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Mori K, Zatorre R. State-dependent connectivity in auditory-reward networks predicts peak pleasure experiences to music. PLoS Biol 2024; 22:e3002732. [PMID: 39133721 PMCID: PMC11318860 DOI: 10.1371/journal.pbio.3002732] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [MESH Headings] [Grants] [Track Full Text] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 01/30/2024] [Accepted: 07/03/2024] [Indexed: 08/16/2024] Open
Abstract
Music can evoke pleasurable and rewarding experiences. Past studies that examined task-related brain activity revealed individual differences in musical reward sensitivity traits and linked them to interactions between the auditory and reward systems. However, state-dependent fluctuations in spontaneous neural activity in relation to music-driven rewarding experiences have not been studied. Here, we used functional MRI to examine whether the coupling of auditory-reward networks during a silent period immediately before music listening can predict the degree of musical rewarding experience of human participants (N = 49). We used machine learning models and showed that the functional connectivity between auditory and reward networks, but not others, could robustly predict subjective, physiological, and neurobiological aspects of the strong musical reward of chills. Specifically, the right auditory cortex-striatum/orbitofrontal connections predicted the reported duration of chills and the activation level of nucleus accumbens and insula, whereas the auditory-amygdala connection was associated with psychophysiological arousal. Furthermore, the predictive model derived from the first sample of individuals was generalized in an independent dataset using different music samples. The generalization was successful only for state-like, pre-listening functional connectivity but not for stable, intrinsic functional connectivity. The current study reveals the critical role of sensory-reward connectivity in pre-task brain state in modulating subsequent rewarding experience.
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Affiliation(s)
- Kazuma Mori
- Institute for Quantum Life Science, National Institutes for Quantum Science and Technology, Chiba, Japan
- Center for Information and Neural Networks (CiNet), National Institute of Information and Communications Technology (NICT), Osaka, Japan
| | - Robert Zatorre
- Montréal Neurological Institute, McGill University, Montréal, Canada
- International Laboratory for Brain, Music and Sound Research, Montréal, Canada
- Centre for Research in Brain, Language and Music, Montréal, Canada
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2
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Matthews TE, Lumaca M, Witek MAG, Penhune VB, Vuust P. Music reward sensitivity is associated with greater information transfer capacity within dorsal and motor white matter networks in musicians. Brain Struct Funct 2024:10.1007/s00429-024-02836-x. [PMID: 39052097 DOI: 10.1007/s00429-024-02836-x] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 02/19/2024] [Accepted: 07/12/2024] [Indexed: 07/27/2024]
Abstract
There are pronounced differences in the degree to which individuals experience music-induced pleasure which are linked to variations in structural connectivity between auditory and reward areas. However, previous studies exploring the link between white matter structure and music reward sensitivity (MRS) have relied on standard diffusion tensor imaging methods, which present challenges in terms of anatomical accuracy and interpretability. Further, the link between MRS and connectivity in regions outside of auditory-reward networks, as well as the role of musical training, have yet to be investigated. Therefore, we investigated the relation between MRS and structural connectivity in a large number of directly segmented and anatomically verified white matter tracts in musicians (n = 24) and non-musicians (n = 23) using state-of-the-art tract reconstruction and fixel-based analysis. Using a manual tract-of-interest approach, we additionally tested MRS-white matter associations in auditory-reward networks seen in previous studies. Within the musician group, there was a significant positive relation between MRS and fiber density and cross section in the right middle longitudinal fascicle connecting auditory and inferior parietal cortices. There were also positive relations between MRS and fiber-bundle cross-section in tracts connecting the left thalamus to the ventral precentral gyrus and connecting the right thalamus to the right supplementary motor area, however, these did not survive FDR correction. These results suggest that, within musicians, dorsal auditory and motor networks are crucial to MRS, possibly via their roles in top-down predictive processing and auditory-motor transformations.
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Affiliation(s)
- Tomas E Matthews
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University Hospital, Nørrebrogade 44, Building 1A, Aarhus C, 8000, Denmark.
| | - Massimo Lumaca
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University Hospital, Nørrebrogade 44, Building 1A, Aarhus C, 8000, Denmark
| | - Maria A G Witek
- Department of Music School of Languages, Art History and Music, University of Birmingham, Cultures, Birmingham, B15 2TT, UK
| | - Virginia B Penhune
- Department of Psychology, Concordia University, 7141 Sherbrooke St W, Montreal, QC, H4B 1R6, Canada
| | - Peter Vuust
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University Hospital, Nørrebrogade 44, Building 1A, Aarhus C, 8000, Denmark
- Royal Academy of Music, Skovgaardsgade 2C, Aarhus C, DK-8000, Denmark
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3
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Etani T, Miura A, Kawase S, Fujii S, Keller PE, Vuust P, Kudo K. A review of psychological and neuroscientific research on musical groove. Neurosci Biobehav Rev 2024; 158:105522. [PMID: 38141692 DOI: 10.1016/j.neubiorev.2023.105522] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 05/18/2023] [Revised: 12/18/2023] [Accepted: 12/19/2023] [Indexed: 12/25/2023]
Abstract
When listening to music, we naturally move our bodies rhythmically to the beat, which can be pleasurable and difficult to resist. This pleasurable sensation of wanting to move the body to music has been called "groove." Following pioneering humanities research, psychological and neuroscientific studies have provided insights on associated musical features, behavioral responses, phenomenological aspects, and brain structural and functional correlates of the groove experience. Groove research has advanced the field of music science and more generally informed our understanding of bidirectional links between perception and action, and the role of the motor system in prediction. Activity in motor and reward-related brain networks during music listening is associated with the groove experience, and this neural activity is linked to temporal prediction and learning. This article reviews research on groove as a psychological phenomenon with neurophysiological correlates that link musical rhythm perception, sensorimotor prediction, and reward processing. Promising future research directions range from elucidating specific neural mechanisms to exploring clinical applications and socio-cultural implications of groove.
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Affiliation(s)
- Takahide Etani
- School of Medicine, College of Medical, Pharmaceutical, and Health, Kanazawa University, Kanazawa, Japan; Graduate School of Media and Governance, Keio University, Fujisawa, Japan; Advanced Research Center for Human Sciences, Waseda University, Tokorozawa, Japan.
| | - Akito Miura
- Faculty of Human Sciences, Waseda University, Tokorozawa, Japan
| | - Satoshi Kawase
- The Faculty of Psychology, Kobe Gakuin University, Kobe, Japan
| | - Shinya Fujii
- Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan
| | - Peter E Keller
- Center for Music in the Brain, Aarhus University, Aarhus, Denmark/The Royal Academy of Music Aarhus/Aalborg, Denmark; The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Penrith, Australia
| | - Peter Vuust
- Center for Music in the Brain, Aarhus University, Aarhus, Denmark/The Royal Academy of Music Aarhus/Aalborg, Denmark
| | - Kazutoshi Kudo
- Graduate School of Arts and Sciences, The University of Tokyo, Tokyo, Japan
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4
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Li CW, Tsai CG. Motivated cognitive control during cued anticipation and receipt of unfamiliar musical themes: An fMRI study. Neuropsychologia 2024; 194:108778. [PMID: 38147907 DOI: 10.1016/j.neuropsychologia.2023.108778] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 07/27/2023] [Revised: 12/17/2023] [Accepted: 12/21/2023] [Indexed: 12/28/2023]
Abstract
Principal themes, particularly choruses in pop songs, hold a central place in human music. Singing along with a familiar chorus tends to elicit pleasure and a sense of belonging, especially in group settings. These principal themes, which frequently serve as musical rewards, are commonly preceded by distinctive musical cues. Such cues guide listeners' attention and amplify their motivation to receive the impending themes. Despite the significance of cue-theme sequences in music, the neural mechanisms underlying the processing of these sequences in unfamiliar songs remain underexplored. To fill this research gap, we employed fMRI to examine neural activity during the cued anticipation of unfamiliar musical themes and the subsequent receipt of their opening phrase. Twenty-three Taiwanese participants underwent fMRI scans while listening to excerpts of Korean slow pop songs unfamiliar to them, with lyrics they could not understand. Our findings revealed distinct temporal dynamics in lateral frontal activity, with posterior regions being more active during theme anticipation and anterior regions during theme receipt. During anticipation, participants reported substantial increases in arousal levels, aligning with the observed enhanced activity in the midbrain, ventral striatum, inferior frontal junction, and premotor regions. We posit that when motivational musical cues are detected, the ventral striatum and inferior frontal junction played a role in attention allocation, while premotor regions may be engaged in monitoring the theme's entry. Notably, both the anticipation and receipt of themes were associated with pronounced activity in the frontal eye field, dorsolateral prefrontal cortex, posterior parietal cortex, dorsal caudate, and salience network. Overall, our results highlight that within a naturalistic music-listening context, the dynamic interplay between the frontoparietal, dopaminergic midbrain-striatal, and salience networks could allow for precise adjustments of control demands based on the cue-theme structure in unfamiliar songs.
