Recovery of impaired songs following unilateral but not bilateral lesions of nucleus uvaeformis of adult zebra finches

HVC microlesions do not destabilize the vocal patterns of adult male zebra finches with prior ablation of LMAN

The songs of adult male zebra finches (Taeniopygia guttata) arise by an integration of activity from two neural pathways that emanate from the telencephalic nucleus HVC (proper name). One pathway descends directly from HVC to the vocal premotor nucleus RA (the robust nucleus of the arcopallium) whereas a second pathway descends from HVC into a basal ganglia circuit (the anterior forebrain pathway, AFP) that also terminates in RA. Although HVC neurons that project directly to RA outnumber those that contribute to the AFP, both populations are distributed throughout HVC. Thus, partial ablation (microlesion) of HVC should damage both pathways in a proportional manner. We report here that bilateral HVC microlesions in adult male zebra finches produce an immediate loss of song stereotypy from which birds recover, in some cases within 3 days. The contribution of the AFP to the onset of song destabilization was tested by ablating the output nucleus of this circuit (LMAN, the lateral magnocellular nucleus of the anterior nidopallium) prior to bilateral HVC microlesions. Song stereotypy was largely unaffected. Together, our findings suggest that adult vocal production involves nonproportional integration of two streams of neural activity with opposing effects on song--HVC's direct projection to RA underlies production of stereotyped song whereas the AFP seems to facilitate vocal variation. However, the rapid recovery of song in birds with HVC microlesions alone suggests the presence of dynamic corrective mechanisms that favor vocal stereotypy.

Intrinsic bursting enhances the robustness of a neural network model of sequence generation by avian brain area HVC

Avian brain area HVC is known to be important for the production of birdsong. In zebra finches, each RA-projecting neuron in HVC emits a single burst of spikes during a song motif. The population of neurons is activated in a precisely timed, stereotyped sequence. We propose a model of these burst sequences that relies on two hypotheses. First, we hypothesize that the sequential order of bursting is reflected in the excitatory synaptic connections between neurons. Second, we propose that the neurons are intrinsically bursting, so that burst duration is set by cellular properties. Our model generates burst sequences similar to those observed in HVC. If intrinsic bursting is removed from the model, burst sequences can also be produced. However, they require more fine-tuning of synaptic strengths, and are therefore less robust. In our model, intrinsic bursting is caused by dendritic calcium spikes, and strong spike frequency adaptation in the soma contributes to burst termination.

Temporal structure in zebra finch song: implications for motor coding

Adult zebra finch songs consist of stereotyped sequences of syllables. Although some behavioral and physiological data suggest that songs are structured hierarchically, there is also evidence that they are driven by nonhierarchical, clock-like bursting in the premotor nucleus HVC (used as a proper name). In this study, we developed a semiautomated template-matching algorithm to identify repeated sequences of syllables and a modified dynamic time-warping algorithm to make fine-grained measurements of the temporal structure of song. We find that changes in song length are expressed across the song as a whole rather than resulting from an accumulation of independent variance during singing. Song length changes systematically over the course of a day and is related to the general level of bird activity as well as the presence of a female. The data also show patterns of variability that suggest distinct mechanisms underlying syllable and gap lengths: as tempo varies, syllables stretch and compress proportionally less than gaps, whereas syllable-syllable and gap-gap correlations are significantly stronger than syllable-gap correlations. There is also increased temporal variability at motif boundaries and especially strong positive correlations between the same syllables sung in different motifs. Finally, we find evidence that syllable onsets may have a special role in aligning syllables with global song structure. Generally, the timing data support a hierarchical view in which song is composed of smaller syllable-based units and provide a rich set of constraints for interpreting the results of physiological recordings.

Degenerate coding in neural systems

When the dimensionality of a neural circuit is substantially larger than the dimensionality of the variable it encodes, many different degenerate network states can produce the same output. In this review I will discuss three different neural systems that are linked by this theme. The pyloric network of the lobster, the song control system of the zebra finch, and the odor encoding system of the locust, while different in design, all contain degeneracies between their internal parameters and the outputs they encode. Indeed, although the dynamics of song generation and odor identification are quite different, computationally, odor recognition can be thought of as running the song generation circuitry backwards. In both of these systems, degeneracy plays a vital role in mapping a sparse neural representation devoid of correlations onto external stimuli (odors or song structure) that are strongly correlated. I argue that degeneracy between input and output states is an inherent feature of many neural systems, which can be exploited as a fault-tolerant method of reliably learning, generating, and discriminating closely related patterns.

Brainstem and forebrain contributions to the generation of learned motor behaviors for song

Brainstem nuclei have well established roles in generating nonlearned rhythmic behaviors or as output pathways for more complex, forebrain-generated behaviors. However, the role of the brainstem in providing information to the forebrain that is used to initiate or assist in the control of complex behaviors is poorly understood. In this study, we used electrical microstimulation in select nuclei of the avian song system combined with recordings of acoustic and respiratory output to examine how forebrain and brainstem nuclei interact in the generation of learned vocal motor sequences. We found that brief stimulation in the forebrain nuclei HVC (used as a proper name) and RA (robust nucleus of the arcopallium) caused a short-latency truncation of ongoing song syllables, which ultimately led to a cessation of the ongoing motor sequence. Stimulation within the brainstem inspiratory-related nucleus paraambigualis, which receives input from RA and projects back to HVC via the thalamus, caused syllable truncations and interruptions similar to those observed in HVC and RA. In contrast, stimulation in the tracheosyringal portion of the hypoglossal nucleus, which innervates the syrinx (the avian vocal organ) but possesses no known projections back into the song system, did not cause any significant changes in the song motor pattern. These findings suggest that perturbation of premotor activity in any nucleus within the recurrent song system motor network will disrupt the ongoing song motor sequence. Given the anatomical organization of this network, our results are consistent with a model in which the brainstem respiratory nuclei form an integral part of the song motor programming network by providing timing signals to song control nuclei in the forebrain.

Spatiotemporal properties of visual stimuli for song induction in Bengalese finches

Male Bengalese finches sing directed songs in response to video images of females projected onto a thin-film transistor monitor. We used this experimental paradigm to elucidate which properties of visual stimuli are important for eliciting singing. When video recordings of female Bengalese or zebra finches were used as visual stimuli, only images of conspecific females elicited singing from male Bengalese finches. When images of female Bengalese finches were rotated by 0 degrees, 90 degrees, or 180 degrees, only the upright images elicited singing. Finally, temporally normal (forward playback) images were more effective than time-reversed images and still images for eliciting singing. These results suggest that both the spatial and temporal arrangements of visual stimuli affect the singing behavior of male finches.