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Cheng S, Wang J, Luo R, Hao N. Brain to brain musical interaction: A systematic review of neural synchrony in musical activities. Neurosci Biobehav Rev 2024; 164:105812. [PMID: 39029879 DOI: 10.1016/j.neubiorev.2024.105812] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 05/25/2024] [Revised: 07/02/2024] [Accepted: 07/13/2024] [Indexed: 07/21/2024]
Abstract
The use of hyperscanning technology has revealed the neural mechanisms underlying multi-person interaction in musical activities. However, there is currently a lack of integration among various research findings. This systematic review aims to provide a comprehensive understanding of the social dynamics and brain synchronization in music activities through the analysis of 32 studies. The findings illustrate a strong correlation between inter-brain synchronization (IBS) and various musical activities, with the frontal, central, parietal, and temporal lobes as the primary regions involved. The application of hyperscanning not only advances theoretical research but also holds practical significance in enhancing the effectiveness of music-based interventions in therapy and education. The review also utilizes Predictive Coding Models (PCM) to provide a new perspective for interpreting neural synchronization in music activities. To address the limitations of current research, future studies could integrate multimodal data, adopt novel technologies, use non-invasive techniques, and explore additional research directions.
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Affiliation(s)
- Shate Cheng
- Shanghai Key Laboratory of Mental Health and Psychological Crisis Intervention, School of Psychology and Cognitive Science, East China Normal University, Shanghai 200062, China; Key Laboratory of Philosophy and Social Science of Anhui Province on Adolescent Mental Health and Crisis Intelligence Intervention, Hefei Normal University, Hefei 200062, China.
| | - Jiayi Wang
- Shanghai Key Laboratory of Mental Health and Psychological Crisis Intervention, School of Psychology and Cognitive Science, East China Normal University, Shanghai 200062, China; Key Laboratory of Philosophy and Social Science of Anhui Province on Adolescent Mental Health and Crisis Intelligence Intervention, Hefei Normal University, Hefei 200062, China.
| | - Ruiyi Luo
- Shanghai Key Laboratory of Mental Health and Psychological Crisis Intervention, School of Psychology and Cognitive Science, East China Normal University, Shanghai 200062, China; Key Laboratory of Philosophy and Social Science of Anhui Province on Adolescent Mental Health and Crisis Intelligence Intervention, Hefei Normal University, Hefei 200062, China.
| | - Ning Hao
- Shanghai Key Laboratory of Mental Health and Psychological Crisis Intervention, School of Psychology and Cognitive Science, East China Normal University, Shanghai 200062, China; Key Laboratory of Philosophy and Social Science of Anhui Province on Adolescent Mental Health and Crisis Intelligence Intervention, Hefei Normal University, Hefei 200062, China.
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Ziereis A, Schacht A. Validation of scrambling methods for vocal affect bursts. Behav Res Methods 2024; 56:3089-3101. [PMID: 37673809 PMCID: PMC11133081 DOI: 10.3758/s13428-023-02222-1] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Accepted: 08/14/2023] [Indexed: 09/08/2023]
Abstract
Studies on perception and cognition require sound methods allowing us to disentangle the basic sensory processing of physical stimulus properties from the cognitive processing of stimulus meaning. Similar to the scrambling of images, the scrambling of auditory signals is aimed at creating stimulus instances that are unrecognizable but have comparable low-level features. In the present study, we generated scrambled stimuli of short vocalizations taken from the Montreal Affective Voices database (Belin et al., Behav Res Methods, 40(2):531-539, 2008) by applying four different scrambling methods (frequency-, phase-, and two time-scrambling transformations). The original stimuli and their scrambled versions were judged by 60 participants for the apparency of a human voice, gender, and valence of the expressions, or, if no human voice was detected, for the valence of the subjective response to the stimulus. The human-likeness ratings were reduced for all scrambled versions relative to the original stimuli, albeit to a lesser extent for phase-scrambled versions of neutral bursts. For phase-scrambled neutral bursts, valence ratings were equivalent to those of the original neutral burst. All other scrambled versions were rated as slightly unpleasant, indicating that they should be used with caution due to their potential aversiveness.