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Affiliation(s)
- Chia-Wei Li
- Department of Radiology, Wan Fang Hospital, Taipei Medical University, Taipei, Taiwan
| | - Chen-Gia Tsai
- Graduate Institute of Musicology, National Taiwan University, Taipei, Taiwan; Graduate Institute of Brain and Mind Sciences, National Taiwan University, Taipei, Taiwan.
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Brielmann AA, Berentelg M, Dayan P. Modelling individual aesthetic judgements over time. Philos Trans R Soc Lond B Biol Sci 2024; 379:20220414. [PMID: 38104603 PMCID: PMC10725758 DOI: 10.1098/rstb.2022.0414] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 03/02/2023] [Accepted: 11/17/2023] [Indexed: 12/19/2023] Open
Abstract
Listening to music, watching a sunset-many sensory experiences are valuable to us, to a degree that differs significantly between individuals, and within an individual over time. We have theorized (Brielmann & Dayan 2022 Psychol. Rev. 129, 1319-1337 (doi:10.1037/rev0000337))) that these idiosyncratic values derive from the task of using experiences to tune the sensory-cognitive system to current and likely future input. We tested the theory using participants' (n = 59) ratings of a set of dog images (n = 55) created using the NeuralCrossbreed morphing algorithm. A full realization of our model that uses feature representations extracted from image-recognizing deep neural nets (e.g. VGG-16) is able to capture liking judgements on a trial-by-trial basis (median r = 0.65), outperforming predictions based on population averages (median r = 0.01). Furthermore, the model's learning component allows it to explain image sequence dependent rating changes, capturing on average 17% more variance in the ratings for the true trial order than for simulated random trial orders. This validation of our theory is the first step towards a comprehensive treatment of individual differences in evaluation. This article is part of the theme issue 'Art, aesthetics and predictive processing: theoretical and empirical perspectives'.
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Affiliation(s)
- Aenne A. Brielmann
- Department of Computational Neuroscience, Max-Planck Institute for Biological Cybernetics, Tübingen, 72076, Germany
- Hector Research Institute of Education Sciences and Psychology, University of Tübingen, Tübingen, 72074, Germany
| | - Max Berentelg
- Department of Computational Neuroscience, Max-Planck Institute for Biological Cybernetics, Tübingen, 72076, Germany
| | - Peter Dayan
- Department of Computational Neuroscience, Max-Planck Institute for Biological Cybernetics, Tübingen, 72076, Germany
- Department of Psychology, University of Tübingen, Tübingen, 72074, Germany
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6
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Pando-Naude V, Matthews TE, Højlund A, Jakobsen S, Østergaard K, Johnsen E, Garza-Villarreal EA, Witek MAG, Penhune V, Vuust P. Dopamine dysregulation in Parkinson's disease flattens the pleasurable urge to move to musical rhythms. Eur J Neurosci 2024; 59:101-118. [PMID: 37724707 DOI: 10.1111/ejn.16128] [Citation(s) in RCA: 1] [Impact Index Per Article: 1.0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 03/30/2023] [Revised: 07/12/2023] [Accepted: 08/08/2023] [Indexed: 09/21/2023]
Abstract
The pleasurable urge to move to music (PLUMM) activates motor and reward areas of the brain and is thought to be driven by predictive processes. Dopamine in motor and limbic networks is implicated in beat-based timing and music-induced pleasure, suggesting a central role of basal ganglia (BG) dopaminergic systems in PLUMM. This study tested this hypothesis by comparing PLUMM in participants with Parkinson's disease (PD), age-matched controls, and young controls. Participants listened to musical sequences with varying rhythmic and harmonic complexity (low, medium and high), and rated their experienced pleasure and urge to move to the rhythm. In line with previous results, healthy younger participants showed an inverted U-shaped relationship between rhythmic complexity and ratings, with preference for medium complexity rhythms, while age-matched controls showed a similar, but weaker, inverted U-shaped response. Conversely, PD showed a significantly flattened response for both the urge to move and pleasure. Crucially, this flattened response could not be attributed to differences in rhythm discrimination and did not reflect an overall decrease in ratings. For harmonic complexity, PD showed a negative linear pattern for both the urge to move and pleasure while healthy age-matched controls showed the same pattern for pleasure and an inverted U for the urge to move. This contrasts with the pattern observed in young healthy controls in previous studies, suggesting that both healthy aging and PD also influence affective responses to harmonic complexity. Together, these results support the role of dopamine within cortico-striatal circuits in the predictive processes that form the link between the perceptual processing of rhythmic patterns and the affective and motor responses to rhythmic music.
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Affiliation(s)
- Victor Pando-Naude
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
| | - Tomas Edward Matthews
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
| | - Andreas Højlund
- Center of Functionally Integrative Neuroscience, Department of Clinical Medicine, Aarhus University Hospital, Aarhus, Denmark
- Department of Linguistics, Cognitive Science and Semiotics, School of Communication and Culture, Aarhus University, Aarhus, Denmark
| | - Sebastian Jakobsen
- Center of Functionally Integrative Neuroscience, Department of Clinical Medicine, Aarhus University Hospital, Aarhus, Denmark
- Department of Linguistics, Cognitive Science and Semiotics, School of Communication and Culture, Aarhus University, Aarhus, Denmark
| | - Karen Østergaard
- Center of Functionally Integrative Neuroscience, Department of Clinical Medicine, Aarhus University Hospital, Aarhus, Denmark
- Department of Neurology, Aarhus University Hospital, Aarhus, Denmark
- Sano, Private Hospital, Aarhus, Denmark
| | - Erik Johnsen
- Center of Functionally Integrative Neuroscience, Department of Clinical Medicine, Aarhus University Hospital, Aarhus, Denmark
- Department of Neurology, Aarhus University Hospital, Aarhus, Denmark
| | - Eduardo A Garza-Villarreal
- Instituto de Neurobiología, Universidad Nacional Autónoma de México (UNAM), Juriquilla, Querétaro, Mexico
| | - Maria A G Witek
- Department of Music School of Languages, Cultures, Art History and Music, University of Birmingham, Birmingham, UK
| | - Virginia Penhune
- Department of Psychology, Concordia University, Montreal, Quebec, Canada
| | - Peter Vuust
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
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7
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Granot R. The music we march to: Beyond beat, floating intentionality and improvisation: A comment on "Musical engagement as a duet of tight synchrony and loose interpretability" by Tal-Chen Rabinowitch. Phys Life Rev 2023; 47:9-14. [PMID: 37660431 DOI: 10.1016/j.plrev.2023.08.009] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 08/09/2023] [Accepted: 08/14/2023] [Indexed: 09/05/2023]
Affiliation(s)
- Roni Granot
- The MusiCog Lab, The Hebrew University of Jerusalem, Israel.
