Aesthetic and emotional effects of meter and rhyme in poetry

Metrical patterning and rhyme are frequently employed in poetry but also in infant-directed speech, play, rites, and festive events. Drawing on four line-stanzas from nineteenth and twentieth German poetry that feature end rhyme and regular meter, the present study tested the hypothesis that meter and rhyme have an impact on aesthetic liking, emotional involvement, and affective valence attributions. Hypotheses that postulate such effects have been advocated ever since ancient rhetoric and poetics, yet they have barely been empirically tested. More recently, in the field of cognitive poetics, these traditional assumptions have been readopted into a general cognitive framework. In the present experiment, we tested the influence of meter and rhyme as well as their interaction with lexicality in the aesthetic and emotional perception of poetry. Participants listened to stanzas that were systematically modified with regard to meter and rhyme and rated them. Both rhyme and regular meter led to enhanced aesthetic appreciation, higher intensity in processing, and more positively perceived and felt emotions, with the latter finding being mediated by lexicality. Together these findings clearly show that both features significantly contribute to the aesthetic and emotional perception of poetry and thus confirm assumptions about their impact put forward by cognitive poetics. The present results are explained within the theoretical framework of cognitive fluency, which links structural features of poetry with aesthetic and emotional appraisal.

The influence of rhythmic (ir)regularities on speech processing: Evidence from an ERP study on German phrases

The present study investigates the status of rhythmic irregularities occurring in natural speech and the importance of rhythmic alternations in cognitive processing. Previous studies showed the relevance of rhythm for language processing, but there has been only little research using the method of event-related potentials to investigate this phenomenon in a natural metrical context. To this end, an experiment was conducted in which the so-called Rhythm Rule (alternation of stressed and unstressed syllables) was either met or violated by stress clashes or stress lapses which are known to occur in German. The comparison of rhythmic well-formed conditions with the conditions including rhythmic irregularities revealed biphasic EEG-patterns for rhythmically marked structures, i.e., stress clashes and lapses. The present results show that irregular but possible rhythmic variants are costly in language processing, reflected by an early negativity and an N400 in contrast to the well-formed control conditions. Supposedly, the early negativity reflects error detection in rhythmical structure and supports the view that the brain is sensitive to subtle violations of rhythmical structure. A late positive component reflects the evaluation process related to the task requirements. The study shows that subtle rhythmical deviations from the Rhythm Rule are perceived and treated differently from well-formed structures during processing, even if the deviation in question is permitted and can therefore occur in language production.

P3b reflects periodicity in linguistic sequences

Temporal predictability is thought to affect stimulus processing by facilitating the allocation of attentional resources. Recent studies have shown that periodicity of a tonal sequence results in a decreased peak latency and a larger amplitude of the P3b compared with temporally random, i.e., aperiodic sequences. We investigated whether this applies also to sequences of linguistic stimuli (syllables), although speech is usually aperiodic. We compared aperiodic syllable sequences with two temporally regular conditions. In one condition, the interval between syllable onset was fixed, whereas in a second condition the interval between the syllables’ perceptual center (p-center) was kept constant. Event-related potentials were assessed in 30 adults who were instructed to detect irregularities in the stimulus sequences. We found larger P3b amplitudes for both temporally predictable conditions as compared to the aperiodic condition and a shorter P3b latency in the p-center condition than in both other conditions. These findings demonstrate that even in acoustically more complex sequences such as syllable streams, temporal predictability facilitates the processing of deviant stimuli. Furthermore, we provide first electrophysiological evidence for the relevance of the p-center concept in linguistic stimulus processing.

Neural correlates of abstract rule learning: an event-related potential study

Abstract rule learning is a fundamental aspect of human cognition, and is essential for language acquisition. However, despite its importance, the neural mechanisms underlying abstract rule learning are still largely unclear. In this study, we investigated the neural correlates of abstract rule learning by recording auditory event-related potentials (ERPs). Participants were first presented with artificial three-syllable sequences containing ABA or ABB abstract rules for learning. They were then tested on sequences of novel syllables following the ABA or ABB abstract rules, half of which were inconsistent with the rule previously learned. Grand-averaged ERPs revealed significant decreases in positivity at 200-260ms in response to consistent sequences during the earlier session of the test phase, and increased negativity at around 400ms in response to inconsistent sequences in the later session. The potentials exhibited a left anterior-dominant distribution. The appearance of the N400-like negativity in the later session suggests that temporal ERP changes occurred with the abstract rule learning process, and that the N400-like negativity is associated with the acquisition of abstract rules.

