Introducing a control condition in the classic oddball paradigm: Oddballs are overestimated in duration not only because of their oddness

The role of perceptual processing in the oddball effect revealed by the Thatcher illusion

When a novel stimulus (oddball) appears after repeated presentation of an identical stimulus, the oddball is perceived to last longer than the repeated stimuli, a phenomenon known as the oddball effect. We investigated whether the perceptual or physical differences between the repeated and oddball stimuli are more important for the oddball effect. To manipulate the perceptual difference while keeping their physical visual features constant, we used the Thatcher illusion, in which an inversion of a face hinders recognition of distortion in its facial features. We found that the Thatcherized face presented after repeated presentation of an intact face induced a stronger oddball effect when the faces were upright than when they were inverted (Experiment 1). However, the difference in the oddball effect between face orientations was not observed when the intact face was presented as the oddball after repeated presentation of a Thatcherized face (Experiment 2). These results were replicated when participants performed both the intact-repeated and Thatcherized-repeated conditions in a single experiment (Experiment 3). Two control experiments confirmed that the repeated presentation of the preceding stimuli is necessary for the difference in duration distortion to occur (Experiments 4 and 5). The results suggest the considerable role of perceptual processing in the oddball effect. We discuss the discrepancy in the results between the intact-repeated and Thatcherized-repeated conditions in terms of predictive coding.

What's next?: Time is subjectively dilated not only for 'oddball' events, but also for events immediately after oddballs

Our experience of time is strikingly plastic: Depending on contextual factors, the same objective duration can seem to fly by or drag on. Perhaps the most direct demonstration of such subjective time dilation is the oddball effect: when seeing identical objects appear one after another, followed by an "oddball" (e.g., a disc that suddenly grows in size, in a sequence of otherwise static discs), observers experience this oddball as having lasted longer than its nonoddball counterparts. Despite extensive work on this phenomenon, a surprisingly foundational question remains unasked: What actually gets dilated? Beyond the oddball, are the objects just before (or just after) the oddball also dilated? As in previous studies, observers viewed sequences of colored discs, one of which could be the oddball-and subsequently reproduced the oddball's duration. Unlike previous studies, however, there were also critical trials in which observers instead reproduced the duration of the disc immediately before or after the oddball. A clear pattern emerged: oddball-induced time dilation extended to the post-oddball disc, but not the pre-oddball disc. Whence this temporal asymmetry? We suggest that an oddball's sudden appearance may induce uncertainty about what will happen next, heightening attention until after the uncertainty is resolved.

Event Probabilities Have a Different Impact on Early and Late Electroencephalographic Measures Regarded as Metrics of Prediction

The oddball protocol has been used to study the neural and perceptual consequences of implicit predictions in the human brain. The protocol involves presenting a sequence of identical repeated events that are eventually broken by a novel "oddball" presentation. Oddball presentations have been linked to increased neural responding and to an exaggeration of perceived duration relative to repeated events. Because the number of repeated events in such protocols is circumscribed, as more repeats are encountered, the conditional probability of a further repeat decreases-whereas the conditional probability of an oddball increases. These facts have not been appreciated in many analyses of oddballs; repeats and oddballs have rather been treated as binary event categories. Here, we show that the human brain is sensitive to conditional event probabilities in an active, visual oddball paradigm. P300 responses (a relatively late component of visually evoked potentials measured with EEG) tended to be greater for less likely oddballs and repeats. By contrast, P1 responses (an earlier component) increased for repeats as a goal-relevant target presentation neared, but this effect occurred even when repeat probabilities were held constant, and oddball P1 responses were invariant. We also found that later, more likely oddballs seemed to last longer, and this effect was largely independent of the number of preceding repeats. These findings speak against a repetition suppression account of the temporal oddball effect. Overall, our data highlight an impact of event probability on later, rather than earlier, electroencephalographic measures previously related to predictive processes-and the importance of considering conditional probabilities in sequential presentation paradigms.