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8
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Gold BP, Pearce MT, McIntosh AR, Chang C, Dagher A, Zatorre RJ. Auditory and reward structures reflect the pleasure of musical expectancies during naturalistic listening. Front Neurosci 2023; 17:1209398. [PMID: 37928727 PMCID: PMC10625409 DOI: 10.3389/fnins.2023.1209398] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 04/20/2023] [Accepted: 10/05/2023] [Indexed: 11/07/2023] Open
Abstract
Enjoying music consistently engages key structures of the neural auditory and reward systems such as the right superior temporal gyrus (R STG) and ventral striatum (VS). Expectations seem to play a central role in this effect, as preferences reliably vary according to listeners' uncertainty about the musical future and surprise about the musical past. Accordingly, VS activity reflects the pleasure of musical surprise, and exhibits stronger correlations with R STG activity as pleasure grows. Yet the reward value of musical surprise - and thus the reason for these surprises engaging the reward system - remains an open question. Recent models of predictive neural processing and learning suggest that forming, testing, and updating hypotheses about one's environment may be intrinsically rewarding, and that the constantly evolving structure of musical patterns could provide ample opportunity for this procedure. Consistent with these accounts, our group previously found that listeners tend to prefer melodic excerpts taken from real music when it either validates their uncertain melodic predictions (i.e., is high in uncertainty and low in surprise) or when it challenges their highly confident ones (i.e., is low in uncertainty and high in surprise). An independent research group (Cheung et al., 2019) replicated these results with musical chord sequences, and identified their fMRI correlates in the STG, amygdala, and hippocampus but not the VS, raising new questions about the neural mechanisms of musical pleasure that the present study seeks to address. Here, we assessed concurrent liking ratings and hemodynamic fMRI signals as 24 participants listened to 50 naturalistic, real-world musical excerpts that varied across wide spectra of computationally modeled uncertainty and surprise. As in previous studies, liking ratings exhibited an interaction between uncertainty and surprise, with the strongest preferences for high uncertainty/low surprise and low uncertainty/high surprise. FMRI results also replicated previous findings, with music liking effects in the R STG and VS. Furthermore, we identify interactions between uncertainty and surprise on the one hand, and liking and surprise on the other, in VS activity. Altogether, these results provide important support for the hypothesized role of the VS in deriving pleasure from learning about musical structure.
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Affiliation(s)
- Benjamin P. Gold
- Department of Electrical and Computer Engineering, Vanderbilt University, Nashville, TN, United States
- Vanderbilt University Institute of Imaging Science, Vanderbilt University Medical Center, Nashville, TN, United States
- Montreal Neurological Institute, McGill University, Montreal, QC, Canada
- International Laboratory for Brain, Music and Sound Research (BRAMS), Montreal, QC, Canada
- Centre for Research on Brain, Language and Music (CRBLM), Montreal, QC, Canada
- Centre for Interdisciplinary Research in Music, Media, and Technology (CIRMMT), Montreal, QC, Canada
| | - Marcus T. Pearce
- Cognitive Science Research Group, School of Electronic Engineering & Computer Science, Queen Mary University of London, London, United Kingdom
- Department of Clinical Medicine, Aarhus University, Aarhus, Denmark
| | - Anthony R. McIntosh
- Baycrest Centre, Rotman Research Institute, Toronto, ON, Canada
- Department of Psychology, University of Toronto, Toronto, ON, Canada
| | - Catie Chang
- Department of Electrical and Computer Engineering, Vanderbilt University, Nashville, TN, United States
- Vanderbilt University Institute of Imaging Science, Vanderbilt University Medical Center, Nashville, TN, United States
- Department of Biomedical Engineering, Vanderbilt University, Nashville, TN, United States
- Department of Computer Science, Vanderbilt University, Nashville, TN, United States
| | - Alain Dagher
- Montreal Neurological Institute, McGill University, Montreal, QC, Canada
| | - Robert J. Zatorre
- Montreal Neurological Institute, McGill University, Montreal, QC, Canada
- International Laboratory for Brain, Music and Sound Research (BRAMS), Montreal, QC, Canada
- Centre for Research on Brain, Language and Music (CRBLM), Montreal, QC, Canada
- Centre for Interdisciplinary Research in Music, Media, and Technology (CIRMMT), Montreal, QC, Canada
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9
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Singer N, Poker G, Dunsky-Moran N, Nemni S, Reznik Balter S, Doron M, Baker T, Dagher A, Zatorre RJ, Hendler T. Development and validation of an fMRI-informed EEG model of reward-related ventral striatum activation. Neuroimage 2023; 276:120183. [PMID: 37225112 PMCID: PMC10300238 DOI: 10.1016/j.neuroimage.2023.120183] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 11/20/2022] [Revised: 04/06/2023] [Accepted: 05/22/2023] [Indexed: 05/26/2023] Open
Abstract
Reward processing is essential for our mental-health and well-being. In the current study, we developed and validated a scalable, fMRI-informed EEG model for monitoring reward processing related to activation in the ventral-striatum (VS), a significant node in the brain's reward system. To develop this EEG-based model of VS-related activation, we collected simultaneous EEG/fMRI data from 17 healthy individuals while listening to individually-tailored pleasurable music - a highly rewarding stimulus known to engage the VS. Using these cross-modal data, we constructed a generic regression model for predicting the concurrently acquired Blood-Oxygen-Level-Dependent (BOLD) signal from the VS using spectro-temporal features from the EEG signal (termed hereby VS-related-Electrical Finger Print; VS-EFP). The performance of the extracted model was examined using a series of tests that were applied on the original dataset and, importantly, an external validation dataset collected from a different group of 14 healthy individuals who underwent the same EEG/FMRI procedure. Our results showed that the VS-EFP model, as measured by simultaneous EEG, predicted BOLD activation in the VS and additional functionally relevant regions to a greater extent than an EFP model derived from a different anatomical region. The developed VS-EFP was also modulated by musical pleasure and predictive of the VS-BOLD during a monetary reward task, further indicating its functional relevance. These findings provide compelling evidence for the feasibility of using EEG alone to model neural activation related to the VS, paving the way for future use of this scalable neural probing approach in neural monitoring and self-guided neuromodulation.
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Affiliation(s)
- Neomi Singer
- Montreal Neurological Institute, McGill University, 3801 Rue University, Montréal, QC H3A 2B4, Canada; Sagol Brain Institute, Tel-Aviv Sourasky Medical Center, 6 Weizman St. Tel Aviv, 64239, Israel; Sagol school of Neuroscience, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel
| | - Gilad Poker
- Sagol Brain Institute, Tel-Aviv Sourasky Medical Center, 6 Weizman St. Tel Aviv, 64239, Israel
| | - Netta Dunsky-Moran
- Sagol Brain Institute, Tel-Aviv Sourasky Medical Center, 6 Weizman St. Tel Aviv, 64239, Israel; Sagol school of Neuroscience, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel
| | - Shlomi Nemni
- Sagol school of Neuroscience, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel; School of Psychological Sciences, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel
| | - Shira Reznik Balter
- Sagol Brain Institute, Tel-Aviv Sourasky Medical Center, 6 Weizman St. Tel Aviv, 64239, Israel
| | - Maayan Doron
- Montreal Neurological Institute, McGill University, 3801 Rue University, Montréal, QC H3A 2B4, Canada; Sackler School of Medicine, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel
| | - Travis Baker
- Montreal Neurological Institute, McGill University, 3801 Rue University, Montréal, QC H3A 2B4, Canada; Center for Molecular and Behavioral Neuroscience, Rutgers University, Newark, NJ, USA
| | - Alain Dagher
- Montreal Neurological Institute, McGill University, 3801 Rue University, Montréal, QC H3A 2B4, Canada
| | - Robert J Zatorre
- Montreal Neurological Institute, McGill University, 3801 Rue University, Montréal, QC H3A 2B4, Canada; International Laboratory for Brain, Music, and Sound Research (BRAMS), Canada
| | - Talma Hendler
- Sagol Brain Institute, Tel-Aviv Sourasky Medical Center, 6 Weizman St. Tel Aviv, 64239, Israel; Sagol school of Neuroscience, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel; School of Psychological Sciences, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel; Sackler School of Medicine, Tel-Aviv University, PO Box 39040, Tel Aviv 6997801, Israel.