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Affiliation(s)
- Annika Ziereis
- Department for Cognition, Emotion and Behavior, Affective Neuroscience and Psychophysiology Laboratory, Institute of Psychology, University of Göttingen, Göttingen, Germany.
| | - Anne Schacht
- Department for Cognition, Emotion and Behavior, Affective Neuroscience and Psychophysiology Laboratory, Institute of Psychology, University of Göttingen, Göttingen, Germany
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Papatzikis E, Agapaki M, Selvan RN, Pandey V, Zeba F. Quality standards and recommendations for research in music and neuroplasticity. Ann N Y Acad Sci 2023; 1520:20-33. [PMID: 36478395 DOI: 10.1111/nyas.14944] [Citation(s) in RCA: 1] [Impact Index Per Article: 1.0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 12/12/2022]
Abstract
Research on how music influences brain plasticity has gained momentum in recent years. Considering, however, the nonuniform methodological standards implemented, the findings end up being nonreplicable and less generalizable. To address the need for a standardized baseline of research quality, we gathered all the studies in the music and neuroplasticity field in 2019 and appraised their methodological rigor systematically and critically. The aim was to provide a preliminary and, at the minimum, acceptable quality threshold-and, ipso facto, suggested recommendations-whereupon further discussion and development may take place. Quality appraisal was performed on 89 articles by three independent raters, following a standardized scoring system. The raters' scoring was cross-referenced following an inter-rater reliability measure, and further studied by performing multiple ratings comparisons and matrix analyses. The results for methodological quality were at a quite good level (quantitative articles: mean = 0.737, SD = 0.084; qualitative articles: mean = 0.677, SD = 0.144), following a moderate but statistically significant level of agreement between the raters (W = 0.44, χ2 = 117.249, p = 0.020). We conclude that the standards for implementation and reporting are of high quality; however, certain improvements are needed to reach the stringent levels presumed for such an influential interdisciplinary scientific field.
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Affiliation(s)
- Efthymios Papatzikis
- Department of Early Childhood Education and Care, Oslo Metropolitan University, Oslo, Norway
| | - Maria Agapaki
- Department of Early Childhood Education and Care, Oslo Metropolitan University, Oslo, Norway
| | - Rosari Naveena Selvan
- Institute for Physics 3 - Biophysics and Bernstein Center for Computational Neuroscience (BCCN), University of Göttingen, Göttingen, Germany.,Department of Psychology, University of Münster, Münster, Germany
| | | | - Fathima Zeba
- School of Humanities and Social Sciences, Manipal Academy of Higher Education Dubai, Dubai, United Arab Emirates
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Scharinger M, Knoop CA, Wagner V, Menninghaus W. Neural processing of poems and songs is based on melodic properties. Neuroimage 2022; 257:119310. [PMID: 35569784 DOI: 10.1016/j.neuroimage.2022.119310] [Citation(s) in RCA: 6] [Impact Index Per Article: 3.0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 12/23/2021] [Revised: 04/26/2022] [Accepted: 05/11/2022] [Indexed: 11/30/2022] Open
Abstract
The neural processing of speech and music is still a matter of debate. A long tradition that assumes shared processing capacities for the two domains contrasts with views that assume domain-specific processing. We here contribute to this topic by investigating, in a functional magnetic imaging (fMRI) study, ecologically valid stimuli that are identical in wording and differ only in that one group is typically spoken (or silently read), whereas the other is sung: poems and their respective musical settings. We focus on the melodic properties of spoken poems and their sung musical counterparts by looking at proportions of significant autocorrelations (PSA) based on pitch values extracted from their recordings. Following earlier studies, we assumed a bias of poem-processing towards the left and a bias for song-processing on the right hemisphere. Furthermore, PSA values of poems and songs were expected to explain variance in left- vs. right-temporal brain areas, while continuous liking ratings obtained in the scanner should modulate activity in the reward network. Overall, poem processing compared to song processing relied on left temporal regions, including the superior temporal gyrus, whereas song processing compared to poem processing recruited more right temporal areas, including Heschl's gyrus and the superior temporal gyrus. PSA values co-varied with activation in bilateral temporal regions for poems, and in right-dominant fronto-temporal regions for songs. Continuous liking ratings were correlated with activity in the default mode network for both poems and songs. The pattern of results suggests that the neural processing of poems and their musical settings is based on their melodic properties, supported by bilateral temporal auditory areas and an additional right fronto-temporal network known to be implicated in the processing of melodies in songs. These findings take a middle ground in providing evidence for specific processing circuits for speech and music in the left and right hemisphere, but simultaneously for shared processing of melodic aspects of both poems and their musical settings in the right temporal cortex. Thus, we demonstrate the neurobiological plausibility of assuming the importance of melodic properties in spoken and sung aesthetic language alike, along with the involvement of the default mode network in the aesthetic appreciation of these properties.
