Eye movements and mental imagery during reading of literary texts with different narrative styles

Eye Movement Patterns in Russian-Speaking Adolescents with Differing Reading Comprehension Proficiency: Exploratory Scanpath Analysis

Previous research has indicated that individuals with varying levels of reading comprehension (often used as a proxy for general cognitive ability) employ distinct reading eye movement patterns. This exploratory eye-tracking study aimed to investigate the text-reading process in adolescents with differing reading comprehension, specifically examining how these differences manifest at the global eye movement level through scanpath analysis. Our findings revealed two distinct groups of scanpaths characterized by statistically significant differences in eye movement parameters. These groups were identified as "fast readers" and "slow readers". Both groups exhibited similar oculomotor performance during the initial reading. However, significant differences emerged when they reread and revisited the text. Notably, these findings align with prior research conducted with different samples and languages, although discrepancies emerged in saccade amplitude and first-pass reading behavior. This study contributes to the understanding of how reading comprehension levels are reflected in global eye movement strategies among adolescents. However, limitations inherent in the experimental design, particularly the potential influence of the task on reading patterns, warrant further investigation. Future research should aim to explore these phenomena in more naturalistic reading settings, employing a design specifically tailored to capture the nuances of spontaneous reading behavior.

Do weak readers in rural India automatically read same language subtitles on Bollywood films? An eye gaze analysis

Same Language Subtitling (SLS) of audio-visual content on mainstream TV entertainment to improve mass reading literacy was first conceived and piloted in India. SLS is now being scaled up nationally to ensure that the reading skills of one billion TV viewers, including 600 million weak readers, remain on a lifelong pathway to practice, progress, and proficiency. Will weak readers ignore or try to read along with SLS? Our eye-tracking study investigates this question with 136 weak readers drawn from a remote village in Rajasthan state by showing them popular Hindi film clips of dialog and songs, with and without SLS. We developed an interactive web-based visual analytics tool for exploring eye-tracking data. Based on an analysis of fixations, saccades, and time spent in the subtitle and non-subtitle areas, our main finding is that 70 percent of weak readers engaged in unprompted reading while watching film clips with SLS. We observed that saccadic eye movement is a good indicator to quantify the amount of reading with SLS, and saccadic regression can further differentiate weak readers. Eye-tracking studies of weak readers watching subtitles are rare, and ours may be the first with subjects from rural India.

The Mechanism of Word Satiation in Tibetan Reading: Evidence from Eye Movements

Two eye-tracking experiments were used to investigate the mechanism of word satiation in Tibetan reading. The results revealed that, at a low repetition level, gaze duration and total fixation duration in the semantically unrelated condition were significantly longer than in the semantically related condition; at a medium repetition level, reaction time in the semantically related condition was significantly longer than in the semantically unrelated condition; at a high repetition level, the total fixation duration and reaction time in the semantically related condition were significantly longer than in the semantically unrelated condition. However, fixation duration and reaction time showed no significant difference between the similar and dissimilar orthography at any repetition level. These findings imply that there are semantic priming effects in Tibetan reading at a low repetition level, but semantic satiation effects at greater repetition levels, which occur in the late stage of lexical processing.

Children's perspectives on being absorbed when reading fiction: A Q methodology study

Research in the intersections of literature, media, and psychology increasingly examines the absorbing story experiences of adult readers, typically relying on quantitative self-report questionnaires. Meanwhile, little work has been done to explore how being "lost in a book" is experienced by children, despite the phenomenon's importance for literacy education. Such work requires tools that are more inductive and child-centered than questionnaires. We have conducted a Q methodology study with participants aged 9-12 (n = 28), exploring how it feels for them when the mind and body are attuned to a story and how different facets of absorption (e.g., mental imagery, emotional engagement) inform the experience. Participants numerically sorted 24 cards expressing inner states and expectations relating to book-length fiction reading and were subsequently interviewed regarding their sorting choices. The cards were generated inductively based on preliminary research (focus groups, individual interviews, observations). By-person factor analysis of the sortings combined with reflective thematic analysis of the post-sorting interviews revealed four distinct reader subjectivities, or perspectives: Growth, Confirmation, Attachment and Mental Shift. Crucially, the children in these groups differed as to prominent dimensions of absorption but also as to the overall place of reading in their inner and everyday lives. Based on the four perspectives, we demonstrate that children have varied ways of being absorbed when reading fiction, and reflect on the affordances of Q methodology as a suitable child-centered approach to studying the subjective experiences of reading.