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10
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Papatzikis E, Agapaki M, Selvan RN, Pandey V, Zeba F. Quality standards and recommendations for research in music and neuroplasticity. Ann N Y Acad Sci 2023; 1520:20-33. [PMID: 36478395 DOI: 10.1111/nyas.14944] [Citation(s) in RCA: 1] [Impact Index Per Article: 1.0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 12/12/2022]
Abstract
Research on how music influences brain plasticity has gained momentum in recent years. Considering, however, the nonuniform methodological standards implemented, the findings end up being nonreplicable and less generalizable. To address the need for a standardized baseline of research quality, we gathered all the studies in the music and neuroplasticity field in 2019 and appraised their methodological rigor systematically and critically. The aim was to provide a preliminary and, at the minimum, acceptable quality threshold-and, ipso facto, suggested recommendations-whereupon further discussion and development may take place. Quality appraisal was performed on 89 articles by three independent raters, following a standardized scoring system. The raters' scoring was cross-referenced following an inter-rater reliability measure, and further studied by performing multiple ratings comparisons and matrix analyses. The results for methodological quality were at a quite good level (quantitative articles: mean = 0.737, SD = 0.084; qualitative articles: mean = 0.677, SD = 0.144), following a moderate but statistically significant level of agreement between the raters (W = 0.44, χ2 = 117.249, p = 0.020). We conclude that the standards for implementation and reporting are of high quality; however, certain improvements are needed to reach the stringent levels presumed for such an influential interdisciplinary scientific field.
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Affiliation(s)
- Efthymios Papatzikis
- Department of Early Childhood Education and Care, Oslo Metropolitan University, Oslo, Norway
| | - Maria Agapaki
- Department of Early Childhood Education and Care, Oslo Metropolitan University, Oslo, Norway
| | - Rosari Naveena Selvan
- Institute for Physics 3 - Biophysics and Bernstein Center for Computational Neuroscience (BCCN), University of Göttingen, Göttingen, Germany.,Department of Psychology, University of Münster, Münster, Germany
| | | | - Fathima Zeba
- School of Humanities and Social Sciences, Manipal Academy of Higher Education Dubai, Dubai, United Arab Emirates
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11
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Mas-Herrero E, Singer N, Ferreri L, McPhee M, Zatorre RJ, Ripollés P. Music engagement is negatively correlated with depressive symptoms during the COVID-19 pandemic via reward-related mechanisms. Ann N Y Acad Sci 2023; 1519:186-198. [PMID: 36401802 DOI: 10.1111/nyas.14931] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 11/21/2022]
Abstract
The COVID-19 pandemic has deeply affected the mental health of millions of people. We assessed which of many leisure activities correlated with positive mental health outputs, with particular attention to music, which has been reported to be important for coping with the psychological burden of the pandemic. Questionnaire data from about 1000 individuals primarily from Italy, Spain, and the United States during May-June 2020 show that people picked music activities (listening to, playing, singing, etc.) most often as the leisure experiences that helped them the most to cope with psychological distress related with the pandemic. During the pandemic, hours of engagement in music and food-related activities were associated with lower depressive symptoms. The negative correlation between music and depression was mediated by individual differences in sensitivity to reward, whereas the correlation between food-related activities and improved mental health outputs was explained by differences in emotion suppression strategies. Our results, while correlational, suggest that engaging in music activities could be related to improved well-being with the underlying mechanism being related to reward, consistent with neuroscience findings. Our data have practical significance in pointing to effective strategies to cope with mental health issues beyond those related to the COVID-19 pandemic.
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Affiliation(s)
- Ernest Mas-Herrero
- Department of Cognition, Development and Education Psychology, Institute of Neurosciences, University of Barcelona, Barcelona, Spain.,Cognition and Brain Plasticity Unit, Bellvitge Biomedical Research Institute, L'Hospitalet de Llobregat, Barcelona, Spain
| | - Neomi Singer
- Montreal Neurological Institute, McGill University, Montreal, Quebec, Canada.,International Laboratory for Brain, Music and Sound Research (BRAMS) and Center for Research in Brain, Language and Music (CRBLM), Montreal, Quebec, Canada.,Sagol Brain Institute and Department of Neurology, Tel Aviv Sourasky Medical Center, Tel Aviv, Israel
| | - Laura Ferreri
- Department of Brain and Behavioral Sciences, University of Pavia, Pavia, Italy.,Laboratoire d'Étude des Mécanismes Cognitifs, Université Lumière Lyon 2, Lyon, France
| | - Michael McPhee
- Department of Psychology, New York University, New York, New York, USA.,Music and Auditory Research Laboratory (MARL), New York University, New York, New York, USA.,Center for Language, Music, and Emotion (CLaME), New York University, New York, New York, USA
| | - Robert J Zatorre
- Montreal Neurological Institute, McGill University, Montreal, Quebec, Canada.,International Laboratory for Brain, Music and Sound Research (BRAMS) and Center for Research in Brain, Language and Music (CRBLM), Montreal, Quebec, Canada
| | - Pablo Ripollés
- Department of Psychology, New York University, New York, New York, USA.,Music and Auditory Research Laboratory (MARL), New York University, New York, New York, USA.,Center for Language, Music, and Emotion (CLaME), New York University, New York, New York, USA
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12
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Chen WG, Iversen JR, Kao MH, Loui P, Patel AD, Zatorre RJ, Edwards E. Music and Brain Circuitry: Strategies for Strengthening Evidence-Based Research for Music-Based Interventions. J Neurosci 2022; 42:8498-8507. [PMID: 36351825 PMCID: PMC9665917 DOI: 10.1523/jneurosci.1135-22.2022] [Citation(s) in RCA: 8] [Impact Index Per Article: 4.0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 06/10/2022] [Revised: 09/07/2022] [Accepted: 09/10/2022] [Indexed: 11/17/2022] Open
Abstract
The neuroscience of music and music-based interventions (MBIs) is a fascinating but challenging research field. While music is a ubiquitous component of every human society, MBIs may encompass listening to music, performing music, music-based movement, undergoing music education and training, or receiving treatment from music therapists. Unraveling the brain circuits activated and influenced by MBIs may help us gain better understanding of the therapeutic and educational values of MBIs by gathering strong research evidence. However, the complexity and variety of MBIs impose unique research challenges. This article reviews the recent endeavor led by the National Institutes of Health to support evidence-based research of MBIs and their impact on health and diseases. It also highlights fundamental challenges and strategies of MBI research with emphases on the utilization of animal models, human brain imaging and stimulation technologies, behavior and motion capturing tools, and computational approaches. It concludes with suggestions of basic requirements when studying MBIs and promising future directions to further strengthen evidence-based research on MBIs in connections with brain circuitry.SIGNIFICANCE STATEMENT Music and music-based interventions (MBI) engage a wide range of brain circuits and hold promising therapeutic potentials for a variety of health conditions. Comparative studies using animal models have helped in uncovering brain circuit activities involved in rhythm perception, while human imaging, brain stimulation, and motion capture technologies have enabled neural circuit analysis underlying the effects of MBIs on motor, affective/reward, and cognitive function. Combining computational analysis, such as prediction method, with mechanistic studies in animal models and humans may unravel the complexity of MBIs and their effects on health and disease.
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Affiliation(s)
- Wen Grace Chen
- Division of Extramural Research, National Center for Complementary and Integrative Health, National Institutes of Health, Bethesda, Maryland, 20892
| | | | - Mimi H Kao
- Tufts University, Medford, Massachusetts 02155
| | - Psyche Loui
- Northeastern University, Boston, Massachusetts 02115
| | | | - Robert J Zatorre
- Montreal Neurological Institute, McGill University, Montreal, Quebec H3A2B4, Canada
| | - Emmeline Edwards
- Division of Extramural Research, National Center for Complementary and Integrative Health, National Institutes of Health, Bethesda, Maryland, 20892
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13
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Stupacher J, Matthews TE, Pando-Naude V, Foster Vander Elst O, Vuust P. The sweet spot between predictability and surprise: musical groove in brain, body, and social interactions. Front Psychol 2022; 13:906190. [PMID: 36017431 PMCID: PMC9396343 DOI: 10.3389/fpsyg.2022.906190] [Citation(s) in RCA: 8] [Impact Index Per Article: 4.0] [Reference Citation Analysis] [Abstract] [Key Words] [Grants] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 03/28/2022] [Accepted: 07/19/2022] [Indexed: 11/30/2022] Open
Abstract
Groove-defined as the pleasurable urge to move to a rhythm-depends on a fine-tuned interplay between predictability arising from repetitive rhythmic patterns, and surprise arising from rhythmic deviations, for example in the form of syncopation. The perfect balance between predictability and surprise is commonly found in rhythmic patterns with a moderate level of rhythmic complexity and represents the sweet spot of the groove experience. In contrast, rhythms with low or high complexity are usually associated with a weaker experience of groove because they are too boring to be engaging or too complex to be interpreted, respectively. Consequently, the relationship between rhythmic complexity and groove experience can be described by an inverted U-shaped function. We interpret this inverted U shape in light of the theory of predictive processing and provide perspectives on how rhythmic complexity and groove can help us to understand the underlying neural mechanisms linking temporal predictions, movement, and reward. A better understanding of these mechanisms can guide future approaches to improve treatments for patients with motor impairments, such as Parkinson's disease, and to investigate prosocial aspects of interpersonal interactions that feature music, such as dancing. Finally, we present some open questions and ideas for future research.