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Affiliation(s)
- Mathias Scharinger
- Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany; Research Group Phonetics, Institute of German Linguistics, Philipps-University Marburg, Pilgrimstein 16, Marburg 35032, Germany; Center for Mind, Brain and Behavior, Universities of Marburg and Gießen, Germany.
| | - Christine A Knoop
- Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany; Department of Music, Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany
| | - Valentin Wagner
- Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany; Experimental Psychology Unit, Helmut Schmidt University / University of the Federal Armed Forces Hamburg, Germany
| | - Winfried Menninghaus
- Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany
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Staib M, Frühholz S. Distinct functional levels of human voice processing in the auditory cortex. Cereb Cortex 2022; 33:1170-1185. [PMID: 35348635 PMCID: PMC9930621 DOI: 10.1093/cercor/bhac128] [Citation(s) in RCA: 1] [Impact Index Per Article: 0.5] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 02/12/2021] [Revised: 02/03/2022] [Accepted: 03/07/2022] [Indexed: 11/12/2022] Open
Abstract
Voice signaling is integral to human communication, and a cortical voice area seemed to support the discrimination of voices from other auditory objects. This large cortical voice area in the auditory cortex (AC) was suggested to process voices selectively, but its functional differentiation remained elusive. We used neuroimaging while humans processed voices and nonvoice sounds, and artificial sounds that mimicked certain voice sound features. First and surprisingly, specific auditory cortical voice processing beyond basic acoustic sound analyses is only supported by a very small portion of the originally described voice area in higher-order AC located centrally in superior Te3. Second, besides this core voice processing area, large parts of the remaining voice area in low- and higher-order AC only accessorily process voices and might primarily pick up nonspecific psychoacoustic differences between voices and nonvoices. Third, a specific subfield of low-order AC seems to specifically decode acoustic sound features that are relevant but not exclusive for voice detection. Taken together, the previously defined voice area might have been overestimated since cortical support for human voice processing seems rather restricted. Cortical voice processing also seems to be functionally more diverse and embedded in broader functional principles of the human auditory system.
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Affiliation(s)
- Matthias Staib
- Cognitive and Affective Neuroscience Unit, University of Zurich, 8050 Zurich, Switzerland
| | - Sascha Frühholz
- Corresponding author: Department of Psychology, University of Zürich, Binzmuhlestrasse 14/18, 8050 Zürich, Switzerland.
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Nguyen DD, Chacon AM, Novakovic D, Hodges NJ, Carding PN, Madill C. Pitch Discrimination Testing in Patients with a Voice Disorder. J Clin Med 2022; 11:584. [PMID: 35160036 PMCID: PMC8836960 DOI: 10.3390/jcm11030584] [Citation(s) in RCA: 2] [Impact Index Per Article: 1.0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 12/15/2021] [Revised: 01/17/2022] [Accepted: 01/18/2022] [Indexed: 02/01/2023] Open
Abstract
Auditory perception plays an important role in voice control. Pitch discrimination (PD) is a key index of auditory perception and is influenced by a variety of factors. Little is known about the potential effects of voice disorders on PD and whether PD testing can differentiate people with and without a voice disorder. We thus evaluated PD in a voice-disordered group (n = 71) and a non-voice-disordered control group (n = 80). The voice disorders included muscle tension dysphonia and neurological voice disorders and all participants underwent PD testing as part of a comprehensive voice assessment. Percentage of accurate responses and PD threshold were compared across groups. The PD percentage accuracy was significantly lower in the voice-disordered group than the control group, irrespective of musical background. Participants with voice disorders also required a larger PD threshold to correctly discriminate pitch differences. The mean PD threshold significantly discriminated the voice-disordered groups from the control group. These results have implications for the voice control and pathogenesis of voice disorders. They support the inclusion of PD testing during comprehensive voice assessment and throughout the treatment process for patients with voice disorders.