The temporal visual oddball effect is not caused by repetition suppression

The oddball paradigm is commonly used to investigate human time perception. Trains of identical repeated events ('standards') are presented, only to be interrupted by a different 'oddball' that seems to have a relatively protracted duration. One theoretical account has been that this effect is driven by repetition suppression for repeated standards. The idea is that repeated events seem shorter as they incur a progressively reduced neural response, which is supported by the finding that oddball perceived duration increases linearly with the number of preceding repeated standards. However, typical oddball paradigms confound the probability of oddball presentations with variable numbers of standard repetitions on each trial, allowing people to increasingly anticipate an oddball presentation as more standards are presented. We eliminated this by making participants aware of what fixed number of standards they would encounter before a final test input and tested different numbers of standards in separate experimental sessions. The final event of sequences, the test event, was equally likely to be an oddball or another repeat. We found a positive linear relationship between the number of preceding repeated standards and the perceived duration of oddball test events. However, we also found this for repeat tests events, which speaks against the repetition suppression account of the temporal oddball effect.

Changes in face category induce stronger duration distortion in the temporal oddball paradigm

A novel stimulus embedded in a sequence of repeated stimuli is often perceived to be longer in duration. Studies have indicated the involvement of repetition suppression in this duration distortion, but it remains unclear which processing stages are important. The present study examined whether high-level visual category processing contributes to the oddball's duration distortion. In Experiment 1, we presented a novel face image in either human, monkey, or cat category after a repetition of an identical human face image in the temporal oddball paradigm. We found that the duration distortion of the last stimulus increased when the face changed across different categories, than when it changed within the same category. However, the effect of category change disappeared when globally scrambled and locally scrambled face images were used in Experiments 2 and 3, respectively, suggesting that the difference in duration distortion cannot be attributed to low-level visual properties of the images. Furthermore, in Experiment 4, we again used intact face images and found that category changes can influence the duration distortion even when a series of different human faces was presented before the last stimulus. These findings indicate that high-level visual category processing plays an important role in the duration distortion of oddballs. This study supports the idea that visual processing at higher visual stages is involved in duration perception. (219 words).

The perceived duration of expected events depends on how the expectation is formed

Repeated events can seem shortened. It has been suggested that this results from an inverse relationship between predictability and perceived duration, with more predictable events seeming shorter. Some evidence disputes this generalisation, as there are cases where this relationship has been nullified, or even reversed. This study sought to combine different factors that encourage expectation into a single paradigm, to directly compare their effects. We find that when people are asked to declare a prediction (i.e., to predict which colour sequence will ensue), guess-confirming events can seem relatively protracted. This augmented a positive time-order error, with the first of two sequential presentations already seeming protracted. We did not observe a contraction of perceived duration for more probable or for repeated events. Overall, our results are inconsistent with a simple mapping between predictability and perceived duration. Whether the perceived duration of an expected event will seem relatively contracted or expanded seems to be contingent on the causal origin of expectation.

Perceived duration of auditory oddballs: test of a novel pitch-window hypothesis

Unexpected oddball stimuli embedded within a series of otherwise identical standard stimuli tend to be overestimated in duration. The present study tested a pitch-window explanation of the auditory oddball effect on perceived duration in two experiments. For both experiments, participants listened to isochronous sequences consisting of a series of 400 Hz fixed-duration standard tones with an embedded oddball tone that differed in pitch and judged whether the variable-duration oddball was shorter or longer than the standard. Participants were randomly assigned to either a wide or narrow pitch-window condition, in which an anchor oddball was presented with high likelihood at either a far pitch (850 Hz) or a near pitch (550 Hz), respectively. In both pitch-window conditions, probe oddballs were presented with low likelihood at pitches that were either within or outside the frequency range established by the standard and anchor tones. Identical 700 Hz probe oddballs were perceived to be shorter in duration in the wide pitch-window condition than in the narrow pitch-window condition (Experiments 1 and 2), even when matching the overall frequency range of oddballs across conditions (Experiment 2). Results support the proposed pitch-window hypothesis, but are inconsistent with both enhanced processing and predictive coding accounts of the oddball effect.