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Affiliation(s)
- Jan Stupacher
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University and The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
- Institute of Psychology, University of Graz, Graz, Austria
| | - Tomas Edward Matthews
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University and The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
| | - Victor Pando-Naude
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University and The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
| | - Olivia Foster Vander Elst
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University and The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
| | - Peter Vuust
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University and The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
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14
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Cheung VKM, Sakamoto S. Separating Uncertainty from Surprise in Auditory Processing with Neurocomputational Models: Implications for Music Perception. J Neurosci 2022; 42:5657-5659. [PMID: 35858813 PMCID: PMC9302456 DOI: 10.1523/jneurosci.0594-22.2022] [Citation(s) in RCA: 1] [Impact Index Per Article: 0.5] [Reference Citation Analysis] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 03/23/2022] [Revised: 05/19/2022] [Accepted: 05/23/2022] [Indexed: 01/22/2023] Open
Affiliation(s)
- Vincent K M Cheung
- Sony Computer Science Laboratories, Inc., Tokyo 141-0022, Japan
- Institute of Information Science, Academia Sinica, Taipei 11529, Taiwan
| | - Shu Sakamoto
- Sony Computer Science Laboratories, Inc., Tokyo 141-0022, Japan
- Graduate School of Media and Governance, Keio University, Fujisawa 252-0882, Japan
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15
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Vuust P, Heggli OA, Friston KJ, Kringelbach ML. Music in the brain. Nat Rev Neurosci 2022; 23:287-305. [PMID: 35352057 DOI: 10.1038/s41583-022-00578-5] [Citation(s) in RCA: 104] [Impact Index Per Article: 52.0] [Reference Citation Analysis] [Abstract] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Accepted: 02/22/2022] [Indexed: 02/06/2023]
Abstract
Music is ubiquitous across human cultures - as a source of affective and pleasurable experience, moving us both physically and emotionally - and learning to play music shapes both brain structure and brain function. Music processing in the brain - namely, the perception of melody, harmony and rhythm - has traditionally been studied as an auditory phenomenon using passive listening paradigms. However, when listening to music, we actively generate predictions about what is likely to happen next. This enactive aspect has led to a more comprehensive understanding of music processing involving brain structures implicated in action, emotion and learning. Here we review the cognitive neuroscience literature of music perception. We show that music perception, action, emotion and learning all rest on the human brain's fundamental capacity for prediction - as formulated by the predictive coding of music model. This Review elucidates how this formulation of music perception and expertise in individuals can be extended to account for the dynamics and underlying brain mechanisms of collective music making. This in turn has important implications for human creativity as evinced by music improvisation. These recent advances shed new light on what makes music meaningful from a neuroscientific perspective.
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Affiliation(s)
- Peter Vuust
- Center for Music in the Brain, Aarhus University and The Royal Academy of Music (Det Jyske Musikkonservatorium), Aarhus, Denmark.
| | - Ole A Heggli
- Center for Music in the Brain, Aarhus University and The Royal Academy of Music (Det Jyske Musikkonservatorium), Aarhus, Denmark
| | - Karl J Friston
- Wellcome Centre for Human Neuroimaging, University College London, London, UK
| | - Morten L Kringelbach
- Center for Music in the Brain, Aarhus University and The Royal Academy of Music (Det Jyske Musikkonservatorium), Aarhus, Denmark.,Department of Psychiatry, University of Oxford, Oxford, UK.,Centre for Eudaimonia and Human Flourishing, Linacre College, University of Oxford, Oxford, UK
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16
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Grzywacz NM, Aleem H. Does Amount of Information Support Aesthetic Values? Front Neurosci 2022; 16:805658. [PMID: 35392414 PMCID: PMC8982361 DOI: 10.3389/fnins.2022.805658] [Citation(s) in RCA: 2] [Impact Index Per Article: 1.0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 10/30/2021] [Accepted: 02/16/2022] [Indexed: 11/24/2022] Open
Abstract
Obtaining information from the world is important for survival. The brain, therefore, has special mechanisms to extract as much information as possible from sensory stimuli. Hence, given its importance, the amount of available information may underlie aesthetic values. Such information-based aesthetic values would be significant because they would compete with others to drive decision-making. In this article, we ask, "What is the evidence that amount of information support aesthetic values?" An important concept in the measurement of informational volume is entropy. Research on aesthetic values has thus used Shannon entropy to evaluate the contribution of quantity of information. We review here the concepts of information and aesthetic values, and research on the visual and auditory systems to probe whether the brain uses entropy or other relevant measures, specially, Fisher information, in aesthetic decisions. We conclude that information measures contribute to these decisions in two ways: first, the absolute quantity of information can modulate aesthetic preferences for certain sensory patterns. However, the preference for volume of information is highly individualized, with information-measures competing with organizing principles, such as rhythm and symmetry. In addition, people tend to be resistant to too much entropy, but not necessarily, high amounts of Fisher information. We show that this resistance may stem in part from the distribution of amount of information in natural sensory stimuli. Second, the measurement of entropic-like quantities over time reveal that they can modulate aesthetic decisions by varying degrees of surprise given temporally integrated expectations. We propose that amount of information underpins complex aesthetic values, possibly informing the brain on the allocation of resources or the situational appropriateness of some cognitive models.
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Affiliation(s)
- Norberto M. Grzywacz
- Department of Psychology, Loyola University Chicago, Chicago, IL, United States
- Department of Molecular Pharmacology and Neuroscience, Loyola University Chicago, Chicago, IL, United States
- Interdisciplinary Program in Neuroscience, Georgetown University, Washington, DC, United States
| | - Hassan Aleem
- Interdisciplinary Program in Neuroscience, Georgetown University, Washington, DC, United States
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17
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Chabin T, Gabriel D, Comte A, Haffen E, Moulin T, Pazart L. Interbrain emotional connection during music performances is driven by physical proximity and individual traits. Ann N Y Acad Sci 2021; 1508:178-195. [PMID: 34750828 DOI: 10.1111/nyas.14711] [Citation(s) in RCA: 14] [Impact Index Per Article: 4.7] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 07/29/2021] [Revised: 09/30/2021] [Accepted: 10/06/2021] [Indexed: 12/23/2022]
Abstract
How musical emotions and the pleasure derived from music, regardless of the musical valence, can be shared between individuals is a fascinating question, and investigating it can shed light on the function of musical reward. We carried out our investigations in a natural setting during an international competition for orchestra conductors. Participants (n = 15) used a dedicated smartphone app to report their subjective emotional experiences in real time while we recorded their cerebral activity using electroencephalography and their electrodermal activity. The overall behavioral real-time behavioral ratings suggest a possible social influence on the reported and felt pleasure. The physically closer the participants, the more similar their reported pleasure. By calculating the interindividual cerebral coherence (n = 21 pairs), we showed that when people simultaneously reported either high or low pleasure, their cerebral activities were closer than for simultaneous neutral pleasure reports. Participants' skin conductance levels were also more coupled when reporting higher emotional degrees simultaneously. More importantly, the participants who were physically closer had higher cerebral coherence, but only when they simultaneously reported a high level of pleasure. We propose that emotional contagion and/or emotional resonance mechanisms could explain why a form of "emotional connecting force" arises between people during shared appraisal situations.