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Affiliation(s)
- Duy Duong Nguyen
- Voice Research Laboratory, Discipline of Speech Pathology, Faculty of Medicine and Health, The University of Sydney, Sydney, NSW 2006, Australia; (A.M.C.); (D.N.); (C.M.)
- National Hospital of Otorhinolaryngology, Hanoi 11519, Vietnam
| | - Antonia M. Chacon
- Voice Research Laboratory, Discipline of Speech Pathology, Faculty of Medicine and Health, The University of Sydney, Sydney, NSW 2006, Australia; (A.M.C.); (D.N.); (C.M.)
| | - Daniel Novakovic
- Voice Research Laboratory, Discipline of Speech Pathology, Faculty of Medicine and Health, The University of Sydney, Sydney, NSW 2006, Australia; (A.M.C.); (D.N.); (C.M.)
- The Canterbury Hospital, Campsie, NSW 2194, Australia
| | - Nicola J. Hodges
- School of Kinesiology, University of British Columbia, Vancouver, BC V6T 1Z1, Canada;
| | - Paul N. Carding
- Faculty of Health and Life Sciences, Oxford Institute of Nursing, Midwifery and Allied Health Research, Oxford OX3 0BP, UK;
| | - Catherine Madill
- Voice Research Laboratory, Discipline of Speech Pathology, Faculty of Medicine and Health, The University of Sydney, Sydney, NSW 2006, Australia; (A.M.C.); (D.N.); (C.M.)
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Wenger E, Papadaki E, Werner A, Kühn S, Lindenberger U. Observing Plasticity of the Auditory System: Volumetric Decreases Along with Increased Functional Connectivity in Aspiring Professional Musicians. Cereb Cortex Commun 2021; 2:tgab008. [PMID: 34296157 PMCID: PMC8152844 DOI: 10.1093/texcom/tgab008] [Citation(s) in RCA: 1] [Impact Index Per Article: 0.3] [Reference Citation Analysis] [Abstract] [Key Words] [Grants] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 11/25/2020] [Revised: 01/26/2021] [Accepted: 01/29/2021] [Indexed: 11/19/2022] Open
Abstract
Playing music relies on several sensory systems and the motor system, and poses strong demands on control processes, hence, offering an excellent model to study how experience can mold brain structure and function. Although most studies on neural correlates of music expertise rely on cross-sectional comparisons, here we compared within-person changes over time in aspiring professionals intensely preparing for an entrance exam at a University of the Arts to skilled amateur musicians not preparing for a music exam. In the group of aspiring professionals, we observed gray-matter volume decrements in left planum polare, posterior insula, and left inferior frontal orbital gyrus over a period of about 6 months that were absent among the amateur musicians. At the same time, the left planum polare, the largest cluster of structural change, showed increasing functional connectivity with left and right auditory cortex, left precentral gyrus, left supplementary motor cortex, left and right postcentral gyrus, and left cingulate cortex, all regions previously identified to relate to music expertise. In line with the expansion-renormalization pattern of brain plasticity (Wenger et al., 2017a. Expansion and renormalization of human brain structure during skill acquisition. Trends Cogn Sci. 21:930-939.), the aspiring professionals might have been in the selection and refinement period of plastic change.
