.0) and for comparisons between materials and shades 0.18 and 0.33, respectively (P < .0001, power 1.0). CAP-V ranged between 0.16 and 0.60. The Fisher PLSD interval for comparisons between single/dual visual color differences was 0.05 (P < .0001, power 1.0) and 0.08 and 0.14 for comparisons between materials and shades, respectively (P < .0001, except Herculite Ultra-Tetric EvoCeram and certain shade pairs).

CONCLUSIONS

Instrumental color differences and visual rating of single specimens were the greatest for Omnichroma, indicating the largest mismatch, while the instrumental and visual color differences of dual specimens were the smallest. Omnichroma had the most pronounced CAP-I followed by Tetric EvoCeram>TPH Spectra = Filtek Supreme Ultra >Herculite Ultra. Similarly, Omnichroma exhibited the most pronounced CAP-V followed by Tetric EvoCeram>TPH Spectra = Herculite Ultra = Filtek Supreme Ultra.

CLINICAL SIGNIFICANCE

Resin composites with pronounced CAP blends with surrounding enamel and dentin, resulting in reduced color differences and therefore improving the esthetic appearance of the restoration, simplifying the shade matching and compensating for any color mismatch.

Color induction in equiluminant flashed stimuli

Color induction is the influence of the surrounding color (inducer) on the perceived color of a central region. There are two different types of color induction: color contrast (the color of the central region shifts away from that of the inducer) and color assimilation (the color shifts towards the color of the inducer). Several studies on these effects have used uniform and striped surrounds, reporting color contrast and color assimilation, respectively. Other authors [J. Vis.12(1), 22 (2012)1534-736210.1167/12.12.1] have studied color induction using flashed uniform surrounds, reporting that the contrast is higher for shorter flash duration. Extending their study, we present new psychophysical results using both flashed and static (i.e., non-flashed) equiluminant stimuli for both striped and uniform surrounds. Similarly to them, for uniform surround stimuli we observed color contrast, but we did not obtain the maximum contrast for the shortest (10 ms) flashed stimuli, but for 40 ms. We only observed this maximum contrast for red, green, and lime inducers, while for a purple inducer we obtained an asymptotic profile along the flash duration. For striped stimuli, we observed color assimilation only for the static (infinite flash duration) red-green surround inducers (red first inducer, green second inducer). For the other inducers' configurations, we observed color contrast or no induction. Since other studies showed that non-equiluminant striped static stimuli induce color assimilation, our results also suggest that luminance differences could be a key factor to induce it.