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Affiliation(s)
- Thibault Chabin
- Centre Hospitalier Universitaire de Besançon, Centre d'Investigation Clinique INSERM CIC 1431, Besançon, France.,Plateforme de Neuroimagerie Fonctionnelle et Neurostimulation Neuraxess, Centre Hospitalier Universitaire de Besançon, Université de Bourgogne Franche-Comté, Besançon, France.,Laboratoire de Recherches Intégratives en Neurosciences et Psychologie Cognitive, Université Bourgogne Franche-Comté, Besançon, France
| | - Damien Gabriel
- Centre Hospitalier Universitaire de Besançon, Centre d'Investigation Clinique INSERM CIC 1431, Besançon, France.,Plateforme de Neuroimagerie Fonctionnelle et Neurostimulation Neuraxess, Centre Hospitalier Universitaire de Besançon, Université de Bourgogne Franche-Comté, Besançon, France.,Laboratoire de Recherches Intégratives en Neurosciences et Psychologie Cognitive, Université Bourgogne Franche-Comté, Besançon, France
| | - Alexandre Comte
- Centre Hospitalier Universitaire de Besançon, Centre d'Investigation Clinique INSERM CIC 1431, Besançon, France.,Plateforme de Neuroimagerie Fonctionnelle et Neurostimulation Neuraxess, Centre Hospitalier Universitaire de Besançon, Université de Bourgogne Franche-Comté, Besançon, France.,Laboratoire de Recherches Intégratives en Neurosciences et Psychologie Cognitive, Université Bourgogne Franche-Comté, Besançon, France
| | - Emmanuel Haffen
- Centre Hospitalier Universitaire de Besançon, Centre d'Investigation Clinique INSERM CIC 1431, Besançon, France.,Plateforme de Neuroimagerie Fonctionnelle et Neurostimulation Neuraxess, Centre Hospitalier Universitaire de Besançon, Université de Bourgogne Franche-Comté, Besançon, France.,Laboratoire de Recherches Intégratives en Neurosciences et Psychologie Cognitive, Université Bourgogne Franche-Comté, Besançon, France
| | - Thierry Moulin
- Centre Hospitalier Universitaire de Besançon, Centre d'Investigation Clinique INSERM CIC 1431, Besançon, France.,Plateforme de Neuroimagerie Fonctionnelle et Neurostimulation Neuraxess, Centre Hospitalier Universitaire de Besançon, Université de Bourgogne Franche-Comté, Besançon, France.,Laboratoire de Recherches Intégratives en Neurosciences et Psychologie Cognitive, Université Bourgogne Franche-Comté, Besançon, France
| | - Lionel Pazart
- Centre Hospitalier Universitaire de Besançon, Centre d'Investigation Clinique INSERM CIC 1431, Besançon, France.,Plateforme de Neuroimagerie Fonctionnelle et Neurostimulation Neuraxess, Centre Hospitalier Universitaire de Besançon, Université de Bourgogne Franche-Comté, Besançon, France.,Laboratoire de Recherches Intégratives en Neurosciences et Psychologie Cognitive, Université Bourgogne Franche-Comté, Besançon, France
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18
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Papatzikis E. An Infant's Question on COVID-19 and Music: Should I Attend My Online Classes? Front Psychol 2021; 12:771050. [PMID: 34744948 PMCID: PMC8569374 DOI: 10.3389/fpsyg.2021.771050] [Citation(s) in RCA: 1] [Impact Index Per Article: 0.3] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Journal Information] [Subscribe] [Scholar Register] [Received: 09/05/2021] [Accepted: 09/27/2021] [Indexed: 11/13/2022] Open
Abstract
In the last few months, we all have faced a profound challenge to balance our lives amidst fighting the COVID-19 pandemic. The reactions to this coronavirus pandemic have no doubt affected all aspects of our everyday normalcy as they have called for an extended set of measures that have greatly impacted our social interactions and well-being. During this unprecedented global situation, the pandemic has also taken its toll on education, as schools, universities, and other educational institutions have suspended their programs or moved online to retain educational momentum. Among the programs that tried to adapt to this online model was the early years music education. This mini-review article aims to discuss the framework of online existence for the early years music programs amid the COVID-19 crisis, while considering their benefits and character under these extraordinary circumstances.
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Affiliation(s)
- Efthymios Papatzikis
- Department of Early Childhood Education and Care, Oslo Metropolitan University, Oslo, Norway
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19
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20
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Vaisvaser S. The Embodied-Enactive-Interactive Brain: Bridging Neuroscience and Creative Arts Therapies. Front Psychol 2021; 12:634079. [PMID: 33995190 PMCID: PMC8121022 DOI: 10.3389/fpsyg.2021.634079] [Citation(s) in RCA: 3] [Impact Index Per Article: 1.0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Journal Information] [Subscribe] [Scholar Register] [Received: 11/26/2020] [Accepted: 04/07/2021] [Indexed: 01/10/2023] Open
Abstract
The recognition and incorporation of evidence-based neuroscientific concepts into creative arts therapeutic knowledge and practice seem valuable and advantageous for the purpose of integration and professional development. Moreover, exhilarating insights from the field of neuroscience coincide with the nature, conceptualization, goals, and methods of Creative Arts Therapies (CATs), enabling comprehensive understandings of the clinical landscape, from a translational perspective. This paper contextualizes and discusses dynamic brain functions that have been suggested to lie at the heart of intra- and inter-personal processes. Touching upon fundamental aspects of the self and self-other interaction, the state-of-the-art neuroscientific-informed views will shed light on mechanisms of the embodied, predictive and relational brain. The conceptual analysis introduces and interweaves the following contemporary perspectives of brain function: firstly, the grounding of mental activity in the lived, bodily experience will be delineated; secondly, the enactive account of internal models, or generative predictive representations, shaped by experience, will be defined and extensively deliberated; and thirdly, the interpersonal simulation and synchronization mechanisms that support empathy and mentalization will be thoroughly considered. Throughout the paper, the cross-talks between the brain and the body, within the brain through functionally connected neural networks and in the context of agent-environment dynamics, will be addressed. These communicative patterns will be elaborated on to unfold psychophysiological linkage, as well as psychopathological shifts, concluding with the neuroplastic change associated with the formulation of CATs. The manuscript suggests an integrative view of the brain-body-mind in contexts relevant to the therapeutic potential of the expressive creative arts and the main avenues by which neuroscience may ground, enlighten and enrich the clinical psychotherapeutic practice.
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Affiliation(s)
- Sharon Vaisvaser
- School of Society and the Arts, Ono Academic College, Kiryat Ono, Israel
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21
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Unraveling the Temporal Dynamics of Reward Signals in Music-Induced Pleasure with TMS. J Neurosci 2021; 41:3889-3899. [PMID: 33782048 DOI: 10.1523/jneurosci.0727-20.2020] [Citation(s) in RCA: 13] [Impact Index Per Article: 4.3] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 03/30/2020] [Revised: 12/18/2020] [Accepted: 12/21/2020] [Indexed: 11/21/2022] Open
Abstract
Music's ability to induce feelings of pleasure has been the subject of intense neuroscientific research lately. Prior neuroimaging studies have shown that music-induced pleasure engages cortico-striatal circuits related to the anticipation and receipt of biologically relevant rewards/incentives, but these reports are necessarily correlational. Here, we studied both the causal role of this circuitry and its temporal dynamics by applying transcranial magnetic stimulation (TMS) over the left dorsolateral PFC combined with fMRI in 17 male and female participants. Behaviorally, we found that, in accord with previous findings, excitation of fronto-striatal pathways enhanced subjective reports of music-induced pleasure and motivation, whereas inhibition of the same circuitry led to the reduction of both. fMRI activity patterns indicated that these behavioral changes were driven by bidirectional TMS-induced alteration of fronto-striatal function. Specifically, changes in activity in the NAcc predicted modulation of both hedonic and motivational responses, with a dissociation between pre-experiential versus experiential components of musical reward. In addition, TMS-induced changes in the fMRI functional connectivity between the NAcc and frontal and auditory cortices predicted the degree of modulation of hedonic responses. These results indicate that the engagement of cortico-striatal pathways and the NAcc, in particular, is indispensable to experience rewarding feelings from music.SIGNIFICANCE STATEMENT Neuroimaging studies have shown that music-induced pleasure engages cortico-striatal circuits involved in the processing of biologically relevant rewards. Yet, these reports are necessarily correlational. Here, we studied both the causal role of this circuitry and its temporal dynamics by combining brain stimulation over the frontal cortex with functional imaging. Behaviorally, we found that excitation and inhibition of fronto-striatal pathways enhanced and disrupted, respectively, subjective reports of music-induced pleasure and motivation. These changes were associated with changes in NAcc activity and NAcc coupling with frontal and auditory cortices, dissociating between pre-experimental versus experiential components of musical reward. These results indicate that the engagement of cortico-striatal pathways, and the NAcc in particular, is indispensable to experience rewarding feeling from music.
