The phantom illumination illusion

Effects of a gap between the central and surrounding regions with luminance gradients on the feeling of being dazzled

The feeling of being dazzled is evoked by images consisting of an achromatic uniform center, surrounded by regions with luminance gradients. As the perceptual distinctness of the central region has been suggested to contribute to the feeling of being dazzled, we examined the effects of a gap between the central and surrounding regions on the feeling of being dazzled. The stimulus comprised a disk with uniform luminance surrounded by an annulus, of which the luminance was decreased from the inner boundary to the periphery. Three luminance profiles (linear, logistic, and inverse-logistic) of the surrounding luminance ramps were used. The distinctness of the disk decreased in the order of logistic, linear, and inverse-logistic profiles. The luminance of the disk, the maximum luminance of the annulus, and the gap size were also varied. When the luminance continuously transitioned from the disk to the annulus, the feeling of being dazzled was stronger for the inverse-logistic annulus luminance profile, compared with the logistic and linear profiles without a gap; however, it was not different for the three profiles with a gap. Further, the feeling of being dazzled increased when a gap was introduced for the logistic and linear profiles, but not for the inverse-logistic profile. These results suggest that the feeling of being dazzled was reduced by the perceptual indistinctness of the central disk for the logistic and linear annulus luminance profiles, while the gap restored the feeling of being dazzled by making the central disk perceptually distinct.

Anisotropy in the peripheral visual field based on pupil response to the glare illusion

Visual-field (VF) anisotropy has been investigated in terms of spatial resolution of attention, spatial frequency, and semantic processing. Brightness perception has also been reported to vary between VFs. However, the influence of VF anisotropy on brightness perception using pupillometry has not been investigated. The present study measured participants' pupil size during glare illusion, in which converging luminance gradients evoke brightness enhancement and a glowing impression on the central white area of the stimulus, and halo stimuli, in which the same physical brightness of the glare illusion is used with a diverging luminance pattern. The results revealed greater stimulus-evoked pupillary dilation and glare-related dilated pupil reduction in the upper VF (UVF) compared with other VFs and halo-related pupillary changes, respectively. The stimulus-evoked pupillary dilation was affected by poor contrast sensitivity. However, owing to the superior cognitive bias formed by statistical regularity in natural scene processing of the glare illusion in the UVF, we found reduced pupillary dilation compared with the response to halo stimuli and the response from other VFs. These findings offer valuable insight into a method to reduce the potential glare effect of any VF anisotropy induced by the glare effect experienced in daily vision. An important practical implication of our study may be in informing the design of applications aimed at improving nighttime driving behavior. We also believe that our study makes a significant contribution to the literature because it offers valuable insights on VF anisotropy using evidence from pupillometry and the glare illusion.

Asymmetric Brightness Effects With Dark Versus Light Glare-Like Stimuli

The glare effect is a brightness illusion that has captured the attention of the vision community since its discovery. However, its photometrical reversal, which we refer to here as photometrical reversed glare (PRG) stimuli, remained relatively unexplored. We presented three experiments that sought to examine the perceived brightness of a target area surrounded by luminance gradients in PRG stimuli and compare them with conventional glare effect configurations. Experiment 1 measured the brightness of the central target area of PRG stimuli through an adjustment task; the results showed that the target appeared brighter than similar, comparative areas not surrounded by luminance gradients. This finding was unexpected given the recent report that PRG stimuli cause pupil dilation. Meanwhile, Experiments 2 and 3 implemented a rating task to further test the findings in Experiment 1. Again, the study found a robust brightening illusion in the target area of PRG stimuli in a wide range of target and background luminance. The results are discussed in comparison with the brightness enhancement of the glare effect.

An Upward-Facing Surface Appears Darker: The Role Played by the Light-From-Above Assumption in Lightness Perception

The human visual system can extract information on surface reflectance (lightness) from light intensity; this, however, confounds information on reflectance and illumination. We hypothesized that the visual system, to solve this lightness problem, utilizes the internally held prior assumption that illumination falls from above. Experiment 1 showed that an upward-facing surface is perceived to be darker than a downward-facing surface, proving our hypothesis. Experiment 2 showed the same results in the absence of explicit illumination cues. The effect of the light-from-left prior assumption was not observed in Experiment 3. The upward- and downward-facing surface stimuli in Experiments 1 and 2 showed no difference in a two-dimensional configuration or three-dimensional structure, and the participants' perceived lightness appeared to be affected by the observers' prior assumption that illumination is always from above. Other studies have not accounted for this illusory effect, and this study's finding provides additional insights into the study of lightness perception.