Further Evidence That the Effects of Repetition on Subjective Time Depend on Repetition Probability

Repeated stimuli typically have shorter apparent duration than novel stimuli. Most explanations for this effect have attributed it to the repeated stimuli being more expected or predictable than the novel items, but an emerging body of work suggests that repetition and expectation exert distinct effects on time perception. The present experiment replicated a recent study in which the probability of repetition was varied between blocks of trials. As in the previous work, the repetition effect was smaller when repeats were common (and therefore more expected) than when they were rare. These results add to growing evidence that, contrary to traditional accounts, expectation increases apparent duration whereas repetition compresses subjective time, perhaps via a low-level process like adaptation. These opposing processes can be seen as instances of a more general “processing principle,” according to which subjective time is a function of the perceptual strength of the stimulus representation, and therefore depends on a confluence of “bottom-up” and “top-down” variables.

Triple dissociation of duration perception regulating mechanisms: Top-down attention is inherent

The brain constantly adjusts perceived duration based on the recent event history. One such lab phenomenon is subjective time expansion induced in an oddball paradigm ("oddball chronostasis"), where the duration of a distinct item (oddball) appears subjectively longer when embedded in a series of other repeated items (standards). Three hypotheses have been separately proposed but it remains unresolved which or all of them are true: 1) attention prolongs oddball duration, 2) repetition suppression reduces standards duration, and 3) accumulative temporal preparation (anticipation) expedites the perceived item onset so as to lengthen its duration. We thus conducted critical systematic experiments to dissociate the relative contribution of all hypotheses, by orthogonally manipulating sequences types (repeated, ordered, or random) and target serial positions. Participants' task was to judge whether a target lasts shorter or longer than its reference. The main finding was that a random item sequence still elicited significant chronostasis even though each item was odd. That is, simply being a target draws top-down attention and induces chronostasis. In Experiments 1 (digits) and 2 (orientations), top-down attention explained about half of the effect while saliency/adaptation explained the other half. Additionally, for non-repeated (ordered and random) sequence types, a target with later serial position still elicited stronger chronostasis, favoring a temporal preparation over a repetition suppression account. By contrast, in Experiment 3 (colors), top-down attention was likely the sole factor. Consequently, top-down attention is necessary and sometimes sufficient to explain oddball chronostasis; saliency/adaptation and temporal preparation are contingent factors. These critical boundary conditions revealed in our study serve as quantitative constraints for neural models of duration perception.

Duration compression induced by visual and phonological repetition of Chinese characters

Our prior experience heavily influences our subjective time. One of such phenomena is repetition compression, that is, repeated stimuli are perceived shorter than novel stimuli. However, most of the studies on repetition compression used identical stimuli, leaving the question whether similar repetition effects could take place in phonological and semantic level repetition. We used Chinese characters to manipulate different levels of repetition in a duration discrimination task. We replicated earlier findings that repetition of visual identical characters shortened the apparent duration and found the repetition compression was spatially independent. Phonological repetition also caused the duration compression though the effect was weaker than the visual repetition. However, we observed no duration compression during the semantic repetition. The results suggest that repetition compression is mediated by visual and phonological representation of a stimulus in an early stage in processing hierarchy. We explained our findings according to the framework of predictive coding.

The influence of stimulus repetition on duration judgments with simple stimuli

Two experiments investigated the effects of stimulus repetition vs. stimulus novelty on perceived duration. In a reminder task, a standard and a comparison stimulus were presented consecutively in each trial, and the comparison was either a repetition of the standard or a different stimulus. Pseudowords (Experiment 1) or strings of consonants (Experiment 2) were used as stimuli and the inter-stimulus interval (ISI) between the standard and the comparison was either constant or variable. Participants were asked to judge whether the comparison was shorter or longer than the standard. In both experiments, we observed shorter judged durations for repeated than for novel comparisons whereas the manipulation of the ISI had no pronounced effects on duration judgments. The finding of shorter duration judgments for repeated as compared to novel nonwords replicates the results of a previous study (Matthews, 2011) which employed highly complex stimulus material. The present study shows that changes of simple, semantically meaningless stimuli are sufficient to result in a shorter perceived duration of repeated as compared to novel stimuli.