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22
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Mas-Herrero E, Maini L, Sescousse G, Zatorre RJ. Common and distinct neural correlates of music and food-induced pleasure: A coordinate-based meta-analysis of neuroimaging studies. Neurosci Biobehav Rev 2021; 123:61-71. [PMID: 33440196 DOI: 10.1016/j.neubiorev.2020.12.008] [Citation(s) in RCA: 19] [Impact Index Per Article: 6.3] [Reference Citation Analysis] [Abstract] [Key Words] [Journal Information] [Subscribe] [Scholar Register] [Received: 08/14/2020] [Revised: 11/11/2020] [Accepted: 12/12/2020] [Indexed: 12/31/2022]
Abstract
Neuroimaging studies have shown that, despite the abstractness of music, it may mimic biologically rewarding stimuli (e.g., food) in its ability to engage the brain's reward circuitry. However, due to the lack of research comparing music and other types of reward, it is unclear to what extent the recruitment of reward-related structures overlaps among domains. To achieve this goal, we performed a coordinate-based meta-analysis of 38 neuroimaging studies (703 subjects) comparing the brain responses specifically to music and food-induced pleasure. Both engaged a common set of brain regions, including the ventromedial prefrontal cortex, ventral striatum, and insula. Yet, comparative analyses indicated a partial dissociation in the engagement of the reward circuitry as a function of the type of reward, as well as additional reward type-specific activations in brain regions related to perception, sensory processing, and learning. These results support the idea that hedonic reactions rely on the engagement of a common reward network, yet through specific routes of access depending on the modality and nature of the reward.
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Affiliation(s)
- Ernest Mas-Herrero
- Cognition and Brain Plasticity Unit, Bellvitge Biomedical Research Institute, L'Hospitalet de Llobregat, 08907, Barcelona, Spain; Department of Cognition, Development and Education Psychology, University of Barcelona, 08035, Barcelona, Spain.
| | - Larissa Maini
- Montreal Neurological Institute, McGill University, Montreal, QC, Canada; Michael G. DeGroote School of Medicine, McMaster University, Hamilton, Ontario, Canada
| | - Guillaume Sescousse
- Lyon Neuroscience Research Center - INSERM U1028 - CNRS UMR5292, PSYR2 Team, University of Lyon, Lyon, France
| | - Robert J Zatorre
- Montreal Neurological Institute, McGill University, Montreal, QC, Canada; International Laboratory for Brain, Music, and Sound Research (BRAMS), Montreal, QC, Canada.
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23
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A coordinate-based meta-analysis of music-evoked emotions. Neuroimage 2020; 223:117350. [PMID: 32898679 DOI: 10.1016/j.neuroimage.2020.117350] [Citation(s) in RCA: 42] [Impact Index Per Article: 10.5] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 01/24/2020] [Revised: 08/04/2020] [Accepted: 09/01/2020] [Indexed: 12/19/2022] Open
Abstract
Since the publication of the first neuroscience study investigating emotion with music about two decades ago, the number of functional neuroimaging studies published on this topic has increased each year. This research interest is in part due to the ubiquity of music across cultures, and to music's power to evoke a diverse range of intensely felt emotions. To support a better understanding of the brain correlates of music-evoked emotions this article reports a coordinate-based meta-analysis of neuroimaging studies (n = 47 studies with n = 944 subjects). The studies employed a range of diverse experimental approaches (e.g., using music to evoke joy, sadness, fear, tension, frissons, surprise, unpleasantness, or feelings of beauty). The results of an activation likelihood estimation (ALE) indicate large clusters in a range of structures, including amygdala, anterior hippocampus, auditory cortex, and numerous structures of the reward network (ventral and dorsal striatum, anterior cingulate cortex, orbitofrontal cortex, secondary somatosensory cortex). The results underline the rewarding nature of music, the role of the auditory cortex as an emotional hub, and the role of the hippocampus in attachment-related emotions and social bonding.
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24
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Harvey AR. Links Between the Neurobiology of Oxytocin and Human Musicality. Front Hum Neurosci 2020; 14:350. [PMID: 33005139 PMCID: PMC7479205 DOI: 10.3389/fnhum.2020.00350] [Citation(s) in RCA: 20] [Impact Index Per Article: 5.0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 05/01/2020] [Accepted: 08/04/2020] [Indexed: 12/22/2022] Open
Abstract
The human species possesses two complementary, yet distinct, universal communication systems—language and music. Functional imaging studies have revealed that some core elements of these two systems are processed in closely related brain regions, but there are also clear differences in brain circuitry that likely underlie differences in functionality. Music affects many aspects of human behavior, especially in encouraging prosocial interactions and promoting trust and cooperation within groups of culturally compatible but not necessarily genetically related individuals. Music, presumably via its impact on the limbic system, is also rewarding and motivating, and music can facilitate aspects of learning and memory. In this review these special characteristics of music are considered in light of recent research on the neuroscience of the peptide oxytocin, a hormone that has both peripheral and central actions, that plays a role in many complex human behaviors, and whose expression has recently been reported to be affected by music-related activities. I will first briefly discuss what is currently known about the peptide’s physiological actions on neurons and its interactions with other neuromodulator systems, then summarize recent advances in our knowledge of the distribution of oxytocin and its receptor (OXTR) in the human brain. Next, the complex links between oxytocin and various social behaviors in humans are considered. First, how endogenous oxytocin levels relate to individual personality traits, and then how exogenous, intranasal application of oxytocin affects behaviors such as trust, empathy, reciprocity, group conformity, anxiety, and overall social decision making under different environmental conditions. It is argued that many of these characteristics of oxytocin biology closely mirror the diverse effects that music has on human cognition and emotion, providing a link to the important role music has played throughout human evolutionary history and helping to explain why music remains a special prosocial human asset. Finally, it is suggested that there is a potential synergy in combining oxytocin- and music-based strategies to improve general health and aid in the treatment of various neurological dysfunctions.
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Affiliation(s)
- Alan R Harvey
- School of Human Sciences, The University of Western Australia, Perron Institute for Neurological and Translational Science, Perth, WA, Australia
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25
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Kraus N. The Joyful Reduction of Uncertainty: Music Perception as a Window to Predictive Neuronal Processing. J Neurosci 2020; 40:2790-2792. [PMID: 32238483 PMCID: PMC7117902 DOI: 10.1523/jneurosci.0072-20.2020] [Citation(s) in RCA: 5] [Impact Index Per Article: 1.3] [Reference Citation Analysis] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 01/10/2020] [Revised: 02/21/2020] [Accepted: 02/23/2020] [Indexed: 11/21/2022] Open
Affiliation(s)
- Nils Kraus
- Psychologische Hochschule Berlin, Freie Universität Berlin, Berlin 10179, Germany
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26
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Di Liberto GM, Pelofi C, Bianco R, Patel P, Mehta AD, Herrero JL, de Cheveigné A, Shamma S, Mesgarani N. Cortical encoding of melodic expectations in human temporal cortex. eLife 2020; 9:e51784. [PMID: 32122465 PMCID: PMC7053998 DOI: 10.7554/elife.51784] [Citation(s) in RCA: 45] [Impact Index Per Article: 11.3] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 09/11/2019] [Accepted: 01/20/2020] [Indexed: 01/14/2023] Open
Abstract
Humans engagement in music rests on underlying elements such as the listeners' cultural background and interest in music. These factors modulate how listeners anticipate musical events, a process inducing instantaneous neural responses as the music confronts these expectations. Measuring such neural correlates would represent a direct window into high-level brain processing. Here we recorded cortical signals as participants listened to Bach melodies. We assessed the relative contributions of acoustic versus melodic components of the music to the neural signal. Melodic features included information on pitch progressions and their tempo, which were extracted from a predictive model of musical structure based on Markov chains. We related the music to brain activity with temporal response functions demonstrating, for the first time, distinct cortical encoding of pitch and note-onset expectations during naturalistic music listening. This encoding was most pronounced at response latencies up to 350 ms, and in both planum temporale and Heschl's gyrus.