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Affiliation(s)
- Elisabeth Wenger
- Center for Lifespan Psychology, Max Planck Institute for Human Development, 14195 Berlin, Germany
| | - Eleftheria Papadaki
- Center for Lifespan Psychology, Max Planck Institute for Human Development, 14195 Berlin, Germany
| | - André Werner
- Center for Lifespan Psychology, Max Planck Institute for Human Development, 14195 Berlin, Germany
| | - Simone Kühn
- Lise Meitner Group for Environmental Neuroscience, Max Planck Institute for Human Development, 14195 Berlin, Germany
- Department of Psychiatry and Psychotherapy, University Clinic Hamburg-Eppendorf, 20246 Hamburg, Germany
| | - Ulman Lindenberger
- Center for Lifespan Psychology, Max Planck Institute for Human Development, 14195 Berlin, Germany
- Max Planck UCL Centre for Computational Psychiatry and Ageing Research, 14195 Berlin, Germany, and WC1B 5EH London, UK
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Falk S, Fasolo M, Genovese G, Romero‐Lauro L, Franco F. Sing for me, Mama! Infants' discrimination of novel vowels in song. INFANCY 2021; 26:248-270. [DOI: 10.1111/infa.12387] [Citation(s) in RCA: 2] [Impact Index Per Article: 0.7] [Reference Citation Analysis] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 01/14/2020] [Revised: 12/08/2020] [Accepted: 12/14/2020] [Indexed: 01/22/2023]
Affiliation(s)
- Simone Falk
- Department of Linguistics and Translation University of Montreal, Montreal Quebec Canada
- Laboratory for Brain, Music and Sound Research (BRAMS) University of Montreal, Montreal Quebec Canada
| | - Mirco Fasolo
- Department of Neuroscience, Imaging, and Clinical Sciences University "G. d'Annunzio" of Chieti‐Pescara Chieti Italy
| | | | - Leonor Romero‐Lauro
- Department of Psychology University of Milan‐Bicocca Milano Italy
- Neuromi Milan Center for Neuroscience Milano Italy
| | - Fabia Franco
- Department of Psychology Faculty of Science and Technology Middlesex University London London UK
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Weiss MW, Sharda M, Lense M, Hyde KL, Trehub SE. Enhanced Memory for Vocal Melodies in Autism Spectrum Disorder and Williams Syndrome. Autism Res 2021; 14:1127-1133. [PMID: 33398938 DOI: 10.1002/aur.2462] [Citation(s) in RCA: 4] [Impact Index Per Article: 1.3] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 09/02/2020] [Revised: 11/12/2020] [Accepted: 12/15/2020] [Indexed: 12/27/2022]
Abstract
Adults and children with typical development (TD) remember vocal melodies (without lyrics) better than instrumental melodies, which is attributed to the biological and social significance of human vocalizations. Here we asked whether children with autism spectrum disorder (ASD), who have persistent difficulties with communication and social interaction, and adolescents and adults with Williams syndrome (WS), who are highly sociable, even indiscriminately friendly, exhibit a memory advantage for vocal melodies like that observed in individuals with TD. We tested 26 children with ASD, 26 adolescents and adults with WS of similar mental age, and 26 children with TD on their memory for vocal and instrumental (piano, marimba) melodies. After exposing them to 12 unfamiliar folk melodies with different timbres, we required them to indicate whether each of 24 melodies (half heard previously) was old (heard before) or new (not heard before) during an unexpected recognition test. Although the groups successfully distinguished the old from the new melodies, they differed in overall memory. Nevertheless, they exhibited a comparable advantage for vocal melodies. In short, individuals with ASD and WS show enhanced processing of socially significant auditory signals in the context of music. LAY SUMMARY: Typically developing children and adults remember vocal melodies better than instrumental melodies. In this study, we found that children with Autistic Spectrum Disorder, who have severe social processing deficits, and children and adults with Williams syndrome, who are highly sociable, exhibit comparable memory advantages for vocal melodies. The results have implications for musical interventions with these populations.
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Affiliation(s)
- Michael W Weiss
- International Laboratory for Brain, Music, and Sound Research, Montreal, Quebec, Canada
- Department of Psychology, University of Montreal, Montreal, Quebec, Canada
| | - Megha Sharda
- International Laboratory for Brain, Music, and Sound Research, Montreal, Quebec, Canada
- Department of Psychology, University of Montreal, Montreal, Quebec, Canada
| | - Miriam Lense
- Department of Otolaryngology - Head and Neck Surgery, Vanderbilt University Medical Center; Vanderbilt Kennedy Center; Vanderbilt Brain Institute, Nashville, Tennessee, USA
| | - Krista L Hyde
- International Laboratory for Brain, Music, and Sound Research, Montreal, Quebec, Canada
- Faculty of Medicine, McGill University, Montreal, Quebec, Canada
| | - Sandra E Trehub
- Department of Psychology, University of Toronto Mississauga, Mississauga, Ontario, Canada
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