An Empirical Study on Imagery and Emotional Response in Chinese Poetry Translation—The Visual Grammar Perspective

The study investigated the evocation of mental imagery and emotional responses when English–Chinese bilinguals read classic Chinese poems and their English translations to examine (1) the target readers' formation of non-verbal text representations of Chinese poetry and (2) whether different translations affect the target readers' imagery cognition. A total of 20 English–Chinese speaker students enrolled in a Chinese university read a classic Chinese poem in Chinese and its four versions of translation in English. Through questionnaires and interviews, participants rated the visualized words used in the poems for the degree of mental imagery and emotional response evoked based on three indicators of narrative process, salience value, and emotive validity in the theoretical framework of visual grammar. Results showed considerable individual variances in the cognitive differences in forming mental imagery in all versions of the poems and there were also effects of translation strategy. Moreover, visual language information in poetry reading and its translations evoked different emotional responses depending on the use of visual words with cultural features. Our study demonstrates the applicability and accessibility of visual language in describing different readers' mental imagery and the interrelation and interaction between the poetry language system and the emotional, social, and cultural contexts involved in poetry translation.

Reading Russian poetry: An expert-novice study

Studying the role of expertise in poetry reading, we hypothesized that poets' expert knowledge comprises genre-appropriate reading- and comprehension strategies that are re-flected in distinct patterns of reading behavior. We recorded eye movements while two groups of native speakers (n=10 each) read selected Russian poetry: an expert group of professional poets who read poetry daily, and a control group of novices who read poetry less than once a month. We conducted mixed-effects re-gression analyses to test for effects of group on first-fixation durations, first-pass gaze du-rations, and total reading times per word while controlling for lexical- and text variables. First-fixation durations exclusively reflected lexical features, and total reading times re-flected both lexical- and text variables; only first-pass gaze durations were additionally mod-ulated by readers' level of expertise. Whereas gaze durations of novice readers became faster as they progressed through the poems, and differed between line-final words and non-final ones, poets retained a steady pace of first-pass reading throughout the poems and within verse lines. Additionally, poets' gaze durations were less sensitive to word length. We conclude that readers' level of expertise modulates the way they read poetry. Our find-ings support theories of literary comprehension that assume distinct processing modes which emerge from prior experience with literary texts.

Micropoetry Meets Neurocognitive Poetics: Influence of Associations on the Reception of Poetry

Reading and understanding poetic texts is often described as an interactive process influenced by the words and phrases building the poems and all associations and images induced by them in the readers mind. Iser, for example, described the understanding process as the closing of a good Gestalt promoted by mental images. Here, we investigate the effect that semantic cohesion, that is the internal connection of a list words, has on understanding and appreciation of poetic texts. To do this, word lists are presented as modern micropoems to the participants and the (ease of) extraction of underlying concepts as well as the affective and aesthetic responses are implicitly and explicitly measured. We found that a unifying concept is found more easily and unifying concepts vary significantly less between participants when the words composing a micropoem are semantically related. Moreover these items are liked better and are understood more easily. Our study shows evidence for the assumed relationship between building spontaneous associations, forming mental imagery, and understanding and appreciation of poetic texts. In addition, we introduced a new method well-suited to manipulate backgrounding features independently of foregrounding features which allows to disentangle the effects of both on poetry reception.