Music and language perception: expectations, structural integration, and cognitive sequencing

Music can be described as sequences of events that are structured in pitch and time. Studying music processing provides insight into how complex event sequences are learned, perceived, and represented by the brain. Given the temporal nature of sound, expectations, structural integration, and cognitive sequencing are central in music perception (i.e., which sounds are most likely to come next and at what moment should they occur?). This paper focuses on similarities in music and language cognition research, showing that music cognition research provides insight into the understanding of not only music processing but also language processing and the processing of other structured stimuli. The hypothesis of shared resources between music and language processing and of domain-general dynamic attention has motivated the development of research to test music as a means to stimulate sensory, cognitive, and motor processes.

Why pitch sensitivity matters: event-related potential evidence of metric and syntactic violation detection among spanish late learners of german

Event-related potential (ERP) data in monolingual German speakers have shown that sentential metric expectancy violations elicit a biphasic ERP pattern consisting of an anterior negativity and a posterior positivity (P600). This pattern is comparable to that elicited by syntactic violations. However, proficient French late learners of German do not detect violations of metric expectancy in German. They also show qualitatively and quantitatively different ERP responses to metric and syntactic violations. We followed up the questions whether (1) latter evidence results from a potential pitch cue insensitivity in speech segmentation in French speakers, or (2) if the result is founded in rhythmic language differences. Therefore, we tested Spanish late learners of German, as Spanish, contrary to French, uses pitch as a segmentation cue even though the basic segmentation unit is the same in French and Spanish (i.e., the syllable). We report ERP responses showing that Spanish L2 learners are sensitive to syntactic as well as metric violations in German sentences independent of attention to task in a P600 response. Overall, the behavioral performance resembles that of German native speakers. The current data suggest that Spanish L2 learners are able to extract metric units (trochee) in their L2 (German) even though their basic segmentation unit in Spanish is the syllable. In addition Spanish in contrast to French L2 learners of German are sensitive to syntactic violations indicating a tight link between syntactic and metric competence. This finding emphasizes the relevant role of metric cues not only in L2 prosodic but also in syntactic processing.

Toward a neural basis of music perception - a review and updated model

Music perception involves acoustic analysis, auditory memory, auditory scene analysis, processing of interval relations, of musical syntax and semantics, and activation of (pre)motor representations of actions. Moreover, music perception potentially elicits emotions, thus giving rise to the modulation of emotional effector systems such as the subjective feeling system, the autonomic nervous system, the hormonal, and the immune system. Building on a previous article (Koelsch and Siebel, 2005), this review presents an updated model of music perception and its neural correlates. The article describes processes involved in music perception, and reports EEG and fMRI studies that inform about the time course of these processes, as well as about where in the brain these processes might be located.

An event-related potential investigation of lexical pitch-accent processing in auditory Japanese

Lexical prosody plays an important role in speech comprehension. However, the electrophysiological nature and time course of processing lexical prosody in mora-timed languages are rarely known in contrast to the wealth of knowledge in stress-timed languages and syllable-timed languages like German and French. In the present study, lexical pitch-accent processing in Japanese is investigated using event-related potentials. Participants listened to sentences with verbs either correct or incorrect with respect to pitch-accent (phonological condition), word meaning (semantic condition) or sentence type (syntactic condition). When the brain potentials of correct and incorrect sentences were compared within conditions, the phonological and semantic conditions showed a negativity and positivity (P600), while the syntactic condition displayed a P600. Furthermore, the negativity in response to pitch-accent violations (pitch-accent negativity) appeared approximately 60ms earlier than the response to semantic violations (N400), while no significant topographical distributions were found between the two components. These results suggest that the pitch-accent negativity reflects initial phonological processing followed by lexical access and word recognition. Moreover, the P600 displayed in all conditions was interpreted as a general integration process that is common across the three domains.