Effects of Colors on the Feeling of Being Dazzled Evoked by Stimuli with Luminance Gradients

The sensation of being dazzled by light was investigated, and the effects of colors on the feeling were assessed using stimuli composed of a disk and a surrounding annulus with luminance gradient, which had a glowing appearance. The colors of the disk and annulus were varied, while the luminance of each pixel was unchanged. In addition, disk and maximum annulus luminances were also varied. Ten participants were asked to rate the feeling of being dazzled for the stimuli. Results of a four-way analysis of variance (ANOVA) indicated that the main effect of disk color was not significant, whereas the annulus color was. Furthermore, there was significant interaction of the disk color and the annulus color. On the whole, the feeling of being dazzled for the light-blue or pink annulus was stronger than that for the other colors, while the light-blue (pink) annulus did not significantly differ in that feeling from the yellow, green, or gray annulus when the disk color was light-blue (pink). This indicates that the same disk color as the annulus color tended to reduce the feeling of being dazzled.

Luminance profiles of luminance gradients affect the feeling of dazzling

The feeling of dazzling that is evoked by luminance gradients was examined. The stimulus consisted of a disk with uniform luminance surrounded by an annulus whose luminance was decreased from the inner boundary to the periphery. Three luminance profiles (linear, logistic, and inverse logistic) of a surrounding luminance ramp were used. The luminance of the disk and the maximum luminance of the annulus were also varied. The feeling of dazzling became stronger as the luminance of the disk and the maximum luminance of the annulus increased. The effect of the maximum luminance of the annulus was greater for the disk with low luminance than for that with high luminance. The feeling of dazzling tended to be greater for the logistic profile than for the other profiles. However, when the luminance of the disk and that at the inner boundary of the annulus were the same, the feeling of dazzling for the logistic profile was no stronger than that for the linear or the inverse-logistic profile. These results suggest that smooth transition from the disk to the annulus for the logistic profile suppresses the feeling of dazzling.

Local computation of lightness on articulated surrounds

Lightness of a grey target on a uniform light (or dark) surround changes by articulating the surround (articulation effect). To elucidate the processing of lightness underlying the articulation effect, the present study introduced transparency over a dark surround and investigated its effects on lightness of the target. The transparency was produced by adding a contiguous external field to the dark surround while keeping local stimulus configuration constant. Results showed that the target lightness did not change on the articulated surround when a dark transparent filter was perceived over the target, although it did on the uniform surround. These results suggest that image decomposition into a transparent filter and an underlying surface does not necessarily change lightness of the surface if the surface is articulated. Moreover, the present study revealed that articulating the surround does not always enhance lightness contrast; it can reduce the contrast effect when the target luminance is not the highest within the surround. These findings are consistent with the theoretical view that lightness perception on articulated surfaces is determined locally within a spatially limited region, and they also place a constraint on how the luminance distribution within the limited region is scaled.

When figure-ground segmentation modulates brightness: the case of phantom illumination

In the phantom illumination illusion, luminance ramps ranging from black to white induce a brightness enhancement on an otherwise homogeneous dark background. The strength of the illusion was tested with regard to the extension of the brightness inducing perimeter, surrounding the target area by manipulating the number of inducers (exp. 1) and the size of the inducers (exp. 2). Participants' task was to rate the difference in brightness between the target area and the background. Results show that the illusion occurs only when the target area is not completely segregated from the background by luminance ramps; vice versa, when the target area is delimited by a continuous gradient, it appears darker than the background. These findings suggest a major role of figure-ground organization in the appearance of the illusion. This hypothesis was tested in a rating task experiment with three types of target area shapes circumscribed by four types of edges: luminance contours, illusory contours, no contours, and ambiguous contours. Illusory contours, just as luminance contours, hinder the illusion and produce a darkening of the target area. A control experiment measured the brightness of the previous stimuli without luminance ramps: all configurations resulted in a darkening of the target area. Results from all experiments suggest that figure-ground segmentation plays a major role in the determination of both illumination and lightness in stimuli with luminance gradients.

The visual light field

Human observers are sensitive to the '(physical) light field' in the sense that they have expectations of how a given object would appear if it were introduced in the scene in front of them at some arbitrary location. Thus the 'visual light field' is defined even in the 'empty space' between objects. In that sense the light field is akin to visual space considered as a 'container'. The visual light field at any given point can be measured in psychophysical experiments through the introduction of a suitable 'gauge object' at that position and letting the observer adjust the appearance of that gauge object (eg through suitable computer rendering) so as to produce a 'visual fit' into the scene. The parameters of the rendering will then be considered as the measurement result. We introduced white spheres as gauge objects at various locations in stereoscopically presented photographic scenes. We measured the direction ('direction of the light'), diffuseness ('quality of the light' as used by photographers and interior decorators), and intensity of the light field. We used three very different scenes, with very different physical light fields. The images were geometrically and photometrically calibrated, so we were in a position to correlate the observations with the physical 'ground truth'. We report that human observers are quite sensitive to various parameters of the physical light field and generally arrive at close to veridical settings, although a number of comparatively minor systematic deviations from veridicality can be noted. We conclude that the visual light field is an entity whose existence is at least as well defined as that of visual space, despite the fact that the visual light field hardly appears as prominently in vision science as it does in the visual arts.