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Affiliation(s)
- Giovanni M Di Liberto
- Laboratoire des systèmes perceptifs, Département d’études cognitives, École normale supérieure, PSL University, CNRS75005 ParisFrance
| | - Claire Pelofi
- Department of Psychology, New York UniversityNew YorkUnited States
- Institut de Neurosciences des Système, UMR S 1106, INSERM, Aix Marseille UniversitéMarseilleFrance
| | | | - Prachi Patel
- Department of Electrical Engineering, Columbia UniversityNew YorkUnited States
- Mortimer B Zuckerman Mind Brain Behavior Institute, Columbia UniversityNew YorkUnited States
| | - Ashesh D Mehta
- Department of Neurosurgery, Zucker School of Medicine at Hofstra/NorthwellManhassetUnited States
- Feinstein Institute of Medical Research, Northwell HealthManhassetUnited States
| | - Jose L Herrero
- Department of Neurosurgery, Zucker School of Medicine at Hofstra/NorthwellManhassetUnited States
- Feinstein Institute of Medical Research, Northwell HealthManhassetUnited States
| | - Alain de Cheveigné
- Laboratoire des systèmes perceptifs, Département d’études cognitives, École normale supérieure, PSL University, CNRS75005 ParisFrance
- UCL Ear InstituteLondonUnited Kingdom
| | - Shihab Shamma
- Laboratoire des systèmes perceptifs, Département d’études cognitives, École normale supérieure, PSL University, CNRS75005 ParisFrance
- Institute for Systems Research, Electrical and Computer Engineering, University of MarylandCollege ParkUnited States
| | - Nima Mesgarani
- Department of Electrical Engineering, Columbia UniversityNew YorkUnited States
- Mortimer B Zuckerman Mind Brain Behavior Institute, Columbia UniversityNew YorkUnited States
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Cheung VK, Harrison PM, Meyer L, Pearce MT, Haynes JD, Koelsch S. Uncertainty and Surprise Jointly Predict Musical Pleasure and Amygdala, Hippocampus, and Auditory Cortex Activity. Curr Biol 2019; 29:4084-4092.e4. [DOI: 10.1016/j.cub.2019.09.067] [Citation(s) in RCA: 71] [Impact Index Per Article: 14.2] [Reference Citation Analysis] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 07/06/2019] [Revised: 09/11/2019] [Accepted: 09/25/2019] [Indexed: 12/11/2022]
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Gold BP, Pearce MT, Mas-Herrero E, Dagher A, Zatorre RJ. Predictability and Uncertainty in the Pleasure of Music: A Reward for Learning? J Neurosci 2019; 39:9397-9409. [PMID: 31636112 PMCID: PMC6867811 DOI: 10.1523/jneurosci.0428-19.2019] [Citation(s) in RCA: 50] [Impact Index Per Article: 10.0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 02/22/2019] [Revised: 09/30/2019] [Accepted: 10/01/2019] [Indexed: 12/23/2022] Open
Abstract
Music ranks among the greatest human pleasures. It consistently engages the reward system, and converging evidence implies it exploits predictions to do so. Both prediction confirmations and errors are essential for understanding one's environment, and music offers many of each as it manipulates interacting patterns across multiple timescales. Learning models suggest that a balance of these outcomes (i.e., intermediate complexity) optimizes the reduction of uncertainty to rewarding and pleasurable effect. Yet evidence of a similar pattern in music is mixed, hampered by arbitrary measures of complexity. In the present studies, we applied a well-validated information-theoretic model of auditory expectation to systematically measure two key aspects of musical complexity: predictability (operationalized as information content [IC]), and uncertainty (entropy). In Study 1, we evaluated how these properties affect musical preferences in 43 male and female participants; in Study 2, we replicated Study 1 in an independent sample of 27 people and assessed the contribution of veridical predictability by presenting the same stimuli seven times. Both studies revealed significant quadratic effects of IC and entropy on liking that outperformed linear effects, indicating reliable preferences for music of intermediate complexity. An interaction between IC and entropy further suggested preferences for more predictability during more uncertain contexts, which would facilitate uncertainty reduction. Repeating stimuli decreased liking ratings but did not disrupt the preference for intermediate complexity. Together, these findings support long-hypothesized optimal zones of predictability and uncertainty in musical pleasure with formal modeling, relating the pleasure of music listening to the intrinsic reward of learning.SIGNIFICANCE STATEMENT Abstract pleasures, such as music, claim much of our time, energy, and money despite lacking any clear adaptive benefits like food or shelter. Yet as music manipulates patterns of melody, rhythm, and more, it proficiently exploits our expectations. Given the importance of anticipating and adapting to our ever-changing environments, making and evaluating uncertain predictions can have strong emotional effects. Accordingly, we present evidence that listeners consistently prefer music of intermediate predictive complexity, and that preferences shift toward expected musical outcomes in more uncertain contexts. These results are consistent with theories that emphasize the intrinsic reward of learning, both by updating inaccurate predictions and validating accurate ones, which is optimal in environments that present manageable predictive challenges (i.e., reducible uncertainty).
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Affiliation(s)
- Benjamin P Gold
- Montreal Neurological Institute, McGill University, Montreal, Quebec H3A 2B4, Canada,
- International Laboratory for Brain, Music and Sound Research, Montreal, Quebec H2V 2J2, Canada
- Centre for Interdisciplinary Research in Music Media and Technology, Montreal, Quebec H3A 1E3, Canada
| | - Marcus T Pearce
- Cognitive Science Research Group, School of Electronic Engineering and Computer Science, Queen Mary University of London, London E1 4NS, United Kingdom, and
- Centre for Music in the Brain, Aarhus University, Aarhus 8000, Denmark
| | - Ernest Mas-Herrero
- Montreal Neurological Institute, McGill University, Montreal, Quebec H3A 2B4, Canada
| | - Alain Dagher
- Montreal Neurological Institute, McGill University, Montreal, Quebec H3A 2B4, Canada
| | - Robert J Zatorre
- Montreal Neurological Institute, McGill University, Montreal, Quebec H3A 2B4, Canada
- International Laboratory for Brain, Music and Sound Research, Montreal, Quebec H2V 2J2, Canada
- Centre for Interdisciplinary Research in Music Media and Technology, Montreal, Quebec H3A 1E3, Canada
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29
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Reply to de Fleurian et al.: Toward a fuller understanding of reward prediction errors and their role in musical pleasure. Proc Natl Acad Sci U S A 2019; 116:20815-20816. [PMID: 31537747 DOI: 10.1073/pnas.1913835116] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 11/18/2022] Open
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30
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Belfi AM, Loui P. Musical anhedonia and rewards of music listening: current advances and a proposed model. Ann N Y Acad Sci 2019; 1464:99-114. [PMID: 31549425 DOI: 10.1111/nyas.14241] [Citation(s) in RCA: 28] [Impact Index Per Article: 5.6] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 05/10/2019] [Revised: 08/20/2019] [Accepted: 09/05/2019] [Indexed: 12/22/2022]
Abstract
Music frequently elicits intense emotional responses, a phenomenon that has been scrutinized from multiple disciplines that span the sciences and arts. While most people enjoy music and find it rewarding, there is substantial individual variability in the experience and degree of music-induced reward. Here, we review current work on the neural substrates of hedonic responses to music. In particular, we focus the present review on specific musical anhedonia, a selective lack of pleasure from music. Based on evidence from neuroimaging, neuropsychology, and brain stimulation studies, we derive a neuroanatomical model of the experience of pleasure during music listening. Our model posits that hedonic responses to music are the result of connectivity between structures involved in auditory perception as a predictive process, and those involved in the brain's dopaminergic reward system. We conclude with open questions and implications of this model for future research on why humans appreciate music.
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Affiliation(s)
- Amy M Belfi
- Department of Psychological Science, Missouri University of Science and Technology, Rolla, Missouri
| | - Psyche Loui
- Department of Music and Department of Psychology, Northeastern University, Boston, Massachusetts
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