Musicians and the Metric Structure of Words

The present study aimed to examine the influence of musical expertise on the metric and semantic aspects of speech processing. In two attentional conditions (metric and semantic tasks), musicians listened to short sentences ending in trisyllabic words that were semantically and/or metrically congruous or incongruous. Both ERPs and behavioral data were analyzed and the results were compared to previous nonmusicians' data. Regarding the processing of meter, results showed that musical expertise influenced the automatic detection of the syllable temporal structure (P200 effect), the integration of metric structure and its influence on word comprehension (N400 effect), as well as the reanalysis of metric violations (P600 and late positivities effects). By contrast, results showed that musical expertise did not influence the semantic level of processing. These results are discussed in terms of transfer of training effects from music to speech processing.

Refinement of metre perception--training increases hierarchical metre processing

Auditory metre perception refers to the ability to extract a temporally regular pulse and an underlying hierarchical structure of perceptual accents from a sequence of tones. Pulse perception is widely present in humans, and can be measured by the temporal expectancy for prospective tones, which listeners generate when presented with a metrical rhythm. We tested whether musical expertise leads to an increased perception and representation of the hierarchical structure of a metrical rhythm. Musicians and musical novices were tested in a mismatch negativity (MMN) paradigm for their sensitivity to perceptual accents on tones of the same pulse level (metre-congruent deviant) and on tones of a lower hierarchical level (metre-incongruent deviant). The difference between these two perceptual accents was more pronounced in the MMNs of the musicians than in those of the non-musicians. That is, musical expertise includes increased sensitivity to metre, specifically to its hierarchical structure. This enhanced higher-order temporal pattern perception makes musicians ideal models for investigating neural correlates of metre perception and, potentially, of related abstract pattern perception. Finally, our data show that small differences in sensitivity to higher-order patterns can be captured by means of an MMN paradigm.

Maturational constraints on the recruitment of early processes for syntactic processing

An enduring question in the study of second-language acquisition concerns the relative contributions of age of acquisition (AOA) and ultimate linguistic proficiency to neural organization for second-language processing. Several ERP and neuroimaging studies of second-language learners have found that neural organization for syntactic processing is sensitive to delays in second-language acquisition. However, such delays in second-language acquisition are typically associated with lower language proficiency, rendering it difficult to assess whether differences in AOA or proficiency lead to these effects. Here we examined the effects of delayed second-language acquisition while controlling for proficiency differences by examining participants who differ in AOA but who were matched for proficiency in the same language. We compared the ERP response to auditory English phrase structure violations in a group of late learners of English matched for grammatical proficiency with a group of English native speakers. In the native speaker group, violations elicited a bilateral and prolonged anterior negativity, with onset at 100 msec, followed by a posterior positivity (P600). In contrast, in the nonnative speaker group, violations did not elicit the early anterior negativity, but did elicit a P600 which was more widespread spatially and temporally than that of the native speaker group. These results suggest that neural organization for syntactic processing is sensitive to delays in language acquisition independently of proficiency level. More specifically, they suggest that both early and later syntactic processes are sensitive to maturational constraints. These results also suggest that late learners who reach a high level of second-language proficiency rely on different neural mechanisms than native speakers of that language.

Words and melody are intertwined in perception of sung words: EEG and behavioral evidence

Language and music, two of the most unique human cognitive abilities, are combined in song, rendering it an ecological model for comparing speech and music cognition. The present study was designed to determine whether words and melodies in song are processed interactively or independently, and to examine the influence of attention on the processing of words and melodies in song. Event-Related brain Potentials (ERPs) and behavioral data were recorded while non-musicians listened to pairs of sung words (prime and target) presented in four experimental conditions: same word, same melody; same word, different melody; different word, same melody; different word, different melody. Participants were asked to attend to either the words or the melody, and to perform a same/different task. In both attentional tasks, different word targets elicited an N400 component, as predicted based on previous results. Most interestingly, different melodies (sung with the same word) elicited an N400 component followed by a late positive component. Finally, ERP and behavioral data converged in showing interactions between the linguistic and melodic dimensions of sung words. The finding that the N400 effect, a well-established marker of semantic processing, was modulated by musical melody in song suggests that variations in musical features affect word processing in sung language. Implications of the interactions between words and melody are discussed in light of evidence for shared neural processing resources between the phonological/semantic aspects of language and the melodic/harmonic aspects of music.